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    Home Β» Directors Robert Logevall, Josh Miller Join Spears & Arrows

    Directors Robert Logevall, Josh Miller Join Spears & Arrows

    By SHOOTMonday, March 6, 2017Updated:Tuesday, May 14, 2024No Comments5263 Views
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    Robert Logevall
    LOS ANGELES --

    Spears & Arrows, an L.A.-based production company founded by EP Jason Wolk, has brought directors Robert Logevall and Josh Miller aboard its roster for commercials and branded content in the U.S.

    Logevall was most recently with Supply & Demand. Among his notable credits are: the Fiat spot “Immigrant,” a whimsical montage of various Fiats driving into the waters around Italy and arriving on American shores to highlight the brand’s reemergence in the U.S. market; and Chrysler’s “Life Evolves,” which effectively uses a split-screen to highlight two distinct stages in a man’s life and the cars that bridges them.

    “Robert is famous for his unique twist on the auto spot,” Wolk noted, “but he is much more than your typical ‘car guy.’ His spots are very composed and graphic thanks to his production design background. His eye for detail and sly wit have made him a favorite not only in Detroit, but agencies worldwide.”

    In addition to his commercial work, Logevall recently wrapped shooting his second feature film, American Pets, as well as a short film, Kim and I.

    Originally from Sweden, Logevall began his creative career in Canada working as both an art director and production designer in film and television. In addition to Supply & Demand, Logevall’s prior company affiliations included Anonymous Content.

    Josh Miller
    Miller began his career as an agency copywriter working at such creative shops as Kirshenbaum Bond + Partners and Hampel Stefanides. He worked as a creative director at Cliff Freeman & Partners and Team One Advertising, before launching his own directorial career that includes stints at RSA Films, B-Reel Films and most recently Humongous Production.

    Miller’s best work highlights his singular abilities to mine comedy through performance, as in his Klondike spot “Good Listener” and Target ad “Neighbors,” which expertly captures a cringe-worthy awkward exchange of holiday presents between two young couples. 

    “Josh’s agency creative background is a huge plus, he understands the pressures agency producers and creatives are under with their client relationships, and what the team is up against in general,” Wolk says. “He’s able to offer creative solutions that work for everybody, and always without ego.”

    Beyond commercials, Miller currently has two series’ in development at Comedy Central; one based on his award-winning short film, Hand Job: Portrait of a Professional Male Hand Model.

    Miller and Logevall join a Spears & Arrows directorial lineup which also includes Ago Panini, Arni Thor-Jonsson, John Grammatico and Don Broida.

    Spears & Arrows is represented on the East Coast by Mary Eiff and Michelle Stuart of Hello Tomorrow, on the West Coast and in Texas by Brad Grubaugh and Sophie Moore of Goodrebel, and in the Midwest by Nikki Weiss-Goldstein of Nikki Weiss & Co.

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    Category:News
    Tags:Josh MillerRobert LogevallSpears & Arrows



    Review: Filmmaker Lynne Ramsay’s “Die, My Love” Starring Jennifer Lawrence

    Thursday, November 6, 2025

    A primal punk spirit rages through Lynne Ramsay's "Die, My Love," a jagged, go-for-broke psychodrama starring Jennifer Lawrence as an increasingly unhinged new mother and Robert Pattinson as her husband. In this cauldron of marital nightmare, set in a ramshackle rural Montana home, there are fires, real and imagined, and a variety of wildlife. There's an incessantly yapping dog, brought home by Jackson (Pattinson) shortly after the couple move in from New York. There's a horse in the road, inopportunely. And on the shirt on Grace (Lawrence) is a tiger. But, more than these animalistic flourishes, there is Grace, herself. In a moment early in the film, she prowls on all fours through tall grass, with a knife in her hand. The shorthand description of Ramsay's film, adapted from a 2012 novel by the Argentine writer Ariana Harwicz, is that it's about a woman with postpartum depression. But that's not quite right. It's more about the power and urges of a woman who, like a beautiful, feral creature, is not taking to domestication. That's the appealing through line of "Die, My Love," though it can be difficult to firmly grasp it in Ramsay's piercing but tediously overamplified character study. Still, as unkempt and overwrought as "Die, My Love" is, it's not a movie that's timidly weighing in on parenting and gender roles. There's plenty to admire in Ramsay's uncompromising and delirious portrait of marital hell, particularly in the bracingly raw performance of Lawrence. The abandon with which she throws herself into the role is enough to make you exclaim "Mother!" Grace and Jackson have moved near his childhood home. Their house belonged to Jackson's uncle before he killed himself. Jackson's parents (Nick Nolte, Sissy Spacek) live nearby, and Spacek's knowing... Read More

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