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    Home » Director Iain Mackenzie Joins The Sweet Shop

    Director Iain Mackenzie Joins The Sweet Shop

    By SHOOTThursday, September 25, 2014Updated:Tuesday, May 14, 2024No Comments3438 Views
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    Iain Mackenzie
    LOS ANGELES --

    The Sweet Shop has signed director Iain Mackenzie for global representation. His credits span such clients as Lexus, Mercedes-Benz, Sears, Campbell’s, Visa, DOW, Qantas, Chrysler, Citigroup and Gatorade. He had previously been handled by Paydirt Pictures.

    Born in the U.K., Mackenzie studied film and received a degree in Photographic Arts at Regent Street Polytechnic in London. While there, he took advantage of the school’s exchange programs and got a chance to explore numerous European countries while collaborating with students and artists from abroad. Since then, his love of travel and lush, organic style has translated to a slew of poignant, visually stunning ad campaigns that have been shot in more than 60 different countries across six continents.

    An accomplished photographer, DP as well as a director, Mackenzie said he was drawn to The Sweet Shop by “the people. Speaking with the management team, I could see how well they worked together across the world.”

    Mackenzie added, “The global aspect is important. Joining The Sweet Shop offers me an exciting opportunity to work on many different types of projects. I am positive they will have a great effect on my work, opening new possibilities while retaining the essence of what has always existed in my career.” 

    Laura Thoel, managing director of The Sweet Shop LA, said she has “admired Iain’s work for many years. In fact, lost quite a few jobs to him. In all seriousness, what drew me to Iain is his ability to capture a vast cinematic scope while also telling an evocative story.”

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    Category:News
    Tags:Iain MackenzieThe Sweet Shop



    Review: Filmmaker Lynne Ramsay’s “Die, My Love” Starring Jennifer Lawrence

    Thursday, November 6, 2025

    A primal punk spirit rages through Lynne Ramsay's "Die, My Love," a jagged, go-for-broke psychodrama starring Jennifer Lawrence as an increasingly unhinged new mother and Robert Pattinson as her husband. In this cauldron of marital nightmare, set in a ramshackle rural Montana home, there are fires, real and imagined, and a variety of wildlife. There's an incessantly yapping dog, brought home by Jackson (Pattinson) shortly after the couple move in from New York. There's a horse in the road, inopportunely. And on the shirt on Grace (Lawrence) is a tiger. But, more than these animalistic flourishes, there is Grace, herself. In a moment early in the film, she prowls on all fours through tall grass, with a knife in her hand. The shorthand description of Ramsay's film, adapted from a 2012 novel by the Argentine writer Ariana Harwicz, is that it's about a woman with postpartum depression. But that's not quite right. It's more about the power and urges of a woman who, like a beautiful, feral creature, is not taking to domestication. That's the appealing through line of "Die, My Love," though it can be difficult to firmly grasp it in Ramsay's piercing but tediously overamplified character study. Still, as unkempt and overwrought as "Die, My Love" is, it's not a movie that's timidly weighing in on parenting and gender roles. There's plenty to admire in Ramsay's uncompromising and delirious portrait of marital hell, particularly in the bracingly raw performance of Lawrence. The abandon with which she throws herself into the role is enough to make you exclaim "Mother!" Grace and Jackson have moved near his childhood home. Their house belonged to Jackson's uncle before he killed himself. Jackson's parents (Nick Nolte, Sissy Spacek) live nearby, and Spacek's knowing... Read More

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