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    Home » Director Erica Tremblay’s “Fancy Dance” Balances Heartbreak, Humor In Story Of A Missing Indigenous Woman

    Director Erica Tremblay’s “Fancy Dance” Balances Heartbreak, Humor In Story Of A Missing Indigenous Woman

    By SHOOTTuesday, June 18, 2024Updated:Sunday, July 7, 2024No Comments1167 Views
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    Lily Gladstone, left, and Isabel Deroy-Olson pose for a portrait to promote the film "Fancy Dance" on Sunday, June 16, 2024, in New York. (Photo by Matt Licari/Invision/AP)

    Lily Gladstone stars in film set for theatrical release on Friday, and streaming debut later this month on Apple TV+

    By Kaitlyn Huamani

    LOS ANGELES (AP) --

    Lily Gladstone knows the gravity stories about what she calls the "epidemic" of missing and murdered Indigenous people have. But she also values humor in telling those stories.

    In "Fancy Dance," set for a limited theatrical release Friday and streaming release on Apple TV+ June 28, Gladstone plays Jax, who has cared for her niece, Roki, since her sister's disappearance on the Seneca-Cayuga reservation in Oklahoma. As the pair searches for their loved one and prepares for Roki's upcoming powwow, they share moments of unexpected levity baked into the emotional story.

    "You would be very hard pressed to find any Indigenous person in North America today that is not touched by an element of the story very personally," Gladstone said in a recent interview with The Associated Press. "We all know an MMIP (Missing and Murdered Indigenous Person). It's something that we all collectively kind of grieve and work to fix. … We stick together and we survive through it by being funny, by finding humor in it."

    Newcomer Isabel Deroy-Olson, who stars alongside Gladstone as Roki, said the film's humor helps the audience get through the heavier moments of the story — which was also true for the actors.

    "With all of us having a pretty similar sense of humor, we brought that behind the scenes, too, as a way to kind of lift each other up, and that's so true in all of our communities," she said. "We just we like to laugh with each other. Showing that both on and off screen was really important to us."

    "You have to keep joy, you have to keep laughter, and you have to keep our optimism in order to survive an ongoing genocide," said director and co-writer Erica Tremblay.

    Named after Jacqueline "Jax" Agtuca, who works for the National Indigenous Women's Resource Center, Gladstone's character grows frustrated with the lack of attention or care authorities put towards her sister's case and turns to her community for help in the search. Gladstone said amplifying this kind of story on screen without it being "shoved down anybody's throat" can inspire change.

    "By being and embodying a character, a person who's going through the steps of doing that work, you're inviting the audience into that perspective, into that world where they get to learn about the jurisdictional loopholes and the inequities in society that are creating the obstacles for the characters they're rooting for," she said.

    "You learn about that obstacle in a way that you have a desire to change it, instead of just hearing about it in a PowerPoint presentation or as a talking point on a news segment that you're going to fast forward through because you're more interested in what the score was for your team," Gladstone continued.

    While movies and shows have broached the subject of missing Indigenous people before, they've often been criticized for coming up short in accurately and respectfully depicting the issue or don't reach a wide audience. Taylor Sheridan, co-creator of Paramount hit "Yellowstone," wrote and directed one of the very few widely distributed films about the topic with 2017's "Wind River."

    ABC's 2022 drama "Alaska Daily" also explored violence against Native women and the lack of attention paid to their cases, but was canceled after one season. ABC had previously put out "Big Sky," a Montana-set drama that premiered in 2020 and caught flak for centering on white victims instead of Indigenous women, who make up the majority of the state's missing and murdered population.

    The Bureau of Indian Affairs estimates there are approximately 4,200 missing and murdered cases nationally that have gone unsolved.

    "Fancy Dance" focuses on the lack of institutional support and jurisdictional issues that make solving cases of missing Indigenous people difficult. In another shift from its predecessors, "Fancy Dance" does not show any violence against women on screen, a move that is often viewed as exploitative.

    The film premiered at the Sundance Film Festival in 2023, and despite critical acclaim, it had not been picked up by a distributor until over a year later. Tremblay said the filmmaking team didn't see the offers they were expecting based on how they were "hitting the checklist of what it takes to make a successful indie film," but noted that the film landing on Apple's streaming service is their "dream ending."

    "The lynchpin to the whole plan to get this film out into the world was Lily's continued advocacy of the film and the beautiful moment that that she and all of the Indigenous cast and crew of "Killers of the Flower Moon" had last year," Tremblay said. "Lily using some of that shine to aim at "Fancy Dance," I think was critical for us and we're so grateful to be where we're at."

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    Category:News
    Tags:Apple TV+Erica TremblayFancy DanceIsabel Deroy-OlsonLily Gladstone



    While Aware Of Potential Oscar History Ahead, Ryan Coogler Is Focused On “Sinners” Team Before Ceremony

    Friday, March 13, 2026

    Ryan Coogler understands what Sunday night could mean for Oscar history. He's just not dwelling on it.

    Instead, the Oscar-nominated filmmaker is looking forward to spending one more night with his "Sinners" collaborators who helped bring the film to life.

    Coogler could become the first Black filmmaker to win best director in the Academy Awards' nearly century-long history. While speaking before the eighth annual Macro Pre-Oscars party Thursday night in Los Angeles, he said he's trying to stay present as the ceremony approaches.

    "I'm just trying to enjoy the days as they come, stay present in the moment," Coogler told The Associated Press. "When Sunday comes, man, I'm pull up and enjoy celebrating all the movies that's being celebrated here, including our own."

    For Coogler, the Oscars also mark the final stop in a monthslong journey shared with the cast and creative team behind "Sinners."

    Since early January, the group has traveled the awards circuit together, appearing at major stops including the Golden Globes,Actors Awards and NAACP Image Awards as the film built momentum ahead of the Oscars, where it's the leading nominee with 16.

    Coogler said that experience helped turn the production into something closer to a family.

    "We made a big ole family," he said. "Sunday kind of represents the last time that we all get to hang with each other in an official capacity as the 'Sinners' team."

    After the ceremony, those gatherings will likely become less frequent.

    "The next time we see each other, it won't be for this movie unless it's doing like a reunion or something," Coogler said. "I'm looking forward to hanging out with a lot of people that I love. We were able to do something very specific... Read More

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