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    Home » Director Jake Honig Signs With Unicorns & Unicorns

    Director Jake Honig Signs With Unicorns & Unicorns

    By SHOOTFriday, March 17, 2023Updated:Tuesday, May 14, 2024No Comments2478 Views
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    Jake Honig
    LOS ANGELES --

    Unicorns & Unicorns (U&U) has signed Jake Honig, marking the director’s first production house roost for representation in the U.S.

    With experience in film, commercial and television directing, Honig has had his work screened at numerous film festivals and seen it featured on HBO Max, Adult Swim, Comedy Central, New York Magazine and PAPER mag.

    “Jake is a unicorn in every sense of the word,” said U&U EP Mercedes Allen-Sarria. “He is magic, bright, and one of a kind. His work is hilarious and his attention to detail shows up in every aspect of his art. He is versatile and that’s always something we are looking for–someone who can cross the different realms of this world. He can do experiential and fashion. He has an insane knack for directing influencers, and he can even make fried chicken Crocs look fresh and dope. He is collaborative and exciting. It’s a joy to work with him.”

    After a viral hit campaign for KFC in collaboration with Crocs, Honig has turned out recent projects for notable brands such as Corona, LG, Old Spice, Mucinex, Kroger and IHOP featuring celebrities including Danny DeVito, Rachel Brosnahan, Phoebe Robinson and Cat Cohen. Honig’s first feature film will go into production later this year.

    “Adrianne [McCurrach, exec producer], Sun [Komen, technical creative director] and everyone at U&U are the ultimate hustlers,” said Honig. “They’re aggressively dedicated to their directors and know how to have a great time wherever they are, on-set or out at dinner. Everyone who works with them has a wonderful experience, which is really all you can ask for. I’m super excited to be joining their roster and can’t wait to see what this year has in store for us.”

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    Category:News
    Tags:Jake HonigMercedes Allen-SarriaUnicorns & Unicorns



    Review: Director Edgar Wright’s “The Running Man”

    Wednesday, November 12, 2025

    It's always interesting when time overtakes the dystopias of the past. In Stephen King's 1982 novel "The Running Man," the United States has fallen into a totalitarian state, divided between haves and have-nots, where all movements can be surveilled and realistic video propaganda is easily generated. King's book was set in the year 2025. Edgar Wright's new big-screen adaptation is fittingly but awkwardly timed. Arriving in the year of King's imagined dystopia, its near-future has little in it that isn't already plausible today, making this "Running Man" — while fleet of foot in action — feel a step, or two, behind. "The Running Man," of course, has already begat one movie. Paul Michael Glaser's 1987 film starred Arnold Schwarzenegger as Ben Richards, the young father who out of financial desperation auditions for a lethal reality show where survival for 30 days means a $1 billion payday. (The movie was set in the distant year of 2017.) Times have changed, though. Wright's film stars Glen Powell as Richards, a fairly exponential upgrade in smirking charisma. This is, for sure, a dystopia with a genial spin. That's not only the case with the dashing and overweening Powell but with Wright, a playful genre practitioner whose approach to apocalypse ("Shaun of the Dead") is, by nature, comic. From the start, the darkest shades of King's book have been snuffed out of this blandly entertaining remake that swaps out the brutalist 1980s nihilism of the Schwarzenegger movie for a satirical portrait of America lacking in bite and prescience. It's not like the 1987 "Running Man" was so great, either. But at least it locked into a tone and stuck with it. Wright's movie has flashes of flamboyance that help, but it struggles to balance such violent science fiction... Read More

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