Facebook Twitter Instagram LinkedIn RSS
    Facebook Twitter Instagram LinkedIn RSS
    SHOOTonline SHOOTonline SHOOTonline
    Register
    • Home
    • News
      • MySHOOT
      • Articles | Series
        • Best work
        • Chat Room
        • Director Profiles
        • Features
        • News Briefs
        • “The Road To Emmy”
        • “The Road To Oscar”
        • Top Spot
        • Top Ten Music Charts
        • Top Ten VFX Charts
      • Columns | Departments
        • Earwitness
        • Hot Locations
        • Legalease
        • People on the Move
        • POV (Perspective)
        • Rep Reports
        • Short Takes
        • Spot.com.mentary
        • Street Talk
        • Tool Box
        • Flashback
      • Screenwork
        • MySHOOT
        • Most Recent
        • Featured
        • Top Spot of the Week
        • Best Work You May Never See
        • New Directors Showcase
      • SPW Publicity News
        • SPW Release
        • SPW Videos
        • SPW Categories
        • Event Calendar
        • About SPW
      • Subscribe
    • Screenwork
      • Attend NDS2024
      • MySHOOT
      • Most Recent
      • Most Viewed
      • New Directors Showcase
      • Best work
      • Top spots
    • Trending
    • NDS2024
      • NDS Web Reel & Honorees
      • Become NDS Sponsor
      • ENTER WORK
      • ATTEND
    • PROMOTE
      • ADVERTISE
        • ALL AD OPTIONS
        • SITE BANNERS
        • NEWSLETTERS
        • MAGAZINE
        • CUSTOM E-BLASTS
      • FYC
        • ACADEMY | GUILDS
        • EMMY SEASON
        • CUSTOM E-BLASTS
      • NDS SPONSORSHIP
    • Contact
    • Subscribe
      • Digital ePubs Only
      • PDF Back Issues
      • Log In
      • Register
    SHOOTonline SHOOTonline SHOOTonline
    Home » Dafoe Reflects On Transformative Experience Of “The Florida Project”

    Dafoe Reflects On Transformative Experience Of “The Florida Project”

    By SHOOTWednesday, December 27, 2017Updated:Tuesday, May 14, 2024No Comments2290 Views
    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email
    This image released by A24 shows Willem Dafoe, left, and Brooklynn Prince in a scene from "The Florida Project." Dafoe was nominated for a Golden Globe for best supporting actor in a motion picture for his role in the film. (A24 via AP)

    By Sandy Cohen, Entertainment Writer

    LOS ANGELES (AP) --

    Willem Dafoe came into "The Florida Project" ready to be transformed, and working in a cheap motel helped him get there.

    The 62-year-old actor has been collecting accolades — including a Golden Globe Award nod and Screen Actors Guild Award nomination — for his performance in the Sean Baker film, which was set and shot at the Magic Castle hotel in the shadows of Orlando's Disney World.

    Dafoe said filming at a real hotel that houses homeless families like the one at the heart of the film changed his perspective as a performer.

    "The beautiful thing is you learn things and then you can apply it to the pretending. And I love that situation, where you're not really just drawing from your impressions and your thoughts, but you're really getting outside of yourself," he said in a recent interview. "That's always when the best things happen, when you're a little — you're new, you know? You have a better chance to enter into a kind of new way of thinking. And being around the people of our story and being in the actual place, it guides you. It just tells you what you need to do, and that's always thrilling because you feel like it opens your mind and your heart and broadens the possibility of how you are."

    Immersive settings, and real settings, allow him to connect more deeply with his characters, he said. He just finished playing Vincent Van Gogh in Julian Schnabel's "At Eternity's Gate," which shot in various European locations where the artist spent time.

    "When you do that, you can't help but, with a little imagination, feel his presence there; or imagine that that a tree, that old big tree that is 200 years old, was in his presence and now you're in its presence and there's some sort of connection," Dafoe said. "So you're aware of those things and you do kind of connect the dots and make a connectivity that you wouldn't normally have."

    He said that while all his past characters stay with him, some make more of an impression than others — Van Gogh among them.

    "Great experience, really beautiful, really challenging, but the first thing I want to do is shave off my beard to try to get back to a neutral place," Dafoe said.

    He returned from Europe the morning of the Golden Globe nominations and was awoken after little sleep with news of his supporting actor nod. The veteran actor is deeply appreciative of the recognition.

    "The nature of performing, the nature of making things, the nature of making movies, it isn't a science. It's not precise. It's full of all kinds of variables. So, no matter how long you do it, it's an uncertain life, so you're always happy for encouragement. You're always happy for someone to say, 'Keep going, keep going. We like what you're doing,'" he said. "From day to day, the whole the whole prospect of performing is you're kind of wiping the slate clean every time, so you're starting from zero. And that zero is not that different from the zero that you were at when you had never made a film before. So it helps to be encouraged."

    REGISTRATION REQUIRED to access this page.

    Already registered? LOGIN
    Don't have an account? REGISTER

    Registration is FREE and FAST.

    The limited access duration has come to an end. (Access was allowed until: 2017-12-29)
    Category:News
    Tags:Sean BakerThe Florida ProjectWillem Dafoe



    Joachim Trier and Eskil Vogt Find A Home In “Sentimental Value”

    Thursday, January 15, 2026

    “Home is where the heart is.” The universality of that time-honored adage is in many respects at the core of Sentimental Value (Neon)--not just as it applies to the story but also as part of the process that went into telling that story. On the former score, director Joachim Trier’s film--which he wrote with long-time friend and colleague Eskil Vogt--is set in an old family home in Oslo that carries memories that help to define two sisters, now adults, and their strained relationship with a father who prioritized his filmmaking career over being a parent. The sisters are Nora (portrayed by Renate Reinsve) and Agnes (Inga Ibsdotter Lilleaas). Nora, the older sister, grew up to be an accomplished actor, following in the cinematic/stage career footsteps of her dad, Gustav (Stellan Skarsgård in a Golden Globe-winning performance). After years of absence from Nora and Agnes’ lives, Gustav unexpectedly appears at the time-worn family residence to attend the funeral wake of the daughters’ mother but his prime motive for turning up is a movie that he wants to make in order to fuel his career comeback. And he has Nora in mind to play the lead in the film. She immediately refuses the role, which ends up going to a movie starlet (Elle Fanning). As shooting begins, psychological scars revert to open wounds and the presence of the American celeb forces Gustav, Nora and Agnes to look at themselves and their family’s fragile emotional underpinnings more closely. The family home is a repository of past lives spanning love, loss, alienation, joy, resentment and estrangement--as such, it’s a centerpiece for the characters in Sentimental Value and lends great insight into them. For example, at one point around the middle of the film, we see... Read More

    No More Posts Found

    MySHOOT Profiles

    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email

    Previous ArticleReview: Director Paul McGuigan’s “Film Stars Don’t Die in Liverpool”
    Next Article Prosecutors Seek 12-Year Prison Term for Samsung Heir Lee Jae-yong
    SHOOT

    Add A Comment
    What's Hot

    Kathleen Kennedy, Steward Of “Star Wars,” Steps Down From Lucasfilm

    Thursday, January 15, 2026

    Joachim Trier and Eskil Vogt Find A Home In “Sentimental Value”

    Thursday, January 15, 2026

    Location Lensing In L.A. Declines In 2025

    Thursday, January 15, 2026
    Shoot Screenwork

    Top Spot of the Week: Director Steve Rogers, VCCP Get “Homesick” For Cadbury

    Thursday, January 15, 2026

    Cadbury Dairy Milk has unveiled “Homesick,” a spot from London agency VCCP directed by Steve…

    The Best Work You May Never See: NFL Playoff Momentum Builds As Canadian Fans Change Writing On The Walls From “No” To “Go Bills”

    Wednesday, January 14, 2026

    Team One and Director Frédéric Planchon Go “Miles & Miles” For Emotional Sanctuary To Launch The Electric 2026 Lexus RZ

    Tuesday, January 13, 2026

    The “A” In AI Stands For Awkward In Tongue-in Cheek Parody Ads Featuring The Jonas Brothers For Almond Breeze

    Monday, January 12, 2026

    The Trusted Source For News, Information, Industry Trends, New ScreenWork, and The People Behind the Work in Film, TV, Commercial, Entertainment Production & Post Since 1960.

    Today's Date: Fri May 26 2023
    Facebook Twitter Instagram LinkedIn RSS
    More Info
    • Overview
    • Upcoming in SHOOT Magazine
    • Advertise
    • Privacy Policy
    • SHOOT Copyright Notice
    • SPW Copyright Notice
    • Spam Policy
    • Terms of Service (TOS)
    • FAQ
    STAY CURRENT

    SUBSCRIBE TO SHOOT EPUBS

    © 1990-2021 DCA Business Media LLC. All rights reserved. SHOOT and SHOOTonline are registered trademarks of DCA Business Media LLC.
    • Home
    • Trending Now

    Type above and press Enter to search. Press Esc to cancel.

    Type above and press Enter to search. Press Esc to cancel.