Director Ehsan Bhatti has joined The Corner Shop for U.S. representation. His credits span brands such as Louis Vuitton, Burberry, BMW, Porsche, Nike, Google, Samsung, and the NFL, creating an eclectic path from fashion-focused work to music videos, car campaigns and contemporary commercials, gaining recognition along the way at Cannes Lions, the Kinsale Shark Awards, Creative Circle Awards and Clio Awards.
Bhatti had previously been handled in the American ad market by production house Arts & Sciences. His coming aboard The Corner Shop roster reflects both a creative and cultural alignment. The Corner Shop was named by founder Anna Hashmi in 2013 as a reference to her British roots and South Asian heritage which are shared with the director who was born and raised in North London to South Asian parents.
To the disappointment of his parents, Bhatti chose DJ’ing over doctoring, touring on the European festival circuit after snagging a degree in architecture. Creative curiosity led him for round two of studies, in graphic design which opened his eyes to the world of filmmaking, with his first spot winning a YDA in Cannes.
Bhatti’s recent work for Google Speed Challenge, featuring Lil Yachty, Busta Rhymes and Lando Norris, illustrates a distinct filmmaking style celebrating street culture with authentic joy and playfulness. Bhatti’s efforts are geared to maximalist entertainment–fun, inclusive and reflective of his personality and view of the world. His Premier League spot, “No Room For Racism,” made for the U.K., not only shows the director’s multi-layered filmmaking style, but delivers a message of the importance of diversity in sports.
Hashmi said, “Ehsan’s talent and the personality he brings to his work are unsurpassed. He is an authentic voice whose passion and talent are infectious. His outlook and ambition to make great creative work, whilst bringing a different perspective and creating opportunities for people totally aligns with The Corner Shop culture and philosophy and I’m really excited to be representing him in the U.S. market.”
Ehsan shared, “Walking into The Corner Shop felt like a home. It’s a truly unique production company that practices what it preaches, and there’s no disguising my agenda as a filmmaker is to have impact both in front of, and behind the lens by giving a voice to the voiceless…without being too over sensitive or sentimental. In creating ‘fun’ entertainment, that can be surreal and somewhat silly, we can educate, inform and inspire a much wider audience, whatever the medium. So, naturally aligning with Anna and her band of merry directors, we’re filling a much needed brown-boy gap in the industry to make even more weird and wonderfully smiley films.”
The Corner Shop is represented by Ziegler Jakubowicz on the East Coast, Resource on the West Coast and Collective Management in the Midwest. Ehsan continues to be represented by Friend in the U.K., Spy Films in Canada, LoveBoat in France, Grayskull.tv in Spain, Represent in Germany, and Ransom Films in India.
Juliette Welfling Takes On A Musical, A Crime Thriller, Comedy and Drama In “Emelia Pรฉrez”
Editor Juliette Welfling has a track record of close-knit, heartfelt collaboration with writer-director Jacques Audiard, a four-time BAFTA Award nominee for Best Film not in the English Language--starting with The Beat That My Heart Skipped in 2006, then A Prophet in 2010, Rust and Bone in 2013, and Dheepan in 2017. He won for The Beat That My Heart Skipped and A Prophet.
Welfling cut three of those features: A Prophet, Rust and Bone, and Dheepan. And that shared filmography has since grown to most recently include Emelia Pรฉrez, the Oscar buzz-worthy film from Netflix. Welfling herself is not stranger to Academy Award banter. In fact, she earned a Best Achievement in Film Editing Oscar nomination in 2008 for director Julian Schnabelโs The Diving Bell and the Butterfly.
Emelia Pรฉrez is a hybrid musical/drama/thriller which introduces us to a talented but undervalued lawyer named Rita (portrayed by Zoe Saldana) who receives a lucrative offer out of the blue from a feared drug cartel boss whoโs looking to retire from his sordid business and disappear forever by becoming the woman heโs always dreamt of being (Karla Sofรญa Gascรณn in a dual role as Manitas Del Monte/Emilia Pรฉrez). Rita helps pull this off, orchestrating the faked death of Del Monte who leaves behind a widow (Jessi, played by Selena Gomez) and kids. While living comfortably and contently in her/their new identity, Pรฉrez misses the children. Pรฉrez once again enlists Rita--this time to return to family life, reuniting with the kids by pretending to be their aunt, the sister of Del Monte. Now as an aunt, Pรฉrez winds up adopting a more altruistic bent professionally,... Read More