Strike Anywhere has added filmmaker John Larigakis to its talent roster, marking his first U.S. commercial representation. He continues to be repped in Canada by production house BOLDLY.
Larigakis first established himself on the agency side of the business where he spent 15 years, including serving as a sr. art director at DDB Canada and then a creative director at 123w before making a seamless transition to directing commercials..
Conceptual and highly art-directed, Larigakisโ style focuses on comedic surrealism grounded in reality. By counterbalancing the outlandish and colorful setting with deadpan performances, the key to his commercials is the metaphorical twist on the core concept, ultimately yielding a funny film. His stylistic vision is often brought to life through custom props, 3D animation, physical comedy, and practical effects to craft imaginative environments and memorable characters.
As a director, Larigakis recently won a Berlin Commercial Award for his work with Extra Gum. Heโs also helmed films for brands like Starbucks, Nintendo Switch, Playland, and Sandman Hotels. Throughout his career in advertising, Larigakis has developed work that has won six Cannes Lions, 12 One Show Pencils, six D&AD Pencils, and six Clios.
โIโm a big fan of Strike Anywhereโs approach, their mix of strong advertising and film projects, and most importantly, the team,โ remarked Larigakis. โThey are genuinely passionate about helping directors grow and develop their careers, and Iโm at a stage where Iโm excited to continue crafting my skills in new areas.โ
Ryan Simon, founding partner of Strike Anywhere, added, โAt Strike Anywhere, comedy is key to company growth, and weโre elevating the game by joining forces with filmmaker John Larigakis.โ Simon added, โJohn brings over a decade of comedy experience, momentum as a new filmmaking voice, and a unique visual style that complements our commitment to producing work with the best creatives in the world.โ
Vatican, Microsoft Create AI-Generated St. Peter’s Basilica–For In-Person and Virtual Visitors
The Vatican and Microsoft on Monday unveiled a digital twin of St. Peter's Basilica that uses artificial intelligence to explore one of the world's most important monument's while helping the Holy See manage visitor flows and identify conservation problems. Using 400,000 high-resolution digital photographs, taken with drones, cameras and lasers over four weeks when no one was in the basilica, the digital replica is going online alongside two new on-site exhibits to provide visitors -- real and virtual -- with an interactive experience. "It is literally one of the most technologically advanced and sophisticated projects of its kind that has ever been pursued," Microsoft's president Brad Smith told a Vatican press conference. The project has been launched ahead of the Vatican's 2025 Jubilee, a holy year in which more than 30 million pilgrims are expected to pass through the basilica's Holy Door, on top of the 50,000 who visit on a normal day. "Everyone, really everyone should feel welcome in this great house," Pope Francis told Smith and members of the project's development teams at an audience Monday. The digital platform allows visitors to reserve entry times to the basilica, a novelty for one of the world's most visited monuments that regularly has an hours-long line of tourists waiting to get in. But the heart of the project is the creation of a digital twin of St. Peter's Basilica through advanced photogrammetry and artificial intelligence that allows anyone to "visit" the church and learn about its history. The ultra-precise 3D replica, developed in collaboration with digital preservation company Iconem, incorporates 22 petabytes of data โ enough to fill five million DVDs โ Smith said. The images have already identified structural... Read More