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    Home » Director Alessandro Pacciani Joins JOJX For U.S. Spot Representation

    Director Alessandro Pacciani Joins JOJX For U.S. Spot Representation

    By SHOOTMonday, June 14, 2021Updated:Tuesday, May 14, 2024No Comments2760 Views
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    Alessandro Pacciani
    LOS ANGELES --

    Production company JOJX has added director Alessandro Pacciani to its roster. 

    With over a decade of experience in the commercial world, Pacciani has filmed on three continents, turning out projects for automotive brands including Porsche, Audi, Jeep and Toyota. Pacciani‘s credits also span work for A-list video game franchises such as Dark Souls, PUBG, and Mortal Shell, and his short films have gained him multiple industry accolades. In addition to car and game films, Pacciani has also directed campaigns for Nike, Samsung, Google and Universal, among others. He has been honored with a UNESCO award, as well as had work showcased at the Institute of Contemporary Arts in London. 

    His first project with JOJX was recently shot in Japan, where Pacciani resides. The film is a global reveal of Lexus’ new world-class luxury SUV, the NX. A true statement piece, the film calls on viewers to take a chance, in order to reshape their futures. With rhythm that flows throughout, the piece moves in pace to Only One, by KRANE feat. B. Lewis, until the vehicle’s performance ultimately empowers the next generation of car buyers.

    Prior to joining the L.A.-based JOJX, Pacciani had most recently been repped in the U.S. by Chromista. Internationally he is repped by Moxie in the U.K., Platige Films in Poland and Japan, Nicholas Berglund in France, Italy, and Spain; and SHP in China.

    Hailing from Florence, Italy, Pacciani developed a firm foundation early on in design, animation, and visual effects. With these skills in his filmmaking toolbelt, he has established a sought-after signature look by blending action-packed dynamic visuals, impeccably blended VFX and editing, and cinematic storytelling. His stories are rich with depth and detail, characterized by joyful, contagious energy. 

    Jackson Morton, JOJX executive producer and partner, said, “We have always been fans of Alessandro’s automotive work, he has an incredible understanding of not only how to solve the trickiest creative dilemmas but elevate them into mind-bending modern visuals. His directorial interests also expand into video game commercials which we also believe is the next big part of our industry especially as technology advances.”

    Enthused over the prospects of joining JOJX, Pacciani said, “I look forward to really diving into new creative challenges together.”

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    Category:News
    Tags:Alessandro PaccianiJackson MortonJOJX



    “No Good Men” and “Only Rebels Win” Bring Love From Unexpected Places To Berlin Film Fest

    Thursday, February 12, 2026

    A surprising and touching Afghan political rom-com that is said to feature the first ever on-screen kiss in an Afghan movie opens the 76th Berlin Film Festival Thursday.

    Set in a Kabul newsroom in 2021, with the Taliban on the cusp of returning to power, "No Good Men" tells the workplace love story of camerawoman Naru, separated from her cheating husband and struggling to keep custody of her young son while trying to build a career in a male dominated industry and patriarchal society.

    Director Shahrbanoo Sadat said the kissing scene cost her lead actor three weeks before shooting began, and forced her to step into the role herself.

    "The joke was everyone who wanted to play Naru, they didn't want to do the kissing, I wanted to do the kissing, I didn't want to do the rest of the film," Sadat said.

    And it wasn't just the casting that was met with resistance. The Afghan film industry is small, she said, so the expectation is that the movie will be "good PR" for the country.

    Sadat had her own ideas, though.

    "I love Afghanistan, but I cannot close my eyes to patriarchy, sexism, all the big topics, and just say the good things about Afghanistan, so I'm disappointing my people," she said.

    Making an Afghan film in Europe, with European funding, she also felt added pressure to be a political and feminist filmmaker or make a war movie.

    Sadat received multiple letters of complaint from funders who said it was inappropriate for them to support a rom-com given the political situation in Afghanistan.

    "For me it was like, wait a minute, what? I feel offended that you feel offended about my project," she said. "I'm coming from a war country, and this is my way of expressing myself, to go through the oceans of... Read More

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