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    Home » Encore Hollywood adds colorist Chlebak, promotes Fontaine to director of production

    Encore Hollywood adds colorist Chlebak, promotes Fontaine to director of production

    By SHOOTTuesday, October 2, 2018Updated:Tuesday, May 14, 2024No Comments1999 Views
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    HOLLYWOOD, Calif. --

    Encore, a Deluxe company, has added colorist Andrea Chlebak to its talent roster, and promoted veteran post producer Genevieve Fontaine to director of production. Chlebak brings a multidisciplinary background in feature films, docu-series and commercials across a range of aesthetics. Fontaine has been an integral post producer since joining the Encore team in early 2010.

    Chlebak’s credits include award-winning indies “Mandy” and “Prospect,” Neill Blomkamp features “Elysium” and “Chappie,” and animated adaptation “Kahlil Gibran’s The Prophet.” Having worked primarily in the digital landscape, her experience as an artist, still photographer, film technician, editor and compositor is evident in both her work and how she’s able to streamline communication with directors and cinematographers in delivering their vision. Prior to joining Encore, Chlebak was with Umedia VFX & Finishing in Vancouver.

    In her new role, Fontaine’s responsibilities shift toward ensuring organized, efficient and future-proof workflows. Fontaine began her career as a telecine and dailies producer at Riot before moving to Encore, where she managed post for up to 11 shows at a time, including Marvel’s “The Defenders” series for Netflix. She understands all the building blocks necessary to keep a facility running smoothly and has been instrumental in establishing Encore as a leader in advanced formats, helping coordinate 4K, HDR and IMF-based workflows.

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    Tags:Andrea ChlebakDeluxeEncoreGenevieve Fontaine



    Review: Director Joe Carnahan’s “The Rip”

    Friday, January 16, 2026
    This image released by Netflix shows Matt Damon in a scene from "The Rip." (Claire Folger/Netflix via AP)

    Lines between cop and criminal get murky in Joe Carnahan's "The Rip," a crime thriller set across one foggy Miami night, starring Matt Damon and Ben Affleck. Damon and Affleck, of course, are so closely associated with Boston — most recently they produced the 2024 heist movie "The Instigators" there — that a detour to South Florida puts them, a little awkwardly, in an entirely different movie landscape. This is "Miami Vice" territory or Elmore Leonard Land, not Southie or "The Town." In "The Rip," they play Miami narcotics officers who come upon a cartel stash house that Lt. Dane Dumars (Damon) says may have $150,000 hidden in the walls. It turns out to be more than $20 million, though, and their mission immediately turns from a Friday afternoon smash-and-grab into an imminent siege where no one can be trusted. "The Rip," which debuts Friday on Netflix, is a lean and potent-enough neo-noir where almost all the characters are police officers, yet it's a mystery as to who's a good guy and who's not. It's a nifty and timely premise, even if "The Rip" literally tattoos its message across itself. When Dane sits down with the young woman (Sasha Calle) at the stash house who seems plausibly innocent, she looks at tattoos on his hands and asks what they mean. On one: "AWTGG": "Are we the good guys?" As much as the answer might seem a foregone conclusion in a movie starring Damon and Affleck, who are also producers, "The Rip" plays with and against type in ways that can keep you engrossed. (The cast also includes Teyana Taylor, Steven Yeun and Kyle Chandler.) However, the exposition is so light and hurried in "The Rip" that that's almost all it plays with. We know almost nothing about our characters outside of the action in the movie, making all the... Read More

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