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    Home » Director Duran Sodré Joins Eleanor For His First Career U.S. Representation

    Director Duran Sodré Joins Eleanor For His First Career U.S. Representation

    By SHOOTMonday, April 7, 2025No Comments339 Views
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    Duran Sodré
    LOS ANGELES --

    Director Duran Sodré has joined Eleanor, the production company headed by president Sophie Gold, for his first U.S. representation.

    Among Sodré’s notable credits are Moderna x U.S. Open’s “Ashe Versus” and Victoria’s “Nuestros Manos.” The former, a blend of mixed media and sports storytelling, honors history-making tennis and civil rights champion Arthur Ashe. “Nuestros Manos” is a tactile, dynamic and vibrant visual epic exploring the historical and cultural importance of handmade culinary masterpieces.

    Sodré’s evergreen curiosity informs his storytelling voice. He explained, “I don’t like to judge things, I like to understand things. This is a feature of me, my way to live. It is why I am able to investigate things and collaborate on things.”

    The director’s body of work has earned assorted awards at competitions ranging from Ciclope to D&AD, the Clios, UKMVA and the Cannes Lions.

    Sodré’s approach to directing actors is informed by his background in the craft, “I love to direct actors,” said Sodré, “As a bad actor in the past, I love to direct. I know their insecurities. I know how to guide them to create good things and real things. I like to listen.”

    On joining Eleanor, Sodré celebrates feeling electrified by the intention and ambition he found from his new directorial home. “This urge to grow, this mission to evolve, I like that drive in the production company,” he said. “I want to grow together. I’m excited to work in the American market.”

    Gold added, “With a quiet humility and a fierce collaborative spirit, Sodré tells stories that unfold like poetry–each frame a study in humanity, intimacy, and instinct.”

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    Category:News
    Tags:Duran SodréEleanorSophie Gold



    Review: Filmmaker Lynne Ramsay’s “Die, My Love” Starring Jennifer Lawrence

    Thursday, November 6, 2025

    A primal punk spirit rages through Lynne Ramsay's "Die, My Love," a jagged, go-for-broke psychodrama starring Jennifer Lawrence as an increasingly unhinged new mother and Robert Pattinson as her husband. In this cauldron of marital nightmare, set in a ramshackle rural Montana home, there are fires, real and imagined, and a variety of wildlife. There's an incessantly yapping dog, brought home by Jackson (Pattinson) shortly after the couple move in from New York. There's a horse in the road, inopportunely. And on the shirt on Grace (Lawrence) is a tiger. But, more than these animalistic flourishes, there is Grace, herself. In a moment early in the film, she prowls on all fours through tall grass, with a knife in her hand. The shorthand description of Ramsay's film, adapted from a 2012 novel by the Argentine writer Ariana Harwicz, is that it's about a woman with postpartum depression. But that's not quite right. It's more about the power and urges of a woman who, like a beautiful, feral creature, is not taking to domestication. That's the appealing through line of "Die, My Love," though it can be difficult to firmly grasp it in Ramsay's piercing but tediously overamplified character study. Still, as unkempt and overwrought as "Die, My Love" is, it's not a movie that's timidly weighing in on parenting and gender roles. There's plenty to admire in Ramsay's uncompromising and delirious portrait of marital hell, particularly in the bracingly raw performance of Lawrence. The abandon with which she throws herself into the role is enough to make you exclaim "Mother!" Grace and Jackson have moved near his childhood home. Their house belonged to Jackson's uncle before he killed himself. Jackson's parents (Nick Nolte, Sissy Spacek) live nearby, and Spacek's knowing... Read More

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