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    Director Matt Dilmore Joins Biscuit Filmworks

    By SHOOTUpdated:No Comments6572 Views
    Matt Dilmore
    LOS ANGELES --

    Biscuit Filmworks has added Matt Dilmore to its directorial roster. His work spans commercials, music videos, documentary shorts, viral web videos, and other creative projects.

    As a commercial director, Dilmore has helmed memorably offbeat campaigns for Got Milk?, Guinness, Pepsi, Foot Locker, Dish Network and Red Stripe, among others. Prior to joining Biscuit, Dilmore was handled for spots by Epoch Films.

    Dilmore’s most recent project is the documentary short The Great Imposter, which he directed as part of ESPN’s 30-for-30 series. The short tells the story of Detroit salesman Barry Breman, who gained notoriety in the 1980s for successfully posing as an athlete at more than 20 major professional sporting events.

    Dilmore has also directed music videos for bands such as The Black Lips and CSS, published a limited edition book of rare and out-of-print film stills for creative studio Partners & Spade, and co-created (with MJZ director Tom Kuntz) holiday-themed viral shorts Santasm, Warmandfuzzyfeeling, and Itstoastyinhere. Dilmore founded cult-favorite online radio show Pussyfoot in 2008 to profile innovative artists, musicians, and destinations.

    Biscuit was founded in 2000 by director Noam Murro and managing director Shawn Lacy. Dilmore joins a Biscuit directorial roster which includes Murro, Andreas Nilsson, Aaron Ruell, Aaron Stoller, Bruce St. Clair, Christopher Riggert, Clay Weiner, James Gray, Jeff Low, Malcolm Murray, Mike Maguire, Philippe Andre, Steve Rogers and Tim Godsall.

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    Category:News
    Tags:Biscuit FilmworksMatt Dilmore



    Cate Blanchett Laments That The #MeToo Movement “Got Killed Very Quickly” In Hollywood

    Sunday, May 17, 2026

    Cate Blanchett said the #MeToo movement "got killed very quickly" in Hollywood, speaking Sunday at the Cannes Film Festival.

    In a wide-ranging staged conversation, Blanchett lamented that the tide of #MeToo has been turned in Hollywood, where she has been outspoken about gender equality.

    "It got killed very quickly, which I think is interesting," said Blanchett.

    "There are a lot of people with platforms who are able to speak up with relative safety and say this has happened to me," Blanchett said. "And the so-called average woman on the street, person on the street, is saying MeToo. Why does that get shut down?"

    In 2018, when she was president of the jury in Cannes, Blanchett took part in a red-carpet protest. She and 81 other women appeared on the steps of the Palais des Festivals, symbolically representing the number of female director who were selected for Cannes' competition lineup. Over the same period, 1,866 male directors had been selected.

    "I'm still on film sets and I do the headcount every day. There's 10 women and there's 75 men every morning," Blanchett said.

    "I love men, but what happens is the jokes become the same,' she said. "You just have to brace yourself slightly, and I'm used to that, but it just gets boring for everybody when you walk into a homogeneous workplace."

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