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    Home » Director Ole Peters Signs With Interrogate For His 1st U.S. Representation

    Director Ole Peters Signs With Interrogate For His 1st U.S. Representation

    By SHOOTWednesday, August 15, 2018Updated:Tuesday, May 14, 2024No Comments6251 Views
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    Ole Peters
    LOS ANGELES --

    Ole Peters, a German director who’s managing partner and executive creative director at Hamburg-based hybrid production studio Sehsucht, has joined Interrogate–the shop with bases of operation in L.A., NY and Sydney–for his first career spot and branded content representation in the U.S. as well as Australia. 

    Sehsucht is a leading shop in Europe’s VFX, production and animation landscape. Earlier this year Peters directed via Sehsucht a CG/live-action film, “Stronger Than Time,” for the new Mercedes-Benz G-Class out of Berlin-based ad agency antoni. “Stronger Than Time” earned inclusion into SHOOT’s ScreenWork section.

    Peters grew up on an island off the north coast of Germany. In that idyllic environment, he grew passionate about photography, design, and typography. This love for aesthetics became an addiction, and with increasing frequency he would travel to any big city with an exhibition focused on his chosen topics. Peters began freelancing as a graphic designer in the print industry, which led him to broadcast design. There he became a design pioneer in the use of Adobe After Effects (he even wrote a 500-page technical book about it).
     
    Peters bounced around, working for German television stations and postproduction companies. Noticing a void of motion design services for agencies and clients, he co-founded Labor TV to meet that need. In 2003, Labor TV merged with Matin Woelke’s Sehsucht, where Peters made his mark.

    Peters’ VFX background gives him a unique perspective when it comes to creating atmosphere and building visually stunning worlds. Describing CGI, Peters said, “I can create scenes exactly as I imagine them—without limitations. I can lead the audience into unseen environments or supplement and transform real worlds.” On adding live action into the equation, he related, “Nothing can compare with the element of human expression. Following dialogue, human movement, playing with characters—it opens up another realm of opportunities for creating.”
     
    Because of this dual perspective, Peters’ work is visually complex. He enjoys conceiving landscapes that haven’t existed before. That’s reflected in the aforementioned “Stronger Than Time” in which the camera dives into a piece of amber, and then seamlessly transitions 40 million years into the future. Smoothly switching between live action and CGI, Peters creates a spot that bridges time itself, highlighting the Mercedes as an iconic piece of machinery.

    Peters’ reputation as a human swiss-army knife has led to work for such clients as Audi, Chevrolet and IWC Schaffhausen, among others. Peters’ work has won numerous awards, starting with the Cannes Gold Lion he won for an animated Mercedes-Benz convertible spot. He also frequently serves on the jury of distinguished award shows, including the Clios and ADC Germany.

    Interrogate EP and Partner George Meeker said, “With Ole, you get this one-stop shop—a wildly creative director who has a deep wealth of CGI and VFX experience, plus access to a killer production house in Germany. It’s rare the same person who directs a spot can also execute the visual effects, and Ole produces these fully-realized, bespoke visions from beginning to end.”
     
    When Peters was introduced to the Interrogate team, he was instantly impressed. He said of the company, “Their selectiveness with their roster shows how one-on-one they are with their talent, and how they are able to support them with passion and focus. I felt well understood, and in turn, I understand their perspectives and aims, and how uniquely they look at the bigger picture.”

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    Category:News
    Tags:George MeekerInterrogateOle PetersSehsucht



    After Delay Over Legal Issues, Oscar-Nominated Documentary “Black Box Diaries” Finally Premieres In Japan

    Friday, December 12, 2025

    "Black Box Diaries," a documentary in which Japanese journalist Shiori Ito investigates her own sexual assault case and the barriers she faced in pursuing justice, has been screened widely abroad since its 2024 festival debut and earned an Oscar nomination early this year.

    It finally premiered in Japan on Friday, a long-delayed domestic release that began with a single-theater run.

    In Japan, sexual assault victims are often stigmatized and silenced. But the barrier to the film's release at home was largely the result of a legal dispute over her use of some interviews and footage of witnesses and involved parties without their consent.

    The 102-minute film was screened to a full house on Friday at the T. Joy Prince Shinagawa, a large cinema complex in downtown Tokyo.

    Ito expressed relief that she could finally share her story with an audience in her home country.

    "Until last night, I was afraid if the film is going to come out or not," she told The Associated Press after the screening. "The reason I made this film is because I want to talk about this issue openly in Japan. It's been like my little love letter to Japan, so I'm just so happy that this day came finally."

    Ito, who went public with what she says happened to her in 2015, has become the face of Japan's slow moving #MeToo movement. She is the first Japanese director to be nominated for an Oscar in the category of documentary feature film. The film is based on a 2017 book she wrote, "Black Box."

    What happened in 2015
    As an intern in 2015, Ito was seeking a position at private TBS Television and met one of its senior journalists, Noriyuki Yamaguchi, who became her alleged assailant. She has said in her book and film that she became dizzy... Read More

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