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    Home » Emmy Rule Changes Include Merger of Variety Talk and Sketch Series Into Outstanding Variety Series Category

    Emmy Rule Changes Include Merger of Variety Talk and Sketch Series Into Outstanding Variety Series Category

    By SHOOTSaturday, December 5, 2020Updated:Tuesday, May 14, 2024No Comments2977 Views
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    Frank Scherma, Television Academy chairman and CEO
    NOHO ARTS DISTRICT, Calif. --

    The Television Academy’s rules changes for the 73rd Emmy Awards competition have been announced, including new and restructured awards categories.

    “Our annual review of Emmy rules and procedures is more important than ever,” said Television Academy chairman and CEO Frank Scherma, president of RadicalMedia. “Our Awards Committee and Board of Governors undertake this annual evaluation with a very thoughtful and analytical approach, to ensure that the Emmys remain relevant and in step with our industry’s ongoing evolution.”
     
    As a result of that process, the Board approved a number of changes for the 2021 Emmy Awards rules and procedures, as recommended by the Awards Committee, notable of which are:

    Variety Talk and Variety Sketch Series merged into one category: Outstanding Variety Series

    Variety Talk and Variety Sketch Series were previously awarded in one category, until they were split in 2015. The categories have been re-combined into one category for Outstanding Variety Series.

    Categories for individual achievements in Variety Series will continue to include both Variety Talk and Variety Sketch Series.

    Short Form Comedy/Drama Series and Short Form Variety Series merged into one category: Outstanding Short Form Comedy, Drama or Variety Series

    The two short form program categories, both of which include scripted programming, have been combined into one category for Outstanding Short Form Comedy, Drama or Variety Series.

    Anthology Series eligibility moved to Limited Series, creating new Outstanding Limited or Anthology Series category

    Anthology series will now enter the Emmy competition with Limited Series, resulting in a new category — Outstanding Limited or Anthology Series. This will align storytelling formats throughout the competition. Individual achievements will compete in the relevant categories as defined by the program category.

    Previously, an anthology series could enter the competition in either the Comedy or Drama Series categories, or entrants could break up the series into individually entered, stand-alone movies.

    New category: Outstanding Stunt Performance by an Individual or Team in a Drama, Comedy, Limited Series or Movie

    This new award will recognize stunt performers themselves; previously, there have only been stunt coordination categories.The award will acknowledge actual stunt artists whose performances across the global television medium are integral to storytelling each season. Team entries will be capped at four entrants.

    Additional items and clarifications include:

    To clarify the distinction between theatrical motion pictures and television movies during the ongoing pandemic, any non-documentary film placed on the AMPAS viewing platform for Oscar consideration will be deemed a theatrical motion picture, and thus ineligible for the Emmy competition.

    Additionally, the previously announced rule will apply: Effective in 2021, any programs that have been nominated for an Oscar are no longer eligible to enter the Primetime Emmy Awards competition.

    In regards to Children’s Programming, as previously confirmed on Nov. 2, the Television Academy and the National Academy of Television Arts & Sciences have agreed to migrate all potential Children’s Programming entries previously submitted in the Primetime Emmys to the Daytime Emmys. In addition, Children’s Animated Programs, which target an audience aged 6-12, will also migrate to the Daytime Emmy competition.

    As the majority of Children’s Programming categories have historically been awarded in the Daytime Emmys, the decision eliminates confusion and streamlines the submissions process.

    Daytime Programming, Children’s Programming and Animation peer groups will continue to vote on excellence in children’s programming for the National Academy of Television Arts & Sciences’ Daytime Emmys.
     
    Additional changes or clarifications were approved that maintain the integrity of the Emmy Awards in many Creative Arts categories, by further defining eligibility and qualifications, refining the submissions processes and requiring added pre-entry vetting. In some cases, existing categories have been combined or streamlined. The complete list of awards changes for the 73rd Emmy Awards can be found here. 

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    Category:News
    Tags:Academy of Television Arts and SciencesEmmy AwardsFrank Scherma



    Kathleen Kennedy, Steward Of “Star Wars,” Steps Down From Lucasfilm

    Thursday, January 15, 2026

    After more than 13 years at the helm of Lucasfilm, Kathleen Kennedy is stepping down from the "Star Wars" factory founded by George Lucas. The Walt Disney Co. announced Thursday that it will now turn to Dave Filoni to steer "Star Wars," as president and chief creative officer, into its sixth decade and beyond. Filoni, who served as the chief commercial officer of Lucasfilm, will inherit the mantle of one of the movies marquee franchises, alongside Lynwen Brennan, president and general manager of Lucasfilm's businesses, who will serve as co-president. "When George Lucas asked me to take over Lucasfilm upon his retirement, I couldn't have imagined what lay ahead," said Kennedy. "It has been a true privilege to spend more than a decade working alongside the extraordinary talent at Lucasfilm." Kennedy, Lucas' handpicked successor, had presided over the ever-expanding science-fiction world of "Star Wars" since Disney acquired it in 2012. In announcing Thursday's news, Bob Iger, chief executive officer of the Walt Disney Co. called her "a visionary filmmaker." Kennedy oversaw a highly lucrative but often contentious period in "Star Wars" history that yielded a blockbuster trilogy and acclaimed streaming spinoffs such as "The Mandalorian" and "Andor," yet found increasing frustration from longtime fans. Under Kennedy's stewardship, Lucasfilm amassed more than $5.6 billion in box office and helped establish Disney+ as a streaming destination — achievements that easily validated the $4.05 billion Disney plunked down for the company. But Kennedy also struggled to deliver the big-screen magic that Lucas captured in the original trilogy from the late 1970s and early 1980s, and her relationship with "Star Wars" loyalists became a saga of its own. Filoni has... Read More

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