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    Home » Directors Stålhandske, Rostrup Land Their First U.S. Representation, Join Variable

    Directors Stålhandske, Rostrup Land Their First U.S. Representation, Join Variable

    By SHOOTWednesday, January 18, 2017Updated:Tuesday, May 14, 2024No Comments3188 Views
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    Henrik Rostrup (l) and Per-Hampus Stålhandske
    NEW YORK --

    Directors Per-Hampus Stålhandske and Henrik Rostrup, partners in the Stockholm and Oslo-based company ATLAS, have extended their reach to the American ad market, joining the roster of production house Variable in New York. 

    Conversely ATLAS now represents Variable in Sweden and Norway. The agreement marks a coming together of companies, filmmakers and producers who share similar sensibilities in terms of how they create content, where they see the future of branded storytelling and the enduring value of working among highly collaborative teams.

    Tyler Ginter, executive producer and partner at Variable, and director and partner Jonathan Bregel were introduced to Stålhandske, Rostrup and ATLAS by their mutual European representative, Nicholas Berglund. “It was really perfect timing for us, as we’ve been looking to add directors who specialize in the category of action sports and youth culture,” said Ginter. “We were immediately drawn to Per-Hampus and Henrik’s work. Their visual language fits in perfectly with our curated vision at Variable. And when we met them we discovered many similarities in terms of our values and how we collaborate together with our clients.”
     
    Bregel added, “For us, working in tight-knit groups lets us function as a hybrid company that can deliver better results. Believing in this approach has to be a core part of your culture and foundation. It’s that way for Per and Henrik, too, and that’s going to allow us to combine our forces in a way that’s sustainable and ensures our long-term growth together. And speaking of which, we see great opportunities for Variable in the Scandinavian market.”
     
    Stålhandske and Rostrup have directed for such brands as Adidas, Nike, Reebok, Cisco, Patagonia and Gore-Tex. Their work–which spans spots, web videos and shorts–combines strong emotional hooks with a documentary realism and cinematic-style visuals that draw in the viewer. Stålhandske’s breakthrough snowboarding film for Nike, “Never Not,” featured Olympic gold medalist Sage Kotsenburg and reached the top of the iTunes charts worldwide.
     
    The directors come by their bona fides naturally. Stålhandske was raised in a village in northern Sweden and discovered film through his passion for snowboarding, when he started filming his friends at local ski slopes and makeshift mini-ramps. Before long he was following the top athletes around the world, creating iconic snowboard films in some of the earliest forms of branded content.
     
    Rostrup, who’s Norwegian, shares a similar story. He was introduced to filmmaking when a friend gave him a Bolex 16mm camera, encouraging him to shoot his friends who were professional skiers, snowboarders and explorers. Jumping at the chance to pursue something different, he spent several years adventuring around the globe in the back of van or climbing snowy peaks, capturing dynamic personalities and extraordinary lifestyles along the way.
     
    The two had known each other for some time, and in early 2014 they teamed with several other colleagues–fellow Norwegian director Niels Windfeldt and two producers, Mats Olofsson and Kristian Kjelman–to launch ATLAS. Their work not only captures the true essence of whatever activity they’re shooting, but also provides deep insights into the hard-to-reach youth culture market.
     
    “The worlds of skiing, snowboarding and adventure lifestyle have always been early adopters of creating progressive content,” Rostrup explained. “We started seeing the same approach in other campaigns we liked, and found that agencies would be more open to hiring the right people for the job instead of always going the traditional route. So authenticity, storytelling and branded content is definitely within our DNA.”
     
    “We love working with agencies and creatives who understand film craft and narrative, being flexible and intuitive with the formats,” added Stålhandske. “When you do what you love it’s easy to caught up in the films you’re a part of creating, sometimes forgetting they really are ads. But we think that’s a good thing.”
     
    Joining forces with Variable – which represents the first U.S. representation agreement for both directors – is a major move for them. “To us, it was a dream come true,” said Rostrup, “since we’ve always been big fans of their work, their sense of aesthetics and storytelling. Both on paper and in spirit we share a lot of the same ideals, methods of filmmaking and vision. Like Variable, we strongly believe that collaboration is the key to success. We help each other with the entire process, support our local scenes and try and foster as much talent as we can.”

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    Category:News
    Tags:Henrik RostrupPer-Hampus StålhandskeVariable



    A “Masters” Class In Branding and Fashion

    Saturday, April 11, 2026

    If the world of high fashion has Fashion Week in Milan, with sleek models dressed in avant-garde looks strutting down the runways, then the golf world has the Masters, where players bound down verdant green fairways in azalea-inspired polos, exotic bird prints, the yellows of jasmine and the pinks of the dogwoods.

    Over the last few years, golf apparel companies have begun treating the first full week of April as their moment to shine, unveiling lineups of Masters-inspired drops they hope can capture the attention of those focused on the season's first major.

    The surf-style company Johnnie-O, for example, dips into the Deep South with its classic, understated Azalea Collection. Rhobak likewise offers an Azalea Collection, though with bold flower patterns designed to invoke the feel of being on the grounds of Augusta National. Malbon Golf, meanwhile, offers a "Birds of Georgia" set featuring images of those typically found about the course.

    Yet none of them carry the iconic Masters logo. Or reference Amen Corner. Or use the words "Green Jacket."

    All of those are trademarked by the club — three of nearly 100 trademarks on file — and force outside apparel companies to creatively build their connections to both the tournament and Augusta National without infringing on their intellectual property.

    "Makers of products for mass market dream of becoming a supplier to Walmart. Likewise, high-end brands salivate at the idea of winning a mandate from the Masters," said John Sabino, author of "The Augusta Principles: Timeless Business Lessons from the World's Premier Golf Club." "Apparel companies want to tap into the Masters' high-quality association and leverage the club's exalted brand."

    Yet tapping into that association is... Read More

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