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    Home » “Deadpool 2” Rakes In $125M To Top Weekend Box Office

    “Deadpool 2” Rakes In $125M To Top Weekend Box Office

    By SHOOTSunday, May 20, 2018Updated:Tuesday, May 14, 2024No Comments4788 Views
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    This image released by Twentieth Century Fox shows Ryan Reynolds in a scene from "Deadpool 2." Fox’s “Deadpool 2” brought in $125 million according to studio estimates Sunday, May 20, 2018, and ended the three-week reign of Disney’s “Avengers: Infinity War” at the top of the North American box office. (Twentieth Century Fox via AP, File)

    By Andrew Dalton, Entertainment Writer

    LOS ANGELES (AP) --

    Deadpool and his foul-mouthed crew of misfits and malcontents have taken down the Avengers.

    Fox's "Deadpool 2" brought in $125 million this weekend, giving it the second-highest opening ever for an R-rated movie and ending the three-week reign of Disney's "Avengers: Infinity War" at the top of the North American box office, according to studio estimates Sunday.

    "Deadpool 2," with Ryan Reynolds returning as the title character and co-writing this time, fell somewhat short of the $130 million the studio predicted and the $132.4 million that its predecessor earned two years ago.

    Analysts and the studio said the difference can be attributed to the first film opening on a holiday weekend, and could easily be made up with Memorial Day coming, despite the looming competition from "Solo: A Star Wars Story."

    "I think with a holiday on our second weekend we'll catch 'Deadpool' if not exceed it," said Chris Aronson, distribution chief for 20th Century Fox.

    The film grossed $176.3 million worldwide and opened better overseas than the first, especially finding audiences in Latin America.

    The Avengers are hardly hurting. Disney and Marvel's "Avengers: Infinity War" brought in an estimated $29 million in North America for a four-week take of $595 million domestically and $1.2 billion internationally. It's now the fifth highest grossing film of all time worldwide.

    In a whole different corner of the cinematic universe, "Book Club" was third with a $12.5 million weekend that exceeded expectations.

    It was a successful piece of counter-programming for Paramount, which used the modestly budgeted comedy starring Jane Fonda, Diane Keaton and Candice Bergen to find older audiences and women while "Deadpool 2" dwelled overwhelmingly on young men.

    "There are definitely audiences out there for whom superhero movies are not their cup of tea," said Paul Dergarabedian, senior media analyst for comScore.

    "Deadpool 2" follows the proudly foul formula of the first, mixing the usual superhero set pieces with gore, gross-out jokes, 80s power ballads and frequent fourth-wall violations.

    The box office of the second film suggests that formula can become a long-term franchise, and builds its possibilities with the addition of antihero teammates from Marvel Comics for the title character, including Josh Brolin's Cable and Zazie Beetz's Domino.

    "The source material is so vast and rich that I don't think there's any question that it just opens the door for more," Aronson said.

    Along with the earnings and acclaim for last year's R-rated "Logan," Fox has made itself the early leader in the burgeoning subgenre.

    "The R-rating may be restrictive in terms of the audience make-up, but it's certainly not restrictive in the creative freedom it offers, so when movies like these hit, they can hit big," Dergarabedian said. "There is a place for the R rating. In the superhero genre it offers endless and really cool possibilities."

    "Deadpool 2" next faces off with "Solo," but the two films along with the still-earning "Avengers" ought to make for a major Memorial Day for the industry.

    "This marketplace is big enough for all these films," Dergarabedian said.

    Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to comScore. Where available, the latest international numbers for Friday through Sunday are also included. Final domestic figures will be released Monday.

    1. "Deadpool 2," $125 million.
    2."Avengers: Infinity War," $28.6 million.
    3. "Book Club," $12.5 million.
    4. "Life of the Party," $7.7 million.
    5. "Breaking In," $6.4 million.
    6. "Show Dogs," $6 million.
    7. "Overboard," $4.7 million.
    8. "A Quiet Place," $4 million.
    9. "Rampage," $1.5 million.
    10. "I Feel Pretty," $1.2 million.

    Universal and Focus are owned by NBC Universal, a unit of Comcast Corp.; Sony, Columbia, Sony Screen Gems and Sony Pictures Classics are units of Sony Corp.; Paramount is owned by Viacom Inc.; Disney, Pixar and Marvel are owned by The Walt Disney Co.; Miramax is owned by Filmyard Holdings LLC; 20th Century Fox and Fox Searchlight are owned by 21st Century Fox; Warner Bros. and New Line are units of Time Warner Inc.; MGM is owned by a group of former creditors including Highland Capital, Anchorage Advisors and Carl Icahn; Lionsgate is owned by Lions Gate Entertainment Corp.; IFC is owned by AMC Networks Inc.; Rogue is owned by Relativity Media LLC.

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    Category:News
    Tags:box officeDeadpool 2



    Picture North Signs Director Kevin Oh For Commercials and Branded Content

    Monday, April 20, 2026

    Picture North has added director Kevin Oh to its roster of talent for U.S. representation spanning commercials and branded content. Prior to joining Picture North, he had most recently been freelancing.

    An observational director known for his detailed composition and narrative timing, Oh has become known for work that is grounded in real moments and subtle performances that drive every film forward.

    Originally a physics instructor, the pull towards storytelling brought Oh to the world of advertising and with it, the opportunity to direct. He has directed commercials for brands including Adidas, Coca-Cola, Disney, FIFA, Google, Nike, Jack Daniels, and a Puma campaign starring Rosé from Blackpink. A well-rounded filmmaker, Oh is also an accomplished DP and photographer, allowing him to step into many roles on a project and meaningfully collaborate with nearly every department.

    “To be honest, joining Picture North felt like a natural alignment more than a decision,” said Oh. “I tend to put a lot of weight into the details and the relationships behind the work. And since this is something I plan on doing for the rest of my life, that foundation was extremely important to me. There’s a level of care, accountability, and precision at Picture North that I really value. It feels like the kind of partnership where we can build something meaningful and hold each other to a higher standard with every step forward we take together. I’m excited where this path leads both of us.”

    Martin Rodahl, executive producer and founder of Picture North, added, “Kevin is a multiple threat signing! He’s obviously a very accomplished motion director, but his still photography portfolio makes him even more competitive. His background in advertising... Read More

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