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    Home Β» Director Henry Mason Joins Chelsea Pictures For U.S. Representation

    Director Henry Mason Joins Chelsea Pictures For U.S. Representation

    By SHOOTMonday, January 26, 2015Updated:Tuesday, May 14, 2024No Comments4447 Views
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    Henry Mason
    NEW YORK --

    English director Henry Mason has joined the roster of bicoastal Chelsea Pictures for exclusive representation in the United States. He had previously been repped in the U.S. by Skunk and continues to be handled in the U.K. by Independent Films.

    Mason most recently directed the branded short film Of Nothing in collaboration with Pepsi, Bottletop and fashion designer Narciso Rodriguez. The short was shot on location in the favelas of Brazil where bottletop handbags are handcrafted for charity. Mason has also brought his observational style of storytelling to commercials and content for brands including Coca Cola, Mercedes-Benz, Nike and Honda.

    Mason’s directorial endeavors additionally span TV drama for the BBC and Channel 4, documentary shorts for Sky Sports and live theater.

    Mason is in development on his first full-length feature film, Night of the Lotus, a thriller set in London and Dar Es Salaam, which will begin shooting later in the year. He is currently available for commercials and branded content.

    Production and talent management company Chelsea is owned and managed by partners Allison Amon and Lisa Mehling with offices in Los Angeles and New York. Chelsea is represented on the East Coast by Denise Blate Roederer, in the Midwest by Sean Sullivan of Sullivan Creative Management, on the West Coast by Ezra Burke of Content Chemics, and internationally and for broadcast work by Drew Baldwin.

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    The limited access duration has come to an end. (Access was allowed until: 2015-01-28)
    Category:News
    Tags:Chelsea PicturesHenry Mason



    Review: Filmmaker Lynne Ramsay’s “Die, My Love” Starring Jennifer Lawrence

    Thursday, November 6, 2025

    A primal punk spirit rages through Lynne Ramsay's "Die, My Love," a jagged, go-for-broke psychodrama starring Jennifer Lawrence as an increasingly unhinged new mother and Robert Pattinson as her husband. In this cauldron of marital nightmare, set in a ramshackle rural Montana home, there are fires, real and imagined, and a variety of wildlife. There's an incessantly yapping dog, brought home by Jackson (Pattinson) shortly after the couple move in from New York. There's a horse in the road, inopportunely. And on the shirt on Grace (Lawrence) is a tiger. But, more than these animalistic flourishes, there is Grace, herself. In a moment early in the film, she prowls on all fours through tall grass, with a knife in her hand. The shorthand description of Ramsay's film, adapted from a 2012 novel by the Argentine writer Ariana Harwicz, is that it's about a woman with postpartum depression. But that's not quite right. It's more about the power and urges of a woman who, like a beautiful, feral creature, is not taking to domestication. That's the appealing through line of "Die, My Love," though it can be difficult to firmly grasp it in Ramsay's piercing but tediously overamplified character study. Still, as unkempt and overwrought as "Die, My Love" is, it's not a movie that's timidly weighing in on parenting and gender roles. There's plenty to admire in Ramsay's uncompromising and delirious portrait of marital hell, particularly in the bracingly raw performance of Lawrence. The abandon with which she throws herself into the role is enough to make you exclaim "Mother!" Grace and Jackson have moved near his childhood home. Their house belonged to Jackson's uncle before he killed himself. Jackson's parents (Nick Nolte, Sissy Spacek) live nearby, and Spacek's knowing... Read More

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