The Visual Effects Society (VES) has revealed its 2019 class of VES Fellows. The Fellows distinction, bestowed by the VES Board of Directors, signifies that the individual has maintained an outstanding reputation and has made exceptional achievements and sustained contributions to the art, science or business of visual effects, as well as enabling members’ careers and promoting community worldwide and by providing sustained service to the VES which has significantly advanced the Society, its membership and its mission statement for a period of not less than 10 years within the last 20 years.
This year’s venerated VES Fellows who will be bestowed with the post-nominal letters “VES” are: Neil Corbould, Harrison Ellenshaw and Susan Zwerman. The honorees will be recognized at a special reception in Beverly Hills on October 2.
Mike Chambers, VES Board chair, stated, “We are proud to recognize those who helped shape our shared legacy and continue to inspire future generations of VFX practitioners.”
Neil Corbould
Corbould began in special effects in 1978 starting as a trainee on Superman and has worked on some of the most memorable movies of our time, including The Elephant Man, American Werewolf In London, Pink Floyd: The Wall, Cliffhanger and Leon: The Professional. In 1995, Corbould supervised his first movie, The Fifth Element alongside Nick Alder. Corbould went on to supervise classic films, including Saving Private Ryan (BAFTA Award), Gladiator (Academy Award), Black Hawk Down, Gravity (Academy, VES & BAFTA Award), and Rogue One: A Star Wars Story (Academy & BAFTA Nominations). Corbould has been a member of the VES since its inception and was instrumental in helping to reinstate the special effects award into the forthcoming 18th Annual VES Awards. Corbould also served on the Academy of Motion Picture Arts and Sciences executive committee, working to keep special effects at the forefront of modern day film production.
Harrison Ellenshaw
Ellenshaw was an original member of the VES Board of Directors; he has served two terms on the VES Board and is also a recipient of the VES Founders Award. His credits as a matte artist and a visual effects supervisor include work on The Man Who Fell To Earth, Star Wars, Big Wednesday, The Black Hole, The Empire Strikes Back, Tron, Dick Tracy and Dave. During the 1980s Ellenshaw headed up several different independent visual effects companies, including Triple DDD, which created 3D effects for the Disney theme park film Captain EO, directed by Francis Ford Coppola and produced by George Lucas. Ellenshaw also founded Olsen, Lane & White, which was created to provide the effects for Superman IV: The Quest For Peace. From 1990 to 1996 Ellenshaw managed Disney’s independent effects facility Buena Vista Visual Effects, which created VFX for over 35 films, including non- Disney films Wilder Napalm, The Phantom and Escape From L.A. Ellenshaw is a recipient of the Art Directors Guild Lifetime Achievement Award and an Academy Award nomination for The Black Hole.
Susan Zwerman
Zwerman has been a member of the VES since 1998. A successful VFX producer, her credits include Broken Arrow, Alien Resurrection, Men of Honor, Around The World In 80 Days and The Guardian. She frequently acts as a VFX consultant doing VFX breakdowns, budgets and schedules for major studios. Prior to entering the field, Zwerman worked on more than 50 films as an assistant director and unit production manager. She is currently the studio executive producer for Exceptional Minds, a nonprofit professional school and studio that prepares young adults on the Autism Spectrum for careers in digital animation and visual effects. Zwerman serves as chair of the DGA’s UPM/AD VFX Digital Technology Committee, is the recipient of the DGA’s Frank Capra Achievement Award in recognition of her career achievement and industry service, and is also a member of the Academy of Motion Picture Arts and Sciences. She is the co-editor of The VES Handbook of Visual Effects, published in
2010 and 2014, and is currently working with Jeffrey A. Okun, VES on the 3rd edition, slated for publication in 2020.
Other honorees
As previously announced, VES leader Susan Thurmond O’Neal was named recipient of the 2019 VES Founders Award. The Society designated award-winning VFX supervisor Michael Fink, VES with a Lifetime VES Membership and presents FotoKem’s chief strategy officer, Mike Brodersen, with an Honorary VES Membership. This year’s VES Hall of Fame honorees are Walt Disney, Stanley Kubrick and Stan Lee.
Apple, WWF, CeraVe, Sydney Opera House Among Those Having A Grand Time At CICLOPE
An awards ceremony last night (10/10) capped three days of CICLOPE in Berlin, marked by talks by notable speakers, collaborative Craft Sessions, and attendees making global connections.
Drawing nearly 1,700 entries, culled down to 370 finalists across 18 different countries, the competition saw judges award seven Grand Prix winners, 45 Gold, 51 Silver and 61 Bronze trophies.
Grand Prix winners were:
--Apple’s “Flock” directed by Ivan Zacharias of SMUGGLER for TBWAMedia Arts Lab, Los Angeles.
--WWF’s “Up In Smoke” directed by Yannis Konstantinidi via production company NOMINT.
--A$AP Rocky’s “Tailor Swif” from directors Vania & Muggia of production company Iconoclast.
--Spotify’s “Spreadbeats” directed by Maldita via production house The Youth for FCB NY.
--CeraVe’s “Michael CeraVe” from directorial duo Tim & Eric via production company PRETTYBIRD for WPP Onefluence team, led by Ogilvy PR North America.
--Sydney Opera House’s “Playit Safe” directed by Kim Gehrig via Revolver x Somesuch for agency The Monkeys.
--Gucci’s “Who is Sabato De Sarno? A Gucci Story” directed by Henry Joost & Ariel Schulman via Moxie Pictures.
Special Awards--Year’s Best
CICLOPE Special Awards went to:
Production Company of the Year: SMUGGLER
Director of the Year: Ivan Zacharias
Editing Company of the Year: Work Editorial
VFX Company of the Year: Electric Theatre Collective
Animation Company of the Year: Untold Studios
Sound Company of the Year: Barking Owl
Music Company of the Year: String & Tins
Agency of the Year: TBWAMedia Arts Lab
Brand of the Year:... Read More