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    Home » Elizabeth Banks-Directed “Pitch Perfect 2” Tops Box Office With $70.3M Debut

    Elizabeth Banks-Directed “Pitch Perfect 2” Tops Box Office With $70.3M Debut

    By SHOOTSunday, May 17, 2015Updated:Tuesday, May 14, 2024No Comments2511 Views
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    This photo released by Universal Pictures shows Anna Kendrick as Beca in a scene from the film "Pitch Perfect 2." (Richard Cartwright/Universal Pictures via AP)

    By Lindsey Bahr, Film Writer

    LOS ANGELES (AP) --

    The ladies of "Pitch Perfect 2" hit all the right notes opening weekend, amassing a $70.3 million debut, according to Rentrak estimates Sunday.

    The Elizabeth Banks-directed sequel to the 2012 sleeper hit and video on demand phenomenon cost Universal Pictures only $29 million to produce and was expected to open in the $50 million range. The first film, for comparison, grossed only $65 million domestically across its entire run.

    "It's aca-awesome," said Universal Pictures' President of Domestic Distribution Nick Carpou. "We knew that the film would be a success, but there's something that happens when movies grow in their success beyond a range that's easily predictable. When that happens, the sky's the limit."

    Audiences for the musical comedy starring Anna Kendrick and Rebel Wilson were 75 percent female and 62 percent under the age of 25, according to Universal.

    Carpou attributes some of the massive success to savvy positioning and the widespread appeal of the popular music and the charismatic, diverse cast.

    "It starts with young female appeal, generally, and then expands beyond that thanks to careful marketing and publicity. We ran ads throughout the NBA playoffs, we also had an ad at the Super Bowl. That might seem a bit counter intuitive, but it actually helped to grow our audience base," he said.

    George Miller's critically acclaimed "Mad Max: Fury Road," landed a distant second in its debut weekend with a solid and expected $44.4 million from 3,702 locations. The high-octane, post-apocalyptic film cost a reported $150 million to make and stars Charlize Theron and Tom Hardy.

    Although it cost significantly more than "Pitch Perfect 2" to produce and didn't come close to matching its opening, "Mad Max: Fury Road" still had a promising and successful first weekend in theaters — especially considering the fact that it is R-rated.

    "We're very excited about the opening," Warner Bros. President of Domestic Distribution Dan Fellman said. "We're going to have some long legs and some great success on this movie."

    The film, which also played in IMAX and 3D, is one of the best reviewed in the studio's history. Fellman said that many of the showings ended with applause, only adding to the hope that word of mouth will contribute to a lengthy and successful run.

    Audiences for the film were 70 percent male and 46 percent under the age of 35, according to Warner Bros.

    For Rentrak's Senior Media Analyst Paul Dergarabedian, the weekend is an undisputed success for both studios.

    "Each film absolutely found its target audience," said Dergarabedian. "They were running on parallel tracks and both exceeded expectations by not cannibalizing each other. It was the perfect release strategy for two very different, high-profile films…it really paid off handsomely."

    Holdovers "Avengers: Age of Ultron," ''Hot Pursuit," and "Furious 7" claimed the rest of the spots in the top five.

    Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Rentrak. Final domestic figures will be released Monday.

    1."Pitch Perfect 2," $70.3 million.

    2."Mad Max: Fury Road," $44.4 million.

    3."Avengers: Age of Ultron," $38.8 million.

    4."Hot Pursuit," $5.8 million.

    5."Furious 7," $3.6 million.

    6."Paul Blart: Mall Cop 2," $3.6 million.

    7."The Age of Adaline," $3.2 million.

    8."Home," $2.7 million.

    9."Ex Machina," $2.1 million.

    10."Far from the Madding Crowd," $1.3 million.

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    Category:News
    Tags:box officeElizabeth BanksPitch Perfect 2



    Jane Schoenbrun Jolts Cannes With Queer Slasher Movie “Teenage Sex and Death at Camp Miasma”

    Friday, May 15, 2026

    "A good electric chair" is how Jane Schoenbrun describes their first Cannes Film Festival premiere.

    "I really felt like my body was in a state of convulsion," says Schoenbrun.

    The day after the premiere of "Teenage Sex and Death at Camp Miasma," a bold, bloody queer slasher film starring Hannah Einbinder and Gillian Anderson, Schoenbrun and their co-stars were still buzzing from the ecstatic response. The movie, one of the most prominent American films in Cannes this year, gave the festival a gonzo jolt.

    For Schoenbrun, the leading trans filmmaker of their generation, the film extends their intensely personal exploration of gender and the movies that defined their youth. But their first two films — 2024's "I Saw the TV Glow" and 2021's "We're All Going to the World's Fair" — were the raw, burning products of Schoenbrun's transition. "Teenage Sex and Death at Camp Miasma," drawn from Schoenbrun's happy, exploratory post-transition life, isn't that.

    It's about desire and sex. It's a biting satire of reboot-mad Hollywood. It's a schlocky and subversive slasher movie homage. It's a lot of fun, and quite tender, even when bodies are blood-spurting geysers.

    "This is the first movie that feels like it represents the fullness of who I am," Schoenbrun says.

    But Wednesday's moment of triumph in Cannes was hard-won. Ten years ago, Schoenbrun, now 39, was working in the film industry in a job they hated.

    "The first time I came here, I just felt like, 'Oh my, god. I can't believe I'm in Cannes.' I went to, like, 'The Lobster,' at the Palais in my boy tux. I was like: 'This is it. I've done it,'" says Schoenbrun. "Then the next year I came back and I was so depressed. I decided to quit my job. If I'm depressed at Cannes,... Read More

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