The editors behind Elvis, Tár, The Banshees of Inisherin, Top Gun: Maverick and Everything Everywhere All at Once are among the nominees for the 73rd annual American Cinema Editors (ACE) Eddie Awards.
Nominees on the documentary front included cutters on All the Beauty and the Bloodshed, Fire of Love, Good Night Oppy, Moonage Daydream and Nalvany.
On the television side, dramatic series editors in the running span episodes of Andor, Euphoria and Severance.
The winners will be announced live during the ACE Eddie Awards on Sunday, March 5, at UCLA’s Royce Hall beginning at 3pm PT. As previously announced, the ACE Golden Eddie Filmmaker of the Year Award, recognizing a filmmaker who exemplifies distinguished achievement in the art and business of film, will be presented to Gina Prince-Bythewood for her exemplary body of work including her latest film The Woman King. Also previously announced, film editors Lynne Willingham, ACE and Don Zimmerman, ACE will receive Career Achievement Awards for their outstanding contributions to film editing.
A full list of nominees for the 73rd Annual ACE Eddie Awards follows:
BEST EDITED FEATURE FILM (Drama, Theatrical):
All Quiet on the Western Front
Sven Budelmann, BFS
Elvis
Matt Villa, ACE ASE
Jonathan Redmond
Tár
Monika Willi
Top Gun: Maverick
Eddie Hamilton, ACE
The Woman King
Terilyn A. Shropshire, ACE
BEST EDITED FEATURE FILM (Comedy, Theatrical):
The Banshees of Inisherin
Mikkel E.G. Nielsen, ACE
Everything Everywhere All at Once
Paul Rogers
Glass Onion: A Knives Out Mystery
Bob Ducsay, ACE
The Menu
Christopher Tellefsen, ACE
Triangle of Sadness
Ruben Östlund
Mikel Cee Karlsson
BEST EDITED ANIMATED FEATURE FILM (Theatrical or Non-Theatrical):
The Bad Guys
John Venzon, ACE
Guillermo del Toro’s Pinocchio
Ken Schretzmann, ACE
Holly Klein
Marcel the Shell with Shoes On
Dean Fleischer-Camp
Nick Paley
Puss in Boots: The Last Wish
James Ryan, ACE
Turning Red
Nicholas C. Smith, ACE
BEST EDITED DOCUMENTARY (Theatrical):
All the Beauty and the Bloodshed
Amy Foote
Joe Bini
Brian A. Kates, ACE
Fire of Love
Erin Casper
Jocelyne Chaput
Good Night Oppy
Helen Kearns, ACE
Rejh Cabrera
Moonage Daydream
Brett Morgen
Navalny
Langdon Page
Maya Hawke
BEST EDITED DOCUMENTARY (Non-Theatrical):
The Andy Warhol Diaries: “Collab: Andy & Basquiat”
Steve Ross
George Carlin’s American Dream
Joe Beshenkovsky, ACE
The Last Movie Stars: “Luck is an Art”
Barry Poltermann
Lucy and Desi
Robert A. Martinez
Pelosi in the House
Geof Bartz, ACE
BEST EDITED MULTI-CAMERA COMEDY SERIES:
The Conners: “Of Missing Minds and Missing Fries”
Brian Schnuckel, ACE
How I Met Your Father: “Timing Is Everything”
Susan Federman, ACE
The Neighborhood: “Welcome to the Art of Negotiation”
Chris Poulos
BEST EDITED SINGLE CAMERA COMEDY SERIES:
Atlanta: “Andrew Wyeth. Alfred’s World.”
Kyle Reiter, ACE
Isaac Hagy, ACE
Barry: “710N”
Franky Guttman
Barry: “Starting Now”
Ali Greer
The Bear: “System”
Joanna Naugle
Only Murders in the Building: “I Know Who Did It”
Shelly Westerman, ACE
Payton Koch
BEST EDITED DRAMA SERIES:
Andor: “One Way Out”
Simon Smith
Euphoria: “Stand Still Like the Hummingbird”
Aaron I. Butler, ACE
Julio Perez IV, ACE
Euphoria: “The Theater and Its Double”
Laura Zempel
Julio Perez IV, ACE
Nikola Boyanov
Severance: “In Perpetuity”
Geoffrey Richman, ACE
Erica Freed Marker, ACE
Severance: “The We We Are”
Geoffrey Richman, ACE
BEST EDITED FEATURE FILM (NON-THEATRICAL):
Fire Island
Brian A. Kates, ACE
Hocus Pocus 2
Julia Wong, ACE
A Jazzman’s Blues
Maysie Hoy, ACE
Prey
Angela M. Catanzaro, ACE
Claudia Castello
Weird: The Al Yankovic Story
Jamie Kennedy
BEST EDITED LIMITED SERIES:
Gaslit: “Year of the Rat”
Joe Leonard, ACE
Obi-Wan Kenobi: “Part VI”
Kelley Dixon, ACE
Josh Earl, ACE
Station Eleven: “Unbroken Circle”
Anna Hauger, ACE
David Eisenberg
Yoni Reiss
Anthony McAfee
The White Lotus: “Abduction”
Heather Persons, ACE
The White Lotus: “Arrivederci”
John M. Valerio ACE
BEST EDITED NON-SCRIPTED SERIES:
Deadliest Catch: “Sailor’s Delight”
Isaiah Camp, ACE
Joe Mikan, ACE
Alexander Rubinow, ACE
Formula 1: Drive to Survive: “Hard Racing”
Cassie Bennitt
Matt Rudge
Duncan Moir
Nic Zimmermann
Jack Foxton
Neil Clarkson
Vice: “Killing for Success & Marcos Returns”
Paula Salhany
Brandon Kieffer
Andrew Pattison
Catherine Lee
Victoria Lesiw
BEST EDITED VARIETY TALK/SKETCH SHOW OR SPECIAL:
A Black Lady Sketch Show: “Save My Edges, I’m A Donor!”
Stephanie Filo, ACE
Bradinn French
Taylor Mason
S. Robyn Wilson
Last Week Tonight with John Oliver: “Police Interrogations”
Anthony Miale, ACE
Ryan Barger
My Next Guest Needs No Introduction with David Letterman: “Volodymyr Zelenskyy Special”
Cori Wapnowska
Jon Higgins
BEST EDITED ANIMATED SERIES:
Big Mouth: “Dadda Dia!”
Felipe Salazar
Bob’s Burgers: “Some Like It Bot Part 1: Eighth Grade Runner”
Jeremy Reuben, ACE
Love, Death & Robots: “Bad Travelling”
Kirk Baxter, ACE
ANNE V. COATES AWARD FOR STUDENT EDITING:
- Adriana Guevara – New York University
- Jazmin Jamias – American Film Institute
- Tianze Sun – American Film Institute
Changing OpenAI’s Nonprofit Structure Would Raise Questions and Heightened Scrutiny
The artificial intelligence maker OpenAI may face a costly and inconvenient reckoning with its nonprofit origins even as its valuation recently exploded to $157 billion.
Nonprofit tax experts have been closely watching OpenAI, the maker of ChatGPT, since last November when its board ousted and rehired CEO Sam Altman. Now, some believe the company may have reached — or exceeded — the limits of its corporate structure, under which it is organized as a nonprofit whose mission is to develop artificial intelligence to benefit "all of humanity" but with for-profit subsidiaries under its control.
Jill Horwitz, a professor in law and medicine at UCLA School of Law who has studied OpenAI, said that when two sides of a joint venture between a nonprofit and a for-profit come into conflict, the charitable purpose must always win out.
"It's the job of the board first, and then the regulators and the court, to ensure that the promise that was made to the public to pursue the charitable interest is kept," she said.
Altman recently confirmed that OpenAI is considering a corporate restructure but did not offer any specifics. A source told The Associated Press, however, that the company is looking at the possibility of turning OpenAI into a public benefit corporation. No final decision has been made by the board and the timing of the shift hasn't been determined, the source said.
In the event the nonprofit loses control of its subsidiaries, some experts think OpenAI may have to pay for the interests and assets that had belonged to the nonprofit. So far, most observers agree OpenAI has carefully orchestrated its relationships between its nonprofit and its various other corporate entities to try to avoid that.
However, they also see... Read More