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    Home » Déjà vu: The DGA Award, Best Director Oscar Discrepancy

    Déjà vu: The DGA Award, Best Director Oscar Discrepancy

    By SHOOTThursday, January 24, 2019Updated:Tuesday, May 14, 2024No Comments5484 Views
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    "The Favourite" director Yorgos Lanthimos (photo by Emma Stone)

    Yorgos Lanthimos, Pawel Pawlikowski earn Academy Award nods for "The Favourite" and "Cold War," respectively, but are not among Guild nominees

    By Robert Goldrich, The Road To Oscar, Part 12

    LOS ANGELES --

    The awards season norm has seen the nearly annual emergence of at least one difference between the Best Director Oscar and DGA Award nominee lineups. In only five of the 71 years of the DGA Awards have the Guild nominations exactly mirrored their Academy Award counterparts.

    This time around directors Yorgos Lanthimos and Pawel Pawlikowski are in line with that history, earning Best Director Oscar nominations for The Favourite and Cold War, respectively, while not being one of the DGA Award nominees announced a couple of weeks earlier. Three of the five directors vying for the DGA Award and the Outstanding Achievement in Directing Oscar are in sync this year: Alfonso Cuaron for Vice, Spike Lee for BlacKkKlansman, and Adam McKay for Vice.

    However while Lanthimos and Pawlikowski landed the remaining Oscar nominations, the other DGA nods went to Bradley Cooper for A Star is Born, and Peter Farrelly for Green Book.

    On the flip side of tradition, if Lanthimos or Pawlikowski were to win the Oscar, they wouldn’t be aligned with but rather bucking history. Over the past 70 years, only seven times has the DGA Award winner not gone on to win the Oscar. The most recent such occurrence was in 2013 when Ben Affleck won the DGA Award for Argo while Ang Lee scored the Oscar for Life of Pi.

    The Favourite tied with Roma for the most Oscar nominations this year with a total of 10. The Favourite nods were for Best Picture, Directing, Cinematography (Robbie Ryan, BSC, ISC), Editing (Yorgos Mavropsaridis), Original Screenplay (Deborah Davis, Tony McNamara), Production Design (Fiona Crombie, Alice Felton), Costume Design (Sandy Powell), Actress (Olivia Colman), and two for Supporting Actress (Rachel Weisz, Emma Stone), 

    Cold War landed three Oscar nominations: Best Foreign Language Film, Directing and Cinematography (Lukasz Zal, PSC).

    While Cooper didn’t make the cut in the Oscar Directing category, he scored nominations for Best Picture, Actor, and Adapted Screenplay (with Eric Roth and Will Fetters) for A Star is Born, which earned eight nods overall. The other five are for Best Actress (Lady Gaga), Supporting Actor (Sam Elliott), Cinematography (Matthew Libatique, ASC), Original Song (Lady Gaga, Mark Ronson, Anthony Rossomando, Andrew Wyatt for “Shallow”) and Sound Mixing (Tom Ozanich, Dean A. Zupancic, Jason Ruder, Steven Morrow).

    And while a Best Director Oscar nom eluded Farrelly, he garnered nominations for Best Picture and Original Screenplay (with Nick Vallelonga and Brian Hayes Currie) for Green Book, which scored a total of five nods. The other three are for Best Actor (Viggo Mortensen), Supporting Actor (Mahershala Ali) and Editing (Patrick J. Don Vito).

    On the Directors Guild front, Farrelly earned his first career DGA Award nomination for Green Book. 

    Meanwhile Cooper’s feature directorial debut on A Star is Born copped a pair of DGA nominations–for Outstanding Directorial Achievement in Feature Film for 2018, and Outstanding Achievement for a First-Time Director.

    This is the 12th of a multi-part series with future installments of The Road To Oscar slated to run in the weekly SHOOT>e.dition, The SHOOT Dailies and on SHOOTonline.com, with select installments also in print issues. The series will appear weekly through the Academy Awards gala ceremony. The 91st Oscars will be held on Sunday, February 24, at the Dolby Theatre at Hollywood & Highland Center in Hollywood, Calif.,and will be televised live on the ABC Television Network.  The Oscars also will be televised live in more than 225 countries and territories worldwide.

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    Category:Road To Oscar Annual Series
    Tags:Bradley CooperPawel PawlikowskiPeter FarrellyThe Road To OscarYorgos Lanthimos



    Spike Lee’s Passions–The Knicks and Cinema–Collide At Cannes Fest

    Wednesday, May 21, 2025

    There's no sufficient way of explaining what it's like to be around Spike Lee, but his new film, "Highest 2 Lowest" comes pretty close.

    The main character, played by Denzel Washington, is a Knicks fan who won't tolerate Celtics green in his house. A framed jersey of Jalen Brunson hangs in his Brooklyn apartment. There are movie references peppered throughout, of "The French Connection," "The Defiant Ones" and "The Sweet Smell of Success." Yankee Stadium plays a pivotal setting. In one scene, Nicholas Turturro even yells directly into the camera: "Boston sucks!"

    "We're not counting on Boston for box office!" Lee says with a roaring cackle during an interview on a rooftop terrace in Cannes. "We might as well just write that off."

    Some of Lee's most deeply felt passions — filmmaking and the New York Knicks — have collided at the Cannes Film Festival. The premiere of "Highest 2 Lowest," a reimagining of Akira Kurosawa's "High to Low," came shortly before the Knicks begin their Eastern Conference finals matchup with the Indiana Pacers. Everywhere Lee has gone at the French Riviera festival, he's gone in blue and orange, including a pinstripe suit on the red carpet.

    "It's a film by a New Yorker who loves New York. But if you're not that, it doesn't detract from you enjoying it. You could be from … (Lee raises an eyebrow) … Indiana," Lee says before letting out a maniacal roar. "Wait a minute, we got to write off another market, too!"

    The Denzel fracas on the red carpet
    "Highest 2 Lowest," which A24 releases in theaters Aug. 22 before it streams on Apple TV+ on Sept. 5, was one of the most eventful premieres of Cannes. Washington was surprised with a Palme d'Or. ("That wasn't acting," Lee said. "He didn't... Read More

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