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    Home » David&Goliath Adds Four Creative Directors

    David&Goliath Adds Four Creative Directors

    By SHOOTWednesday, April 26, 2017Updated:Tuesday, May 14, 2024No Comments3048 Views
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    David&Goliath creative directors (l-r) Wilson Mateos, Marcelo Padoca, Fernando Reis and Raul Garcia
    EL SEGUNDO, Calif. --

    David&Goliath (D&G) has made four senior hires within its creative department–Fernando Reis, Marcelo Padoca, Raul Garcia, and Wilson Mateos join the agency as creative directors based in Los Angeles. In each of their respective roles, they will be responsible for raising the level and quality of creative work across D&G’s client roster. All four hires will report to founder and chairman David Angelo and chief creative officer Bobby Pearce.
     
    Creative team Reis and Padoca join David&Goliath as creative directors to work on the Kia account. Prior to joining D&G, Reis and Padoca–who have been working together as creative partners for more than 10 years–served as associate creative directors (art director and copywriter, respectively) at cross-cultural agency The Community, working with clients such as Converse, Modelo, Corona, and the City of Buenos Aires.
     
    Before that, the two spent time at Lew’Lara/TBWA in São Paulo creating work for clients including Adidas and Nissan. They also held senior art director and copywriter roles at Ogilvy Brazil, working on brands such as Coca-Cola, Unilever and Burger King. Their collective work has been awarded by the One Show, Clio Awards, D&AD, London International, Festival Iberoamericano de la Publicidad (FIAP) and Cannes, including a Grand Prix and four Gold Lions.
     
    Garcia joins D&G as creative director/art director to work on multiple accounts such as California Lottery as well as D&G’s own nonprofit Today, I’m Brave, and pro bono account Shine On Sierra Leone. With more than 17 years of experience, most recently as a freelancer, Garcia has worked at top Canadian agencies. His work has made the front page of the Toronto Star, been featured on local TV news across North America, and has even been blogged about by 50 Cent and Pharrell Williams (for his BMW campaign). 

    Garcia has earned international recognition at Cannes, One Show, D&AD, Clio Awards, Effies, Webby’s, Young Guns, and every Canadian national advertising award show. He won a D&AD Black Pencil, a Grand Effie and multiple Lions for his involvement in the #GroceriesNotGuns campaign for Moms Demand Action for Gun Sense in America.
     
    Mateos also comes aboard D&G as creative director on the Kia account. Prior to joining D&G, Mateos was a creative director at 180LA where he worked on the University of Phoenix account.
     
    Before that, Mateos spent more than 25 years working for agencies in Brazil creating campaigns for brands such as VW, Audi, Renault, Toyota, Unilever, Pepsi and Visa. He served as copywriter at FCB, Lew’Lara TBWA, F/Nazca Saatchi & Saatchi and AlmapBBDO. He also held creative director roles at NeogamaBBH, Y&R, DM9DDB and CuboCC. His work has been recognized by Cannes, Clio Awards, One Show, ADC and London International.

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    Category:News
    Tags:David&GoliathFernando ReisMarcelo PadocaRaul GarciaWilson Mateos



    Review: Director Joe Carnahan’s “The Rip”

    Friday, January 16, 2026
    This image released by Netflix shows Matt Damon in a scene from "The Rip." (Claire Folger/Netflix via AP)

    Lines between cop and criminal get murky in Joe Carnahan's "The Rip," a crime thriller set across one foggy Miami night, starring Matt Damon and Ben Affleck. Damon and Affleck, of course, are so closely associated with Boston — most recently they produced the 2024 heist movie "The Instigators" there — that a detour to South Florida puts them, a little awkwardly, in an entirely different movie landscape. This is "Miami Vice" territory or Elmore Leonard Land, not Southie or "The Town." In "The Rip," they play Miami narcotics officers who come upon a cartel stash house that Lt. Dane Dumars (Damon) says may have $150,000 hidden in the walls. It turns out to be more than $20 million, though, and their mission immediately turns from a Friday afternoon smash-and-grab into an imminent siege where no one can be trusted. "The Rip," which debuts Friday on Netflix, is a lean and potent-enough neo-noir where almost all the characters are police officers, yet it's a mystery as to who's a good guy and who's not. It's a nifty and timely premise, even if "The Rip" literally tattoos its message across itself. When Dane sits down with the young woman (Sasha Calle) at the stash house who seems plausibly innocent, she looks at tattoos on his hands and asks what they mean. On one: "AWTGG": "Are we the good guys?" As much as the answer might seem a foregone conclusion in a movie starring Damon and Affleck, who are also producers, "The Rip" plays with and against type in ways that can keep you engrossed. (The cast also includes Teyana Taylor, Steven Yeun and Kyle Chandler.) However, the exposition is so light and hurried in "The Rip" that that's almost all it plays with. We know almost nothing about our characters outside of the action in the movie, making all the... Read More

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