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    Home » Critics’ Choice For Best Documentary: “Won’t You Be My Neighbor?”

    Critics’ Choice For Best Documentary: “Won’t You Be My Neighbor?”

    By SHOOTSunday, November 11, 2018Updated:Tuesday, May 14, 2024No Comments4528 Views
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    Fred Rogers on the set of his show “Mr. Rogers Neighborhood” from the film, “Won’t You Be My Neighbor.” (photo by Jim Judkis/courtesy of Focus Features)

    Morgan Neville's film about Fred Rogers additionally wins Best Director and Editor honors; "Free Solo" also scores 3 awards

    BROOKLYN, NY --

    Director Morgan Neville’s Won’t You Be My Neighbor? (Focus Features) won the Critics’ Choice Award for Best Documentary this evening (11/10) during a gala ceremony hosted by Bill Nye at BRIC in Brooklyn. Won’t You Be My Neighbor? not only won the 3rd annual competition’s top honor but also Best Director distinction for Neville and the Best Editor mantle for Jeff Malmberg and Aaron Wickenden.

    Won’t You Be My Neighbor? delves into the life of iconic children’s television show creator/host Fred Rogers. Earlier this year, Neville told SHOOT that Rogers, who died of stomach cancer in 2003, has an undying relevancy. “He was dealing with fundamentally human emotions–like Shakespeare, like in the Bible. He was trying to help children figure out how to be people,” related Neville. His main demographic was two to six year olds, helping them to navigate, as he said, ‘the difficult modulations of life,’ how to treat other people, how to treat yourself and make sense of a world that can be scary. Those are things adults need to do. We live in a time when there’s quite a bit of cultural trauma and we don’t process it. Most of our society is set to capitalize on it. That’s dangerous. Mister Rogers was nurturing a neighborhood as a loving, giving place.”

    Like Won’t You Be My Neighbor?, Free Solo won three Critics’ Choice Awards–for Best Sports Documentary, Best Innovative Documentary and Best Cinematography (Jimmy Chin, Matt Clegg, Clair Popkin, Mikey Schaefer). Directed by Chin and Elizabeth Chai Vasarhelyi, Free Solo follows Alex Honnold as he becomes the first person to ever free solo climb Yosemite’s 3,000-foot high El Capital Wall sans ropes or safety gear.

    The award for Best Limited Documentary Series went to The Zen Diaries of Garry Shandling.

    The Best Ongoing Documentary Series award went to Anthony Bourdain: Parts Unknown.

    The Best Political Documentary winner was RBG.

    Quincy took home the award for Best Music Documentary.

    There was a tie for Best First Time Director between Bing Liu for Minding the Gap and Cristina Costantini and Darren Foster for Science Fair. (Liu directs commercials and branded content via Nonfiction Unlimited.)

    During the awards show, filmmaker Michael Moore was honored with the Critics’ Choice Lifetime Achievement Award, presented by Robert De Niro. Renowned documentarian Stanley Nelson was honored with the Critics’ Choice Impact Award, presented by Joe Berlinger, who received the same honor last year.

    The Critics’ Choice Documentary Awards are determined by qualified members of the Broadcast Film Critics Association (BFCA) and the Broadcast Television Journalists Association (BTJA).

    Here’s a full category-by-category rundown of 3rd annual Critics Choice Documentary Award winners:

    Best Documentary: Won’t You Be My Neighbor?

    Best Limited Documentary Series: The Zen Diaries of Garry Shandling

    Best Ongoing Documentary Series: Anthony Bourdain: Parts Unknown

    Best Director: Morgan Neville for Won’t You Be My Neighbor?

    Best First Time Director: TIE between Bing Liu for Minding the Gap, and Cristina Costantini and Darren Foster for Science Fair

    Best Political Documentary: RBG

    Best Sports Documentary: Free Solo

    Best Music Documentary: Quincy

    Most Innovative Documentary: Free Solo

    Best Cinematography: Free Solo

    Best Editing: Won’t You Be My Neighbor?

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    Category:News
    Tags:Bing LiuCritics' Choice Documentary AwardsMinding the GapMorgan NevilleWon't You Be My Neighbor?



    Joachim Trier and Eskil Vogt Find A Home In “Sentimental Value”

    Thursday, January 15, 2026

    “Home is where the heart is.” The universality of that time-honored adage is in many respects at the core of Sentimental Value (Neon)--not just as it applies to the story but also as part of the process that went into telling that story. On the former score, director Joachim Trier’s film--which he wrote with long-time friend and colleague Eskil Vogt--is set in an old family home in Oslo that carries memories that help to define two sisters, now adults, and their strained relationship with a father who prioritized his filmmaking career over being a parent. The sisters are Nora (portrayed by Renate Reinsve) and Agnes (Inga Ibsdotter Lilleaas). Nora, the older sister, grew up to be an accomplished actor, following in the cinematic/stage career footsteps of her dad, Gustav (Stellan Skarsgård in a Golden Globe-winning performance). After years of absence from Nora and Agnes’ lives, Gustav unexpectedly appears at the time-worn family residence to attend the funeral wake of the daughters’ mother but his prime motive for turning up is a movie that he wants to make in order to fuel his career comeback. And he has Nora in mind to play the lead in the film. She immediately refuses the role, which ends up going to a movie starlet (Elle Fanning). As shooting begins, psychological scars revert to open wounds and the presence of the American celeb forces Gustav, Nora and Agnes to look at themselves and their family’s fragile emotional underpinnings more closely. The family home is a repository of past lives spanning love, loss, alienation, joy, resentment and estrangement--as such, it’s a centerpiece for the characters in Sentimental Value and lends great insight into them. For example, at one point around the middle of the film, we see... Read More

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