Taika Waititi’s Next Goal Wins, a soccer comedy directed and co-written by the New Zealand filmmaker, will make its world premiere at the 48th edition of the Toronto International Film Festival (September 7–17).
“We’re thrilled to welcome Taika back to the Festival and share his audacious take on the most popular sport in the world,” said Cameron Bailey, CEO of TIFF. “Next Goal Wins is perfect for TIFF fans of the beautiful game looking for their football fill until the 2026 World Cup arrives.”
The TIFF Ebert Director Award recipient was last at the Festival in 2019 with the world premiere of Jojo Rabbit. The film went on to win the TIFF People’s Choice Award and an Academy Award for Best Adapted Screenplay.
Next Goal Wins stars Michael Fassbender, Oscar Kightley, Kaimana, David Fane, Rachel House, Beulah Koale, Uli Latukefu, Semu Filipo, Lehi Falepapalangi, with Will Arnett and Elisabeth Moss. The heartfelt sports comedy is based on the 2014 documentary of the same name and follows the American Samoa soccer team, infamous for their brutal 31-0 FIFA loss in 2001. With the World Cup Qualifiers approaching, the team hires down-on-his-luck, maverick coach Thomas Rongen (Fassbender) hoping he will turn the world’s worst soccer team around.
Next Goal Wins is a Searchlight Pictures film.
Jennifer Kent On Why Her Feature Directing Debut, “The Babadook,” Continues To Haunt Us
"The Babadook," when it was released 10 years ago, didn't seem to portend a cultural sensation.
It was the first film by a little-known Australian filmmaker, Jennifer Kent. It had that strange name. On opening weekend, it played in two theaters.
But with time, the long shadows of "The Babadook" continued to envelop moviegoers. Its rerelease this weekend in theaters, a decade later, is less of a reminder of a sleeper 2014 indie hit than it is a chance to revisit a horror milestone that continues to cast a dark spell.
Not many small-budget, first-feature films can be fairly said to have shifted cinema but Kent's directorial debut may be one of them. It was at the nexus of that much-debated term "elevated horror." But regardless of that label, it helped kicked off a wave of challenging, filmmaker-driven genre movies like "It Follows," "Get Out" and "Hereditary."
Kent, 55, has watched all of this — and those many "Babadook" memes — unfold over the years with a mix of elation and confusion. Her film was inspired in part by the death of her father, and its horror elements likewise arise out of the suppression of emotions. A single mother (Essie Davis) is struggling with raising her young son (Noah Wiseman) years after the tragic death of her husband. A figure from a pop-up children's book begins to appear. As things grow more intense, his name is drawn out in three chilling syllables — "Bah-Bah-Doooook" — an incantation of unprocessed grief.
Kent recently spoke from her native Australia to reflect on the origins and continuing life of "The Babadook."
Q: Given that you didn't set out to in any way "change" horror, how have you regarded the unique afterlife of "The... Read More