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    “Dog Man” Fetches $36 Million To Top Weekend Box Office

    By SHOOTNo Comments478 Views
    This image released by Universal Pictures shows Petey, voiced by Pete Davidson, left, and Dog Man, voiced by Peter Hastings in a scene from DreamWorks Animation's "Dog Man." (Universal Pictures/DreamWorks Animation via AP)

    By Jake Coyle, Film Writer

    NEW YORK (AP) --

    DreamWorks Animation’s “Dog Man” fetched $36 million in ticket sales at the weekend box office, according to studio estimates Sunday, making it the biggest debut yet in 2025.

    It was a big opening for the Universal Pictures release adapted from the popular graphic novel series by author Dav Pilkey. The big-screen launch for the cartoon canine was produced for a modest $40 million, meaning it will easily coast through a profitable run. Audiences gave it an “A” CinemaScore.

    Only one animated film before has had a better January launch: 2016’s “Kung Fu Panda 3.” “Dog Man,” though, was soft overseas, collecting $4.2 million from 29 international markets. The voice cast of the Peter Hastings-directed movie is led by Pete Davidson, Lil Rel Howery and Isla Fisher.

    Family movies last year buoyed the box office, with PG-rated films accounting for $2.9 billion, or 33% of all ticket revenue, according to data firm Comscore. So far, they’re lifting 2025, too. The Walt Disney Co.’s December release “Mufasa: The Lion King” topped the weekend box office three times in January. In its seventh week of release, “Mufasa” held in third place with another $6.1 million, bringing its global tally to $653 million.

    “The PG animation family film wave that was so prevalent in ’24 continues in ’25,” said Paul Dergarabedian, senior media analyst for Comscore.

    The horror comedy “Companion,” from Warner Bros. and New Line, also opened well, with $9.5 million in 3,285 locations. Drew Hancock’s sci-fi tinged film set in the near future is about a group of friends on a weekend lakeside getaway.

    “Companion,” starring Sophie Thatcher ( “Heretic” ), was lightly marketed and made for just $10 million. It will depend on glowing reviews (94% fresh on Rotten Tomatoes) and strong word of mouth (a “B+” CinemaScore) to keep drawing moviegoers in the coming weeks.

    Last week’s top film, Mel Gibson’s “Flight Risk,” dropped steeply in its second weekend. The action thriller starring Mark Wahlberg fell to fifth place with $5.6 million. Domestically, it has collected $20.9 million for Lionsgate.

    One of the early year’s standout successes has been Sony Pictures’ “One of Them Days,” the R-rated comedy starring Keke Palmer and SZA. Though comedies have had a hard time in theaters in recent years, “One of Them Days” has proven a exception. The well-reviewed movie earned $5.6 million over the weekend, bringing its three-week total to $34.5 million – a stellar result for a movie that cost $14 million to make.

    Final domestic figures will be released Monday. Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore:

    1. “Dog Man,” $36 million.
    2. “Companion,” $9.5 million.
    3. “Mufasa,” $6.1 million.
    4. “One of Them Days,” $6 million.
    5. “Flight Risk” $5.6 million.
    6. “Sonic the Hedgehog 3,” $3.2 million.
    7. “Moana 2,” $2.8 million.
    8. “A Complete Unknown,” $2.2 million.
    9. “The Brutalist,” $1.9 million.
    10. “Den of Thieves: Pantera,” $1.6 million.

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    Category:News
    Tags:box officeDog Man



    Directing and Lensing “Lord of the Flies”

    Friday, May 15, 2026
    "Lord of the Flies" director/EP Marc Munden (photo by Nick Wall)

    Bringing nearly 40 boys--all under the age of 12--together even under normal circumstances is a recipe for chaos. But it’s nothing compared to leaving those lads to fend for themselves on an island in William Golding’s classic 1954 novel “The Lord of the Flies.” And then add the dynamic of trying to do justice to that book in a television miniseries of the same title with an ensemble of kids--36 in all--who have never acted professionally on-camera before. That incredibly challenging TV proposition was embraced by screenwriter/executive producer Jack Thorne, director/exec producer Marc Munden and other artisans, including cinematographer Mark Wolf, BSC, yielding a four-part limited series which debuted earlier this year on the BBC and then began streaming this month on Netflix. Lord of the Flies has already earned critical acclaim, including a Gotham TV Award nomination last month in the Outstanding Limited or Anthology Series category. At first, Munden confessed that when the prospect of such a project was proposed to him, his initial thought was “who needs another version of ‘Lord of the Flies?’” Two feature films had been made--with Munden an admirer of the Peter Brook-directed big screen adaptation released in 1963. But upon reading the script penned by his long-time collaborator Thorne, Munden saw the light--and the opportunity to shine a light on these British schoolboys, particularly the lead characters Piggy, Ralph, Jack and Simon, in an insightful way that hadn’t been done before. In fact each of the four episodes brings a different protagonist to the forefront--the first installment focusing on “Piggy,” episode 2 on Jack, episode 3 on Simon and episode 4 on Ralph. This structure leads to a better understanding of each... Read More

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