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    Home » “Dragon Ball Super: Super Hero” Tops Weekend Box Office With $20.1M

    “Dragon Ball Super: Super Hero” Tops Weekend Box Office With $20.1M

    By SHOOTSunday, August 21, 2022Updated:Tuesday, May 14, 2024No Comments1796 Views
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    This image provided by Crunchyroll shows a still from “Dragon Ball Super: Super Hero”, which topped the charts in its first weekend in theaters, with $20.1 million in ticket sales according to studio estimates on Sunday, Aug. 21, 2022. (Crunchyroll via AP)

    By Lindsey Bahr

    --

    Idris Elba may go head-to-head with a lion in "Beast," but the action flick was no match for the latest "Dragon Ball" movie at the North American box office this weekend.

    "Dragon Ball Super: Super Hero" topped the charts in its first weekend in theaters, with $20.1 million in ticket sales according to studio estimates on Sunday. "Beast," meanwhile, settled for a second-place debut with $11.6 million.

    Crunchyroll released "Dragon Ball Super: Super Hero" on 3,900 screens in North America, marking the widest-ever opening for an anime. The Toei Animation production was directed by Tetsuro Kodama, who had the support of "Dragon Ball" creator Akira Toriyama. The Dragon Ball universe is almost 40 years old, and includes manga, television shows, movies, games and toys.

    "We're absolutely thrilled that Dragon Ball fans could come together to experience and enjoy this amazing film in theaters," said Mitchel Berger, senior vice president of global commerce for the distributor, in a statement. "Crunchyroll thanks all of the fans, whether or not you are a 'super' fan or a newcomer, and we hope they come back again and again."

    According to PostTrak, the "Dragon Ball Super" audience was heavily male (79%) and 44% between the ages of 25 and 34.

    "Beast," meanwhile, opened on 3,743 screens in North America. The film, directed by Baltasar Kormákur ("Everest") stars Elba as a widowed father of two teenage girls, played by Iyana Halley and Leah Jeffries, who find themselves on the run from a bloodthirsty lion during a trip to South Africa.

    Including international showings, "Beast" has made $21.8 million so far.

    "I think this is a terrific start for 'Beast,'" said Jim Orr, Universal's head of domestic distribution. "I believe we will have a great run at the box office."

    Elba also has another film opening in theaters next weekend — George Miller's fantasy epic "Three Thousand Years of Longing."

    Sony's "Bullet Train," meanwhile, landed in third place after two weekends at No. 1 with an estimated $8 million, bringing its domestic total to $68.9 million. Paramount's "Top Gun: Maverick" placed fourth in its 13th weekend in theaters with an additional $5.9 million. "Top Gun" has made over $683 million in North America to date, which was was enough to overtake "Avengers: Infinity War" as the sixth highest grossing domestic release of all time. "DC League of Super-Pets" rounded out the top five.

    Paramount also released "Orphan: First Kill" on Paramount+ and in 498 locations this weekend. The Esther origin story made an estimated $1.7 million from theaters.

    The weekend overall saw about $77 million in North American ticket sales — up over 168% from the same weekend last year— bringing the year to date to $5.2 billion, according to Comscore. But the summer movie season continues a wind down that may last deep into the fall.

    Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

    1. "Dragon Ball Super: Super Hero," $20.1 million.
    2. "Beast," $11.6 million.
    3. "Bullet Train," $8 million.
    4. "Top Gun: Maverick," $5.9 million.
    5. "DC League of Super-Pets," $5.8 million.
    6. "Thor: Love and Thunder," $4 million.
    7. "Nope," $3.6 million.
    8. "Minions: The Rise of Gru," $3.5 million.
    9. "Where the Crawdads Sing," $3.2 million.
    10. "Bodies Bodies Bodies," $2.4 million.

    Lindsey Bahr is an AP film writer

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    Category:News
    Tags:Beastbox officeDragon Ball Super: Super HeroTetsuro Kodama



    Review: Director Joe Carnahan’s “The Rip”

    Friday, January 16, 2026
    This image released by Netflix shows Matt Damon in a scene from "The Rip." (Claire Folger/Netflix via AP)

    Lines between cop and criminal get murky in Joe Carnahan's "The Rip," a crime thriller set across one foggy Miami night, starring Matt Damon and Ben Affleck. Damon and Affleck, of course, are so closely associated with Boston — most recently they produced the 2024 heist movie "The Instigators" there — that a detour to South Florida puts them, a little awkwardly, in an entirely different movie landscape. This is "Miami Vice" territory or Elmore Leonard Land, not Southie or "The Town." In "The Rip," they play Miami narcotics officers who come upon a cartel stash house that Lt. Dane Dumars (Damon) says may have $150,000 hidden in the walls. It turns out to be more than $20 million, though, and their mission immediately turns from a Friday afternoon smash-and-grab into an imminent siege where no one can be trusted. "The Rip," which debuts Friday on Netflix, is a lean and potent-enough neo-noir where almost all the characters are police officers, yet it's a mystery as to who's a good guy and who's not. It's a nifty and timely premise, even if "The Rip" literally tattoos its message across itself. When Dane sits down with the young woman (Sasha Calle) at the stash house who seems plausibly innocent, she looks at tattoos on his hands and asks what they mean. On one: "AWTGG": "Are we the good guys?" As much as the answer might seem a foregone conclusion in a movie starring Damon and Affleck, who are also producers, "The Rip" plays with and against type in ways that can keep you engrossed. (The cast also includes Teyana Taylor, Steven Yeun and Kyle Chandler.) However, the exposition is so light and hurried in "The Rip" that that's almost all it plays with. We know almost nothing about our characters outside of the action in the movie, making all the... Read More

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