By Alanna Durkin Richer
BOSTON (AP) --He was once called the most likely American in the 20th century to become president. But Robert F. Kennedy's bid to follow in his older brother's footsteps as commander in chief was cut short the same way John F. Kennedy's White House term was: by a man with a gun.
Fifty years later, Bobby Kennedy's life and transformation into a liberal hero is coming to Netflix in a new four-part documentary series available Friday. Through archival footage and interviews with friends and staffers, "Bobby Kennedy for President" takes an in-depth look at what drove him to seek public office, the events that shaped him and his legacy decades after his assassination.
"If we want to understand why Bobby Kennedy was so important to people, we have to understand all of it," said Dawn Porter, director and executive producer, also known for "Gideon's Army" and "Trapped."
The series opens with a broadcaster's prediction that "no American in this century has ever been so likely to be president as Robert Francis Kennedy." It takes viewers through Kennedy's combative time as attorney general, and his depression after his brother's death, entry into the 1968 presidential race and assassination 83 days later.
The documentary explores Kennedy's growth on issues like civil rights, through the guidance of black leaders like John Lewis, now a Democratic congressman. In documenting Kennedy's journey from a "cop-at-heart" lawyer to polished politician, it highlights experiences that affected him, like a trip to the Mississippi Delta that opened his eyes to rural hunger.
Viewers hear from key figures in Kennedy's life, including Paul Schrade, who was shot in the head when 24-year-old Sirhan Sirhan fired at Kennedy on June 5, 1968. The series, produced by RadicalMedia, Trilogy Films and LooksFilm, also features interviews from Sirhan's brother, Munir Sirhan, and Juan Romero, the Ambassador Hotel busboy who was at Kennedy's side as he uttered his last words: "Is everybody OK?"
For Romero, a Mexican immigrant, it was one of the few times he has openly spoken about Kennedy's death — something he had felt guilty about for years since Kennedy stopped to shake his hand before the gunshots. Romero had met Kennedy the day before while delivering room service. Kennedy thanked him and shook his hand then, too.
"I never felt so American," Romero told The Associated Press.
Filmmakers spent more than a year gathering footage from museums, news outlets and presidential archives that transports viewers to a different time. Some of the footage, which shows Kennedy from his college days to the last day of his life, had never before been digitized and was at risk of being lost forever, filmmakers say.
"I didn't want this to be talking heads with pictures as the background," Porter said. "We wanted the archive to play out, to not be window dressing, but to let people watch that and absorb it and hopefully be in the moment, be taken back to that time," she said.
At a time when distrust of politicians is high, Porter said she hopes the series reminds viewers that people serving in public office can be human and flawed, but also inspirational.
"Without saying (Kennedy) was the perfect person, there's something comforting and inspiring to me about his willingness to try, his willingness to learn, his willingness to not give up," Porter said. "Right now we all need a little dose of not giving up."
Associated Press reporter Russell Contreras in Albuquerque, New Mexico, contributed to this report.
Review: Director-Writer Megan Park’s “My Old Ass”
They say tripping on psychedelic mushrooms triggers hallucinations, anxiety, paranoia and nervousness. In the case of Elliott, an 18-year-old restless Canadian, they prompt a visitor.
"Dude, I'm you," says the guest, as she nonchalantly burns a 'smores on a campfire next to a very high and stunned Elliott. "Well, I'm a 39-year-old you. What's up?"
What's up, indeed: Director-writer Megan Park has crafted a wistful coming-of-age tale using this comedic device for "My Old Ass" and the results are uneven even though she nails the landing.
After the older Elliott proves who she is — they share a particular scar, childhood memories and a smaller left boob — the time-travel advice begins: Be nice to your brothers and mom, and stay away from a guy named Chad.
"Can we hug?" asks the older Elliott. They do. "This is so weird," says the younger Elliott, who then makes things even weirder when she asks for a kiss — to know what it's like kissing yourself. The older Elliott soon puts her number into the younger's phone under the name "My Old Ass." Then they keep in touch, long after the effects of the 'shrooms have gone.
Part of the movie's problem that can't be ignored is that the two Elliotts look nothing alike. Maisy Stella plays the coltish young version and a wry Aubrey Plaza the older. Both turn in fine performances but the visuals are slowly grating.
The arrival of the older Elliott coincides with her younger self counting down the days until she can flee from her small town of 300 in the Muskoka Lakes region to college in Toronto, where "my life is about to start." She's sick of life on a cranberry farm.
Park's scenes and dialogue are unrushed and honest as Elliott takes her older self's advice and tries to repair... Read More