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    Home » EP Chris Zander, Director Andrew Wonder Launch Tomorrow

    EP Chris Zander, Director Andrew Wonder Launch Tomorrow

    By SHOOTTuesday, February 26, 2019Updated:Tuesday, May 14, 2024No Comments9005 Views
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    Chris Zander
    LOS ANGELES --

    Executive Producer Chris Zander and director Andrew Wonder have teamed to launch Tomorrow, a production company with offices in Playa Vista, Calif., and Brooklyn, NY, Zander, former managing director of Backyard Productions. and Wonder, who was previously on the roster of Station Film, will in their new venture produce work spanning commercials, films, music videos and branded content.

    Tomorrow opens with a directorial roster that includes Wonder, Stuart Douglas, Erica Eng, Jesper Ericstam, and Parker Hill. Douglas and Ericstam had been at Backyard while Eng and Hill were previously unaffiliated with a production company.

    Wonder’s filmmaking is emotional, approachable and textured; recent work includes the feature film Feral and projects for GM and Prudential. Douglas, who forged a name as half of the iconic photography team The Douglas Brothers, is equally skilled at directing real people, actors, and celebrities. Ericstam’s honest, funny, and humane voice as a filmmaker is evident throughout his work, including recent projects for IKEA, HSBC and McDonald’s.

    Eng is an alum of SHOOT’s 2018 New Directors Showcase. She was also part of a select group of directors chosen for the Commercial Directors Diversity Program, the joint initiative of the AICP and DGA. Her varied work includes spots, music videos and short films, which have screened at film festivals including Holly Shorts and New Filmmakers. Hill is an accomplished photographer who has successfully transitioned to short films and music videos, work that reflects beauty and the mystery of human existence.

    Zander related, “The production company model has stayed relatively the same forever. There’s nothing wrong with the heritage brands in our industry, but if you wanted to build the 2019 version of them, you wouldn’t and couldn’t build them the same way today. We created Tomorrow to take a stand for a new way of doing things, with an emphasis on creative collaboration and an empathetic and mindful way of working. This business is at a crossroads, and we are energized by the uncertainty and possibility.”

    Wonder added, “Just as we expect agencies and clients to evolve, it is time we as directors and company owners do the same. At a time when anyone can be a content creator, everyone deserves a voice. Good ideas come from everywhere and no matter your gender, ethnicity or orientation you will not only be welcome but encouraged to be a part of the work we do. It’s no longer enough to be good, you need to be a good person too. Tomorrow doesn’t entertain ideas, we sponsor them. We grow our talent, putting fuel back into the creative fire.”

    Tomorrow is represented on the East Coast by Diane Patrone of The Family, in the Midwest by Marni Halliburton and Sean Sullivan of Collective Content, and on the West Coast by Harrison Elkins of Hero Management.

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    Category:News
    Tags:Andrew WonderChris ZanderJesper EricstamStuart DouglasTomorrow



    Review: Director Joe Carnahan’s “The Rip”

    Friday, January 16, 2026
    This image released by Netflix shows Matt Damon in a scene from "The Rip." (Claire Folger/Netflix via AP)

    Lines between cop and criminal get murky in Joe Carnahan's "The Rip," a crime thriller set across one foggy Miami night, starring Matt Damon and Ben Affleck. Damon and Affleck, of course, are so closely associated with Boston — most recently they produced the 2024 heist movie "The Instigators" there — that a detour to South Florida puts them, a little awkwardly, in an entirely different movie landscape. This is "Miami Vice" territory or Elmore Leonard Land, not Southie or "The Town." In "The Rip," they play Miami narcotics officers who come upon a cartel stash house that Lt. Dane Dumars (Damon) says may have $150,000 hidden in the walls. It turns out to be more than $20 million, though, and their mission immediately turns from a Friday afternoon smash-and-grab into an imminent siege where no one can be trusted. "The Rip," which debuts Friday on Netflix, is a lean and potent-enough neo-noir where almost all the characters are police officers, yet it's a mystery as to who's a good guy and who's not. It's a nifty and timely premise, even if "The Rip" literally tattoos its message across itself. When Dane sits down with the young woman (Sasha Calle) at the stash house who seems plausibly innocent, she looks at tattoos on his hands and asks what they mean. On one: "AWTGG": "Are we the good guys?" As much as the answer might seem a foregone conclusion in a movie starring Damon and Affleck, who are also producers, "The Rip" plays with and against type in ways that can keep you engrossed. (The cast also includes Teyana Taylor, Steven Yeun and Kyle Chandler.) However, the exposition is so light and hurried in "The Rip" that that's almost all it plays with. We know almost nothing about our characters outside of the action in the movie, making all the... Read More

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