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    Home » Danny Robinson Named CEO of The Martin Agency

    Danny Robinson Named CEO of The Martin Agency

    By SHOOTTuesday, January 30, 2024Updated:Tuesday, May 14, 2024No Comments1483 Views
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    Danny Robinson
    NEW YORK --

    Danny Robinson has been named CEO of The Martin Agency, an Interpublic Group (NYSE: IPG) shop. He will be taking on the leadership responsibilities from Kristen Cavallo, who has led The Martin Agency for the past six years and was named global CEO of sister agency MullenLowe Group 14 months ago.

    An industry veteran, Robinson has been with The Martin Agency for nearly two decades, serving most recently as its chief creative officer. During his time at Martin, Robinson has helped lead the agency in its mission to fight against invisibility, infusing that idea throughout the creative output. Since being named CCO in 2020, Robinson has overseen some of Martin’s most recognizable work, including the UPS brand transformation (UPS x Awake Bodega at NYFW), TIAA’s The Dre$$, and, most recently, the viral campaign from Solo Stove that featured Snoop Dogg.

    Robinson’s impact on Martin spans all areas of the business, with an agency tenure that includes serving as a group creative director and chief client officer.

    “Our leaders don’t operate on an island. And that includes our CEO,” said Robinson. “Martin has an executive committee that works as a team on every major decision facing the organization and I have been an integral part of the team for the last five years. I’ve seen firsthand what can be accomplished when we all row together. Kristen, the entire executive team and all our people and partners have set this agency up for what will be its best chapter yet. We will continue to lean into our mission to fight invisibility and build the agency, client brands and an industry of which we can all be proud. It is my honor to lead the agency into its next era.”

    Philippe Krakowsky, CEO of IPG, said, “The Martin Agency is iconic in our industry and has consistently demonstrated that its talented people can create the kinds of ideas and creative platforms that build and power iconic brands. That’s in no small part thanks to the quiet contributions Danny has been making for many years, in a variety of key leadership roles. He knows our business, our clients, and the industry. As importantly, he believes in the power of our industry to do good. Though he would likely not describe himself as such, Danny is a creative visionary, and I’m sure the contributions he can make to this storied agency as its CEO will be significant.”

    Cavallo stated, “Moving from CCO to CEO is uncommon, but it shouldn’t be. Our industry has become increasingly focused on consolidation and efficiencies, and we need to return the conversation to creativity. Some of the industry’s most enviable work has been made by agencies led by creative people. Too often, they leave to start their own agency to be taken seriously as business leaders. Danny has held roles across the agency in preparation for just this moment.”

    Prior to joining The Martin Agency in 2004, Robinson was co-founder of Vigilante, the cultural insights-driven creative shop behind the famous Oprah Winfrey Pontiac giveaway (which gave way to the famous line turned meme “You get a car! And you get a car!”) and known for Heineken’s iconic “The Nod”. During his tenure at Vigilante, the agency was named the AAAA Multicultural Agency of the Year for two consecutive years.

    His work at Vigilante was a preview of the type of work he leads at Martin today, having the insight to use entertainment and buzz before social media was born and encouraging mainstream brands to do work that was seen and enjoyed by all. Robinson has a track record of pushing the industry forward through his efforts in the DEI space. He sits on the board of Creative Ladder, a non-profit founded by Ryan Reynolds that increases the accessibility of creative careers for people of all backgrounds. Robinson also helped bring Martin’s “Now Upon a Time” series of stories to life, including authoring “Lil Ruby Riding Hood,” the book and now award-winning animated feature.

    This announcement of Robinson’s appointment as CEO follows a strong year-end in terms of new business for The Martin Agency. Robinson, along with Martin’s leadership team, led the growth efforts of the agency’s portfolio as they won several new clients, including Papa Johns, Skrewball, MiracleGro and a range of brands from Sanofi North America. 

    The next chief creative officer of The Martin Agency will be named in February.

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    Category:News
    Tags:Danny RobinsonKristen CavalloPhilippe KrakowskyThe Martin Agency



    Review: Writer-Director Ian Tuason Makes Feature Debut With “Undertone”

    Friday, March 13, 2026
    This image released by A24 shows Nina Kiri in a scene from "Undertone." (Dustin Rabin/A24 via AP)

    Writer-director Ian Tuason's feature debut, the sonic-driven horror "Undertone," has, at least at the outset, an appealingly stripped-down quality. The 30-something Evy Babic (Nina Kiri) lives with her dying, comatose mother (Michèle Duquet). The movie never leaves their small, two-story home. Upstairs, Evy's mother lies wordlessly in a bed. Downstairs, Evy, at 3 a.m. puts on headphones, sits in front of a microphone and calls up her paranormal podcast co-host Justin (Adam DiMarco's voice) to talk "all things creepy." It's a testament to Tuason's evident filmmaking talent that, with these bare bones, "Undertone" swells into a gripping and unsettling experience. This is a movie that summons many of its scares with a sudden boost in audio levels, the thunderous tick of a clock or the scream of … a tea kettle. It's even rated "R" not for bloodcurdling violence or satanic ghouls but, simply, "language." It's these subtle qualities that make "Undertone" a spare but deftly dense film and Tuason a filmmaker to watch. It's the movie's disappointing second half, though, that breaks its quiet spell. After conjuring a tapestry of tension through narrative drips, as well as literal ones, Tuason throws in the whole kitchen sink, drowning out "Undertone" with a cacophony of genre cliches. Ancient Christian lore is invoked, as are children's lullabies, and the riveting nuance of "Undertone" slips away in all the feedback. "I want it to be over," Evy tells Justin. "Is that a bad thing to say?" Evy's mother hasn't eaten in two days, and her emotional exhaustion is clear when she first connects with her London-based co-host. You might here be wondering if the movie digs into this guilt, but "Undertone" is better at leaving carefully placed clues than following... Read More

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