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    Home » Editor Kyle Brown joins Arcade Edit

    Editor Kyle Brown joins Arcade Edit

    By SHOOTMonday, November 9, 2015Updated:Tuesday, May 14, 2024No Comments1242 Views
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    LOS ANGELES --

    Arcade Edit has added editor Kyle Brown to its roster. Brown will be based out of Arcade’s L.A. office with his talents available to clients across the U.S.

    As an editor, Brown has worked on many high-profile spots, including a GE spot featuring Jeff Goldblum and directed by cult favorite directing duo–and frequent collaborators–Tim & Eric. Brown also worked on Intel’s “Project Daniel,” which took home top prizes at Cannes, The One Show, The Clios, and Curator’s Recognition at AICP. Brown’s most recent projects include the well-received Super Bowl spot “Win at Glue” for Loctite, Nike’s “No Maybes” and the Mercandantes’ latest piece for Netflix.

    “Kyle has a very diverse range and editorial style, something that is very much reflected in his work,” said Damian Stevens, managing partner, Arcade Edit.

    Originally from the Bay Area, Brown landed in L.A by way of UC Santa Barbara. He started his career on the production side, benefiting from his time working in-house at several established production companies as both a treatment writer and in-house editor. Brown’s experience working through the commercial creative process, and the resulting relationships with directorial talent he formed, opened up many doors, including the opportunity to be involved in national campaign work, as well as to serve as lead editor of Headcase, a half-hour comedy show on Starz. Brown has also had the opportunity to work with many top ad agencies and brands on a number of projects, including commercials, documentaries and long-form narrative projects. Brown comes over to Arcade from NO6.

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    Tags:Arcade EditKyle Brown



    “F1,” “KPop Demon Hunters” and “The Pitt” Among Winners At Cinema Audio Society Awards

    Sunday, March 8, 2026
    Members of the CAS Award-winning sound mixing team on “F1” (l-r): Foley mixer Elizabeth Marston; ADR mixer Michael Miller CAS; re-recording mixer Gary A. Rizzo CAS; re-recording mixer Juan Peralta; and production sound mixer Gareth John

    The sound mixing team on F1 topped the live-action motion picture category at the 62nd Annual Cinema Audio Society (CAS) Awards on Saturday night (3/7) at the Beverly Hilton International Ballroom. The evening honored excellence in sound mixing across motion pictures, television, and non-fiction programming, with industry leaders and acclaimed filmmakers gathering to celebrate the art and craft of sound. KPop Demon Hunters won the animated motion picture competition while Becoming Led Zeppelin took the feature documentary honor. Television winners included The Pitt, The Studio and Adolescence. Hosted by comedian, actor, writer and producer Chris Hardwick, the ceremony recognized outstanding achievements across seven competitive categories, along with the presentation of three special honors: the CAS Career Achievement Award, the CAS Filmmaker Award, and the inaugural Jeffrey S. Wexler Award for Advancement in Sound Technology. The CAS Career Achievement Award was presented by Benny Safdie to Academy Award®–winning re-recording mixer Skip Lievsay CAS (Gravity, No Country for Old Men, Roma). Academy Award®–winning director Guillermo del Toro (Frankenstein, The Shape of Water, Pan’s Labyrinth) was honored with the CAS Filmmaker Award, presented by Jon Favreau and Scott Gershin. Presenters throughout the evening included Jaimie Alexander, Eric André, Doug Jones, Kevin Nealon, Tig Notaro, Ron Perlman, Karolina Wydra, and “Weird Al” Yankovic. As previously announced, the Cinema Audio Society also presented the inaugural Jeffrey S. Wexler Award for Advancement in Sound Technology, honoring transformative achievements in non-linear technology for sound recording, editing, and mixing.... Read More

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