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    Home Β» Commercial and critical darling Kendrick Lamar wins Pulitzer

    Commercial and critical darling Kendrick Lamar wins Pulitzer

    By SHOOTMonday, April 16, 2018Updated:Tuesday, May 14, 2024No Comments915 Views
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    By Mesfin Fekadu, Music Writer

    NEW YORK (AP) --

    Kendrick Lamar's raw and powerful "DAMN." album has won the Pulitzer Prize for music. It's the first non-classical or jazz work to win the award.

    The announcement was made Monday.

    Lamar has been praised and lauded for his deep lyrical content, remarkable live performances, and his profound mix of hip-hop, spoken word, jazz, soul, funk, poetry and African sounds.

    His major-label albums — "good kid, m.A.A.d city," ''To Pimp a Butterfly" and "DAMN." — became works of art, with Lamar writing songs about blackness, street life, police brutality, perseverance, survival and self-worth. His piercing raps helped him become the voice of the generation, and easily ascend as the leader in hip-hop and cross over to audiences outside of rap, from rock to pop to jazz.

     

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    Tags:DAMNKendrick LamarPulitzer Prize



    Review: Filmmaker Lynne Ramsay’s “Die, My Love” Starring Jennifer Lawrence

    Thursday, November 6, 2025

    A primal punk spirit rages through Lynne Ramsay's "Die, My Love," a jagged, go-for-broke psychodrama starring Jennifer Lawrence as an increasingly unhinged new mother and Robert Pattinson as her husband. In this cauldron of marital nightmare, set in a ramshackle rural Montana home, there are fires, real and imagined, and a variety of wildlife. There's an incessantly yapping dog, brought home by Jackson (Pattinson) shortly after the couple move in from New York. There's a horse in the road, inopportunely. And on the shirt on Grace (Lawrence) is a tiger. But, more than these animalistic flourishes, there is Grace, herself. In a moment early in the film, she prowls on all fours through tall grass, with a knife in her hand. The shorthand description of Ramsay's film, adapted from a 2012 novel by the Argentine writer Ariana Harwicz, is that it's about a woman with postpartum depression. But that's not quite right. It's more about the power and urges of a woman who, like a beautiful, feral creature, is not taking to domestication. That's the appealing through line of "Die, My Love," though it can be difficult to firmly grasp it in Ramsay's piercing but tediously overamplified character study. Still, as unkempt and overwrought as "Die, My Love" is, it's not a movie that's timidly weighing in on parenting and gender roles. There's plenty to admire in Ramsay's uncompromising and delirious portrait of marital hell, particularly in the bracingly raw performance of Lawrence. The abandon with which she throws herself into the role is enough to make you exclaim "Mother!" Grace and Jackson have moved near his childhood home. Their house belonged to Jackson's uncle before he killed himself. Jackson's parents (Nick Nolte, Sissy Spacek) live nearby, and Spacek's knowing... Read More

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