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    Home » Director Philip Di Fiore Sheds New Light On Tribe In “Buffalo Hunt” Documentary

    Director Philip Di Fiore Sheds New Light On Tribe In “Buffalo Hunt” Documentary

    By SHOOTSaturday, June 8, 2019Updated:Tuesday, May 14, 2024No Comments4560 Views
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    In this March 2018 photo, provided by The Buffalo Hunt LLC, Beldine White Eyes sits in her home following a traditional buffalo hunt on the Pine Ridge Indian Reservation in South Dakota. "The Buffalo Hunt," a new documentary on the homeland of the Oglala Lakota, attempts to shun clichés around Pine Ridge and instead focuses on traditions around the human condition. (Philip Di Fiore/Phillip O'Leary The Buffalo Hunt LLC via AP)

    By Russell Contreras

    ALBUQUERQUE, NM (AP) --

    "The Buffalo Hunt," a new documentary on the homeland of the Oglala Lakota, attempts to shun clichés around the Pine Ridge Indian Reservation in South Dakota involving poverty and addiction and instead focus on traditions around the Native American tribe.

    Directed by Philip Di Fiore, the film lets the Lakota Sioux people of today speak without narration as they work to save customs passed down by the elders through the buffalo hunt — a sacred act which extends to all aspects of life. There, in the hunt, elders share stories on how previous generations used the animal's gifts and prepared hunters for the world before them. Young members watch and participate.

    The year-long project on Pine Ridge began after producer Phillip O'Leary took part in the 2016 protests at Standing Rock over the proposed Dakota Access Pipeline over concerns the local drinking water would be polluted. O'Leary originally wanted to dive into a documentary around the Standing Rock protests until he met Pine Ridge members, Di Fiore said. The Lakota Sioux men, like members of other Native American tribes from New Mexico to Oklahoma, had come to Standing Rock in solitary.

    "Phillip was captivated by their stories so the focus of the project changed," Di Fiore said.

    But would it fall victim of other stereotypical portrayals?

    Pine Ridge has been the subject of a number of documentaries that have centered on the reservation's extreme poverty, chronic alcoholism or drug addiction. Those films, like the 2008 "The Battle for Whiteclay" and the 2014 "Sober Indian Dangerous Indian," regularly juxtapose the breathtaking landscape of the Great Plains with human suffering in a place where unemployment hovers around 85 percent.

    "As a white guy from New York coming into their world, I didn't want to fall into these traps," said Di Fiore, a Brooklyn-based director best known for shooting music videos.  "So we were very careful not to insert a preachy message or stamp our views on anything. We just let the story unfold."

    Eventually, Di Fiore and his crew turned their attention to traditional buffalo hunts where the Oglala Lakota worked on their terms. Di Fiore conducted no interviews. He didn't seek outside experts to explain anything.

    Instead, he filmed detailed shots of hunters skinning a buffalo then delivering meat to elders for stew. That became the window to larger stories about community across the sprawling 3,500 square-mile (9,064 square-kilometer) reservation.

    Some shots go longer than expected. An elder's nearly five-minute speech is shown in its entirety.

    After one hunt, Di Fiore focuses on a one woman, who, at 75 years old, had just finished getting her college degree. She'd been sent to a boarding school as a child and forgotten how to speak her traditional language. A young member heard her story after delivering buffalo ground meat to her.

    Those in hunts tackled stereotypes by just being themselves, Di Fiore said. After taking part in a ceremony following a hunt in one scene, male members hear a story about how the buffalo will enter the spirit world. The men in the ceremony wear hoodies and baseball caps.

    "We wanted to do our best to be respectful and take you into their world," Di Fiore said.

    "The Buffalo Hunt" already has won a number of awards, including best feature documentary honors at the Prague Film Awards and Canada International Film Festival.

    The film is set to be released on Amazon Prime on June 21.

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    Category:News
    Tags:Philip Di FiorePhillip O'LearyThe Buffalo Hunt



    Director Milo Blake Signs With PRETTYBIRD For U.K. Representation

    Tuesday, August 11, 2026

    PRETTYBIRD has added director Milo Blake to its U.K. roster. He continues to be handled by Furlined for commercial representation in the U.S.

    Blake is a British filmmaker, based in London, whose style and fascination with stories have been shaped by the cultural resonance of the city and the people within it. His eye for a set piece developed early, as whole worlds and universes built from his toys regularly took over the rooms of his childhood home. Inspired by the eclectic films in his parents’ DVD collection, that curiosity soon found a more permanent medium in filmmaking, sowing the seeds of a lifelong passion for film.

    Coming up, he made his name in the U.K.’s alternative music scene through collaborations with artists such as Obongjayar, Rachel Chinouriri, Lava La Rue, Big Piig, Louis Culture and Lord Apex. His music video work has been screened and gained recognition at SXSW Festival, Oscar-qualifying film festivals like New Orleans and Rhode Island as well as the UKMVAs. His video for Oscar Jerome in 2025 won him a Vimeo Staff Pick. His hybrid feature concert film, All the Way From the Sun, documented Loyle Carner’s epic inaugural show at the Royal Albert Hall for his acclaimed album, “Hugo.”

    In 2025, Blake’s film The Empty Seat for the Paralympics won a Clio for Social Good, Gold in the YDA commercial category, Best New Director at the Young Arrows, and received Silver and Bronze awards at Ciclope. Recent films include History is Calling for Puy du Fou España and Our House is Not a Home for the homelessness charity Shelter, which garnered a Wood Pencil at D&AD and a Silver at the British Arrows in 2026. Prior to joining PRETTYBIRD, Blake was repped in the U.K. ad market by... Read More

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