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    Home » Composer Lalo Schifrin says Oscar is an “amazing honor”

    Composer Lalo Schifrin says Oscar is an “amazing honor”

    By SHOOTSaturday, November 17, 2018Updated:Tuesday, May 14, 2024No Comments1090 Views
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    By Lindsey Bahr, Film Writer

    LOS ANGELES (AP) --

    Lalo Schifrin's unconventional scores have a way of getting into your head and staying there. The Argentinian composer has written more than 100 arrangements for film and television, including "Dirty Harry," Bullitt," ''Cool Hand Luke," and, perhaps most famously, the theme for "Mission: Impossible."

    In over 50 years of work, he's also racked up six Academy Award nominations — five for original score ("Cool Hand Luke," ''The Fox," ''Voyage of the Damned," ''The Amityville Horror," and "The Sting II") and one for original song — but has gone home empty handed every time. That'll change Sunday at the 10th annual Governors Awards where Schifrin, along with actress Cicely Tyson and publicist Marvin Levy , will be given a prestigious honorary Oscar statuette.

    Schifrin called the honor "amazing" and thanked the members of the film academy for their "generosity."

    Schifrin has been training in music since a very young age — his father was a respected musician locally in Buenos Aires who started him early. He piano studied with Enrique Barenboim and Juan Carlos Paz, and eventually got accepted into the prestigious Paris Conservatory, where he learned about harmony and composition from Olivier Messiaen ("He was a great influence on me.") Schifrin, who is also an accomplished jazz musician, impressed the likes of Dizzy Gillespie along the way before making his way to Los Angeles.

    Lately the 86-year-old has been less focused on film scores and more on classic compositions, but Schifrin still loves films and reflected on some of his best-known works.

    "Every movie has its own personality. There are no rules to write music for movies," Schifrin said. "The movie dictates what the music will be."

    One prime example is "Dirty Harry," where Schifrin decided that the main character wasn't in fact Clint Eastwood's hero Harry Callahan, but the villain, Scorpio.

    "You would think the composer would pay more attention to the hero. But in this case, no I did it to Scorpio, the bad guy, the evil guy," he said. "I wrote a theme for Scorpio."

    But it has been the "Mission: Impossible" score, famously written in the unusual 5/4 time signature, that has continued to remain his most popular and recognizable, as the Tom Cruise film series continues introducing new generations to the urgent earworm.

    "To me it was a surprise that the theme became so popular with people," Schifrin said.

    A producer at the time told him that he wanted something simple, something compact, and something that people can hear from the kitchen and know exactly which show is starting.

    "I went to write something simple," he said. "And over time it became so popular and I'm so happy about it."

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    Tags:Academy of Motion Picture Arts and SciencesGovernors AwardsLalo Schifrin



    Review: Director Edgar Wright’s “The Running Man”

    Wednesday, November 12, 2025

    It's always interesting when time overtakes the dystopias of the past. In Stephen King's 1982 novel "The Running Man," the United States has fallen into a totalitarian state, divided between haves and have-nots, where all movements can be surveilled and realistic video propaganda is easily generated. King's book was set in the year 2025. Edgar Wright's new big-screen adaptation is fittingly but awkwardly timed. Arriving in the year of King's imagined dystopia, its near-future has little in it that isn't already plausible today, making this "Running Man" — while fleet of foot in action — feel a step, or two, behind. "The Running Man," of course, has already begat one movie. Paul Michael Glaser's 1987 film starred Arnold Schwarzenegger as Ben Richards, the young father who out of financial desperation auditions for a lethal reality show where survival for 30 days means a $1 billion payday. (The movie was set in the distant year of 2017.) Times have changed, though. Wright's film stars Glen Powell as Richards, a fairly exponential upgrade in smirking charisma. This is, for sure, a dystopia with a genial spin. That's not only the case with the dashing and overweening Powell but with Wright, a playful genre practitioner whose approach to apocalypse ("Shaun of the Dead") is, by nature, comic. From the start, the darkest shades of King's book have been snuffed out of this blandly entertaining remake that swaps out the brutalist 1980s nihilism of the Schwarzenegger movie for a satirical portrait of America lacking in bite and prescience. It's not like the 1987 "Running Man" was so great, either. But at least it locked into a tone and stuck with it. Wright's movie has flashes of flamboyance that help, but it struggles to balance such violent science fiction... Read More

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