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    Home » Director Julia Kupiec Lands At Thinking Machine For Her 1st Commercial Representation

    Director Julia Kupiec Lands At Thinking Machine For Her 1st Commercial Representation

    By SHOOTTuesday, July 30, 2024No Comments430 Views
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    Julia Kupiec
    LOS ANGELES --

    Creative storytelling boutique Thinking Machine–founded by directors Matthew and Jason Docter, aka Docter Twins–has added director Julia Kupiec to its roster for her first commercial representation. Kupiec captured the attention of the industry with her documentary short about a Long Beach roller skater, Andi, which was shortlisted in 2022 at Cannes Young Directors Awards. This year, Kupiec won Cannes YDA Gold in the Dream Pitch category for her screenplay, Growing Pains. She’s also directed narrative commercials for the U.S. Air Force, UMass and By Liv Handmade, along with music videos for Columbia Records’ Clinton Kane and Jake Tavill.

    An NYU Tisch School of the Arts alumna, Kupiec honed her craft as a cinematographer and editor before quickly hitting her stride as a writer/director. After seeing Andi, GSD&M hired her to direct a Women’s History Month spot, USAF “Airman.” The powerful spot juxtaposes highly skilled women at work in the Air Force today with archival audio of politicians and military personnel arguing against their participation in the military. It landed her on the radar of Thinking Machine.

    “I was instantly drawn to Julia’s work,” said Thinking Machine executive producer Alon Simcha. “You can see how she embraces all aspects of filmmaking because so many disciplines elevate her storytelling, everything from the performances and cinematography to production design and wardrobe choices. She’s developing a distinctive voice as an artist, and we’re excited to collaborate with her on new opportunities.”

    “As soon as I started speaking with Alon and the Docters, there was no question Thinking Machine was the partnership I wanted for this next phase in my career,” Kupiec said. “Their style of working with me as a director is very hands-on. They bring valuable insights about the industry, along with a passion for filmmaking to every conversation. We’re aligned creatively and I feel very supported there.”

    Before embarking on writing her first screenplay (the aforementioned Growing Pains), last year Kupiec decided to enroll in method acting classes with renowned teacher Tony Greco in New York. “They’re month-long sessions and I absolutely love them,” she said. “If there’s any one thing that’s influenced and inspired me as a writer and director in the last year, that class is definitely it.”

    Kupiec’s work often conveys an easy observational style. She drew from real life to make By Liv Handmade’s “In Process” after attending an impromptu clothing swap her designer friend, Liv Reinertson, hosted in her apartment. “It just looked like something collaged out of a Sofia Coppola movie,” Kupiec explained. “All lace, shared confessions and teeth stained with red wine.” The resulting spot draws a playful connection between Liv’s improvisational creative process and her ongoing relationship with self-questioning and self-invention at a quintessential age.

    Strong performances can be seen in Kupiec’s music videos as well. Kane’s “Go To Hell” features the artist in a frank and visually gripping exploration of infidelity, and “Truth” for Tavill is a very original take on outing the façade of a happy family that was an official selection at Raindance and won Best Music Video at Fusion Film Festival.

    “It’s not often that you come across a young director with such a strong voice,” said Thinking Machine co-founder/director Jason Docter. “We love Julia’s versatility in craft and strong storytelling ability–as both filmmaker and writer, and have no doubt she will soon be a sought-after director in our business.”

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    Category:News
    Tags:Jason DocterJulia KopiecMatthew DocterThinking Machine



    Aleshea Harris’ “Is God Is”: A Primal Scream Of A Movie Inspired By Westerns and Greek Tragedy

    Tuesday, May 19, 2026

    Aleshea Harris wrote "Is God Is" with the assumption that it would never be performed as a play, let alone turned into a movie. It was simply a story she needed to get onto the page: A tale of rage and revenge, an ancient Greek tragedy melded with Spaghetti Western tropes centered on contemporary Black women, twins, on an epic, violent journey to find the father who wronged them. She even rewatched Quentin Tarantino's "Kill Bill" while she was writing.

    "I've endured so many narratives in which Black women, they're just sort of downtrodden victims, you know? They endure, they gain their strength and we love them because look at what all she can take. I think that's horrific," Harris said in a recent interview. "This was my antidote to that. This was my medicine to myself for that."

    That's the thing about art that boldly flies in the face of taboo and stereotypes; Sometimes, it turns out, it's on to something that audiences have been craving too. The Obie-winning stage play, which debuted off-Broadway in 2018, hit a nerve with audiences and critics, garnering comparisons to Tarantino and Martin McDonagh. Soon, talks of a feature film were underway. Harris never thought she'd be the one to direct it, having barely even been on a set before, but producer Janicza Bravo and their mutual friend, playwright Jeremy O. Harris, had other ideas: It was her story after all, she should be the one to tell it.

    "It really was like the belief of those folks and that invitation," Harris said. "It was like a switch being flipped. Of course, of course I'm in."

    The film, which is now playing in theaters, has garnered similarly effusive praise from critics and audiences. It stars Kara Young and Mallori Johnson as badly scarred twins who, after fending for... Read More

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