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    Home » “Dr. Seuss’ The Grinch” Absconds With $66M In Box Office Proceeds

    “Dr. Seuss’ The Grinch” Absconds With $66M In Box Office Proceeds

    By SHOOTSunday, November 11, 2018Updated:Tuesday, May 14, 2024No Comments4578 Views
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    This file image released by Universal Pictures shows the characters Cindy-Lou Who, voiced by Cameron Seely, left, and Grinch, voiced by Benedict Cumberbatch, in a scene from "Dr. Seuss' The Grinch." (Universal Pictures via AP, File)

    By Andrew Dalton, Entertainment Writer

    LOS ANGELES (AP) --

    You're a mean one — and you're number one — Mr. Grinch.

    "Dr. Seuss' The Grinch" sledded past mixed reviews and made off with $66 million for Universal Pictures to top the weekend North American box office, according to studio estimates Sunday.

    Last week's top film, the Queen biopic "Bohemian Rhapsody," drops to second for 20th Century Fox with a $30.8 million weekend that brings its overall take to $100 million.

    Illumination, the Universal-owned animators behind "The Minions" and "Despicable Me," produced the latest interpretation of Seuss' 1957 book that led to a 1966 TV special and first came to the big screen as a live-action feature starring Jim Carrey in 2000.

    Paramount Pictures' war-horror hybrid "Overlord" was third in its first weekend with $10.1 million. Disney's "The Nutcracker and the Four Realms" brought in $9.5 million and finished fourth in its second week. The weekend's other major debut, "The Girl in the Spider's Web," made just $8 million and finished fifth.

    Illumination's "Grinch," narrated by Pharrell Williams, gives the title character, voiced by Benedict Cumberbatch, a backstory in an orphanage and fills out the story of his foil Cindy Lou Who.

    It's the second Seuss adaptation for Illumination. Its version of "The Lorax" opened with a comparable $70 million weekend and went on to gross $348.8 million worldwide.

    "The Grinch" was widely expected to be No. 1 with few other major openings this weekend, but it surpassed projections that had it bringing in closer to $60 million, continuing what's become a trend in 2018.

    "'The Grinch' is just the latest in a string of over-performers," said Paul Dergarabedian, senior media analyst for Comscore. "'Bohemian Rhapsody' was bigger than expected, 'A Star Is Born' was bigger than expected. It's fueling a box-office surge."

    The industry has reached a cumulative box office total of $10 billion faster than in any other year, Dergarabedian said.

    The Christmas theme of "The Grinch" could sustain it through the holidays and Universal hopes it has a longer life than that.

    "With Thanksgiving coming, we're poised to have a great run through that," said Jim Orr, president of domestic distribution for Universal. "Illumination's created such a classic take on this beloved character that audiences will be enjoying it for a really long time."

    But big rivals loom soon, including "Fantastic Beasts: The Crimes of Grindelwald" next week and "Ralph Breaks The Internet" on Nov. 21.

    "We've got a lot of competition coming up for family audiences," Dergarabedian said.

    Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to comScore. Where available, the latest international numbers for Friday through Sunday also are included. Final domestic figures will be released Monday.

    1. "Dr Seuss' The Grinch," $66 million ($12.7 million international).
    2. "Bohemian Rhapsody," $30.8 million ($63 million international).
    3. "Overlord," $10.1 million, ($9.2 million international).
    4. "The Nutcracker and the Four Realms," $9.5 million, ($13.5 million international).
    5. "The Girl in the Spider's Web," $8 million, ($6.2 million international).
    6. "A Star Is Born," $8 million ($9 million international).
    7. "Nobody's Fool," $6.5 million.
    8. "Venom," $4.8 million ($118.2 million international).
    9. "Halloween," $3.8 million ($5.9 million).
    10. "The Hate U Give," $2 million.

    Estimated ticket sales for Friday through Sunday at international theaters (excluding the U.S. and Canada), according to comScore:

    1. "Venom," $118.2 million.
    2. "Bohemian Rhapsody," $63 million.
    3. "The Nutcracker and the Four Realms," $13.5 million.
    4. "Dr Seuss' The Grinch," $12.7 million.
    5. "Detective Conan: Zero the Enforcer," $12.4 million.
    6. "Intimate Strangers," $9.2 million.
    7. "Overlord," $9.2 million.
    8. "A Star Is Born," $9 million.
    9. "The Girl in the Spider's Web," $6.2 million.
    10. "Halloween," $5.9 million.

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    Category:News
    Tags:box officeDr. Seuss' The GrinchUniversal Pictures



    “No Good Men” and “Only Rebels Win” Bring Love From Unexpected Places To Berlin Film Fest

    Thursday, February 12, 2026

    A surprising and touching Afghan political rom-com that is said to feature the first ever on-screen kiss in an Afghan movie opens the 76th Berlin Film Festival Thursday.

    Set in a Kabul newsroom in 2021, with the Taliban on the cusp of returning to power, "No Good Men" tells the workplace love story of camerawoman Naru, separated from her cheating husband and struggling to keep custody of her young son while trying to build a career in a male dominated industry and patriarchal society.

    Director Shahrbanoo Sadat said the kissing scene cost her lead actor three weeks before shooting began, and forced her to step into the role herself.

    "The joke was everyone who wanted to play Naru, they didn't want to do the kissing, I wanted to do the kissing, I didn't want to do the rest of the film," Sadat said.

    And it wasn't just the casting that was met with resistance. The Afghan film industry is small, she said, so the expectation is that the movie will be "good PR" for the country.

    Sadat had her own ideas, though.

    "I love Afghanistan, but I cannot close my eyes to patriarchy, sexism, all the big topics, and just say the good things about Afghanistan, so I'm disappointing my people," she said.

    Making an Afghan film in Europe, with European funding, she also felt added pressure to be a political and feminist filmmaker or make a war movie.

    Sadat received multiple letters of complaint from funders who said it was inappropriate for them to support a rom-com given the political situation in Afghanistan.

    "For me it was like, wait a minute, what? I feel offended that you feel offended about my project," she said. "I'm coming from a war country, and this is my way of expressing myself, to go through the oceans of... Read More

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