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    Home » David&Goliath appoints Tiffany Persons as director of empathy

    David&Goliath appoints Tiffany Persons as director of empathy

    By SHOOTThursday, September 10, 2020Updated:Tuesday, May 14, 2024No Comments4384 Views
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    LOS ANGELES --

    David Angelo, founder and chairman of integrated creative agency David&Goliath (D&G), has appointed Tiffany Persons as director of empathy, a title created to encompass her unique experience and qualifications as a compassionate leader, humanitarian and highly-respected and recognized communicator. Reporting to Angelo and to D&G’s President, Yumi Prentice, Persons’ primary responsibilities will include the recruitment of underrepresented talent and roll-out of company-wide workshops to unlock empathy, activate compassion and cultivate depth as storytellers. 

    Persons’ new role follows Angelo’s call to agency leaders urging them to take action by confronting the issues of systemic racism in the ad industry. As a casting industry and non-profit veteran, and most importantly, as a Black woman, Persons will be essential in accelerating recruiting efforts to increase Black talent at every level, and in further enriching an environment that breathes recognition, growth and retention of D&G’s existing Black, Indigenous, and People of Color (BIPOC) employees. Her workshops to unlock empathy and empower inclusivity are aimed to inspire a shift in conversation by raising up the voices of those who have been previously unheard. 

    Persons said, “Humanity is undergoing a radical transformation and D&G is making bold steps to transform its agency in response.  It is only with empathy and impactful storytelling that the voices and valuable perspectives of all people can be heard. This is about shifting the conversation in media by shifting the people who sit at the table. Aligning the values of the agency with the culture to create inspiring content and stories that impact the world.”

    Angelo related, “D&G’s culture of brave has been the cornerstone of our agency for more than 20 years. It’s the foundation of who we are and what we stand for. And over the years, we’ve unwaveringly marched to the beat of our truth, with purpose as our north star, inspiring people, brands, and organizations to bravely overcome any challenge and step into their greatest potential. It’s from this truth that in 2017, we created the position of director of philanthropy so that we could expand our agency’s philanthropic and purpose-driven initiatives. Given the immense challenges of today, from world health to systemic racism to issues around diversity, equity and inclusion, it seemed a natural evolution of our culture to create a new role, one that not only aligns with our truth, but most importantly is dedicated to creating sustainable, impactful change, from the inside of our agency out, through the lens of empathy.” 

    Owner of Tiffany Casting Company (TCC) for the past 12 years, Persons has provided commercial casting for brands such as American Express, Google, AT&T, Nike, Apple, IBM, Facebook, Disneyland, and Starbucks among many others. She is also the Founder of Shine On Sierra Leone, a non-profit organization which is dedicated to providing innovative education, healthcare, spiritual and financial support that is essential to the wellbeing of the children of Kono, Sierra Leone. She also founded Muddy Lotus Primary School, the first sustainable schoolhouse built in Sierra Leone using a unique method called Earthbag building.

    In 2009, Persons received the  “Woman of the World” Honor by the United Nations, as well the 2017 Eckhart Witzigmann (Chef of the Century) “Creative Responsibility” Award for the innovative Bone Soup Project, the 2011 Sustainability Award at the BMW “Women Pay-It-4ward So We All Can Rise” Awards, and the Rev. Martin Luther King, Jr. Lecture in Social Justice Award by the University of Pennsylvania Center for African Studies in 2015 all for her work with Shine On Sierra Leone. 

    Persons has also received several accolades throughout her career at TCC including Cannes Lions awards for her work with agencies such as McCann on Microsoft and March for Our Lives projects.

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    Tags:David AngeloDavid&GoliathdiversityinclusionTiffany Persons



    Review: Director Joe Carnahan’s “The Rip”

    Friday, January 16, 2026
    This image released by Netflix shows Matt Damon in a scene from "The Rip." (Claire Folger/Netflix via AP)

    Lines between cop and criminal get murky in Joe Carnahan's "The Rip," a crime thriller set across one foggy Miami night, starring Matt Damon and Ben Affleck. Damon and Affleck, of course, are so closely associated with Boston — most recently they produced the 2024 heist movie "The Instigators" there — that a detour to South Florida puts them, a little awkwardly, in an entirely different movie landscape. This is "Miami Vice" territory or Elmore Leonard Land, not Southie or "The Town." In "The Rip," they play Miami narcotics officers who come upon a cartel stash house that Lt. Dane Dumars (Damon) says may have $150,000 hidden in the walls. It turns out to be more than $20 million, though, and their mission immediately turns from a Friday afternoon smash-and-grab into an imminent siege where no one can be trusted. "The Rip," which debuts Friday on Netflix, is a lean and potent-enough neo-noir where almost all the characters are police officers, yet it's a mystery as to who's a good guy and who's not. It's a nifty and timely premise, even if "The Rip" literally tattoos its message across itself. When Dane sits down with the young woman (Sasha Calle) at the stash house who seems plausibly innocent, she looks at tattoos on his hands and asks what they mean. On one: "AWTGG": "Are we the good guys?" As much as the answer might seem a foregone conclusion in a movie starring Damon and Affleck, who are also producers, "The Rip" plays with and against type in ways that can keep you engrossed. (The cast also includes Teyana Taylor, Steven Yeun and Kyle Chandler.) However, the exposition is so light and hurried in "The Rip" that that's almost all it plays with. We know almost nothing about our characters outside of the action in the movie, making all the... Read More

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