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    Home » “Fame,” “Midnight Express” Director Alan Parker, Who Got His Start In Commercialmaking, Dies At 76

    “Fame,” “Midnight Express” Director Alan Parker, Who Got His Start In Commercialmaking, Dies At 76

    By SHOOTFriday, July 31, 2020Updated:Tuesday, May 14, 2024No Comments4741 Views
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    Film director Alan Parker arrives at the opening ceremony of 26th Moscow International Film Festival in Moscow on June 18, 2004. Parker, whose movies included “Bugsy Malone,” “Midnight Express” and “Evita,” has died at the age of 76. A statement from the director’s family says Parker died Friday in London after a long illness. (AP Photo/Misha Japaridze, File)

    By Jill Lawless

    LONDON (AP) --

    Alan Parker, a successful and sometimes surprising filmmaker whose diverse output includes "Bugsy Malone," "Midnight Express," and "Evita," has died at 76, his family said.

    A Briton who became a Hollywood heavyweight, Parker also directed "Fame," "The Commitments and "Mississippi Burning." Together his movies won 10 Academy Awards and 19 British Academy Film Awards.

    The director's family said he died Friday in London after a long illness.

    Parker was born in London in in 1944 and, like many other aspiring British directors of his generation, including Ridley Scott and Adrian Lyne, began his career in advertising as a copywriter and director of commercials.

    He moved into television with critically acclaimed 1974 drama "The Evacuees," which won an international Emmy Award.

    The next year he wrote and directed his first feature, "Bugsy Malone," an unusual, exuberant musical pastiche of gangster films with a cast of children, including a young Jodie Foster.

    He followed that with 1978 feature "Midnight Express," the reality-based story of an American's harrowing incarceration in a Turkish prison for alleged drug offenses. It won two Oscars — including one for Oliver Stone's script — and gained Parker the first of two best-director nominations.

    Parker ranged widely across subjects and genres. While "Shoot the Moon" (1982) and "Angela's Ashes" (1999) were family dramas, "Angel Heart" (1987) was an occult thriller and "Mississippi Burning" (1988) was a powerful civil rights drama that was nominated for seven Academy Awards, including best director. 

    Parker was also a notable director of musicals, a genre he both embraced and expanded. "Fame" (1980) was a gritty but celebratory story of life at a performing arts high school; "Pink Floyd — the Wall" (1982) was a surreal rock opera; "The Commitments" (1991) charted the ups and downs of a ramshackle Dublin soul band; and "Evita" (1996) cast Madonna as Argentine first lady Eva Peron in a big-screen version of Andrew Lloyd Webber's musical.His final film was death-row drama "The Life of David Gale" in 2003.

    Parker also championed Britain's film industry, serving as chairman of the British Film Institute and the U.K. Film Council. He was knighted by Queen Elizabeth II in 2002, and in 2013 received the British film academy's highest honor, the BAFTA Fellowship.

    The Academy of Motion Picture Arts and Sciences tweeted: "From Fame to Midnight Express, two-time Oscar nominee Alan Parker was a chameleon. His work entertained us, connected us, and gave us such a strong sense of time and place. An extraordinary talent, he will be greatly missed."

    Fellow British filmmaker David Puttnam said Parker "was my oldest and closest friend — I was always in awe of his talent. My life, and those of many others who loved and respected him, will never be the same again."

    Parker is survived by his wife Lisa Moran-Parker, children Lucy, Alexander, Jake, Nathan and Henry, and seven grandchildren.
     

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    Category:News
    Tags:Alan ParkerAngela's AshesBugsy MaloneFameMidnight Express



    California May Fine Content Creators Who Don’t Disclose They Were Paid To Post About Politics

    Saturday, August 8, 2026

    Weeks before voting ended in California's primary for governor, Los Angeles-based influencer Shaka Smith took to Instagram to tell his more than 700,000 followers whom he was voting for and why.

    "Healthcare shouldn't bankrupt you, housing should not feel impossible, polluters shouldn't pass their bill to us and artists should not be replaced by AI," Smith said. "That's why I'm supporting Tom Steyer for governor."

    But Smith started the video with a disclaimer: "This is an ad, and honestly, I wish more political content said that first." His caption specified that he was paid by Steyer's campaign.

    California is one of two states, along with Texas, that have passed policies requiring content creators to say if they've been paid by a political campaign to post, and the Golden State is considering cracking down by fining people who don't.

    Campaigns have long worked with celebrities and major influencers to win over voters, but now they are teaming up with smaller creators — sometimes with fewer than 100,000 followers — to reach more tailored audiences. That has sparked debates about whether disclosure rules for political advertisements should apply to content creators, who are expected to play prominent roles in the upcoming midterms and the 2028 presidential election.

    "If you're running for president and you are not currently trying to court some of these people or lining up your own people to act as surrogates for you, you're already behind," said Mike Nellis, a Democratic strategist who worked for Kamala Harris' presidential campaign.

    Campaigns tap creators to spread their message
    Questions about transparency have been fueled by high-profile instances of influencers making content intended to... Read More

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