Facebook Twitter Instagram LinkedIn RSS
    Facebook Twitter Instagram LinkedIn RSS
    SHOOTonline SHOOTonline SHOOTonline
    Register
    • Home
    • News
      • MySHOOT
      • Articles | Series
        • Best work
        • Chat Room
        • Director Profiles
        • Features
        • News Briefs
        • “The Road To Emmy”
        • “The Road To Oscar”
        • Top Spot
        • Top Ten Music Charts
        • Top Ten VFX Charts
      • Columns | Departments
        • Earwitness
        • Hot Locations
        • Legalease
        • People on the Move
        • POV (Perspective)
        • Rep Reports
        • Short Takes
        • Spot.com.mentary
        • Street Talk
        • Tool Box
        • Flashback
      • Screenwork
        • MySHOOT
        • Most Recent
        • Featured
        • Top Spot of the Week
        • Best Work You May Never See
        • New Directors Showcase
      • SPW Publicity News
        • SPW Release
        • SPW Videos
        • SPW Categories
        • Event Calendar
        • About SPW
      • Subscribe
    • Screenwork
      • Attend NDS2024
      • MySHOOT
      • Most Recent
      • Most Viewed
      • New Directors Showcase
      • Best work
      • Top spots
    • Trending
    • NDS2024
      • NDS Web Reel & Honorees
      • Become NDS Sponsor
      • ENTER WORK
      • ATTEND
    • PROMOTE
      • ADVERTISE
        • ALL AD OPTIONS
        • SITE BANNERS
        • NEWSLETTERS
        • MAGAZINE
        • CUSTOM E-BLASTS
      • FYC
        • ACADEMY | GUILDS
        • EMMY SEASON
        • CUSTOM E-BLASTS
      • NDS SPONSORSHIP
    • Contact
    • Subscribe
      • Digital ePubs Only
      • PDF Back Issues
      • Log In
      • Register
    SHOOTonline SHOOTonline SHOOTonline
    Home » FilmL.A. Report Identifies Where Features Were Shot And Their Economic Impact

    FilmL.A. Report Identifies Where Features Were Shot And Their Economic Impact

    By SHOOTThursday, May 28, 2015Updated:Tuesday, May 14, 2024No Comments2343 Views
    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email
    A scene from "Interstellar," one of only two live-action U.S. films released last year with a budget above $100 million that was filmed primarily in California.

    California, competitors gain significant economic benefits from film tax credits

    LOS ANGELES --

    FilmL.A., the not-for-profit film office serving the Greater Los Angeles region, released a report prepared by its research division. The 2014 Feature Film Production Study analyzes a sample of 106 U.S. feature films released theatrically last year, identifying where they were filmed and how much was spent to produce them. The report also examines California’s top competitors and year-over-year trends in production yield.

    A total of 22 California-made film projects were released theatrically in 2014 (18 live action films & 4 animated films) giving the state an edge over its competitors in total project count and production spending. The 22 projects filmed in California brought an estimated $1.11 billion in total production spending to the state.

    Some of the report’s other notable findings include:
    o The 106 films studied by FilmL.A. represent nearly $6.3 billion in direct production spending. Budgets for sampled films ranged from $2 million to $250 million.

    o The list of California’s main competitors is unchanged from 2013. In 2014, main competitors included New York (13 projects), the United Kingdom (12 projects), Canada (12 projects), Georgia (10 projects), and Louisiana (5 projects).

    o Among California-based live-action features included in the study, 44 percent (8 out of 18 projects) were made in state thanks to the California Film & Television Tax Credit Program. These films generated $241 million in local production spending.

    o The study included two dozen live-action films with budgets above $100 million. Only two such films were primarily filmed in California (Captain America: The Winter Soldier and Interstellar) – and even these spent some time filming out of state.

    o California-based VFX houses captured the majority of work for just seven of the 24 big-budget live-action films.

    o Less than one half of the 106 films surveyed performed musical scoring in California.

    “This report once again highlights the economic impact of the entertainment industry. Hollywood is the bedrock of our middle class in L.A., and our new tax credit and the productions it will bring back to California will support tens of thousands of jobs and billions of dollars of economic activity,” said L.A. Mayor Eric Garcetti. “It’s not just about the people and businesses the entertainment industry directly employs, but the businesses they support in their neighborhoods.”

    “The report underscores how essential it is that California compete for this business,” noted FilmL.A. president Paul Audley. “The value of the California Film & Television Tax Credit is already evident. And, with the program set to more than triple in value this summer, we look forward to seeing more bigger-budget projects return.”

    REGISTRATION REQUIRED to access this page.

    Already registered? LOGIN
    Don't have an account? REGISTER

    Registration is FREE and FAST for UNLIMITED ACCESS to all SHOOT pages using either your email or social login (LinkedIn, Facebook, Google or X)

    The limited access duration has come to an end. (Access was allowed until: 2015-05-31)
    Category:News
    Tags:FilmL.A.



    Directorial Debuts That Could Make Their Mark This Emmy Season

    Friday, July 11, 2025

    With Emmy nominations set to be unveiled next week (7/15), SHOOT looks back on its current “The Road To Emmy” Series of feature stories thus far, touching upon directorial debuts that could figure in the mix for recognition from the Television Academy.

    Last month in two separate installments of our coverage, we delved into four notable first turns in the director’s chair: Yellowjackets (Showtime) co-creator and co-showrunner Bart Nickerson who directed the first and finale episodes of season 3; Long Bright River (Peacock) co-creator, showrunner and writer Nikki Toscano who helmed the “Hereditary” episode of the limited series; Jessica Lee Gagné, the cinematographer on seasons 1 and 2 of Severance (Apple TV+) who both directed and shot the pivotal second season episode “Chikhai Bardo”; and David Tedeschi, who had some prior co-directing gigs before bowing as a solo director with the documentary Beatles ‘64 (Disney+).

    Here are highlights from SHOOT’s original coverage of these auspicious directing debuts:

    Bart Nickerson
    Striking a narrative balance between the past and the present–each informing the other, perhaps most profoundly in season 3–is a delicate proposition that’s been deftly handled by a Yellowjackets team headed by creators/showrunners/executive producers/writers Ashley Lyle and Bart Nickerson.

    The latter, though, added further to the juggling act by placing another role on his multitasking plate as Nickerson made his directorial debut during season 3, helming the first episode and the impactful, eventful finale.

    “Directing has always been an aspiration of mine, something I dabbled in a million years ago,”... Read More

    No More Posts Found

    MySHOOT Profiles

    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email

    Previous ArticleAndrea Jomides promoted to VP of distribution at REELZ
    Next Article SHOOT’s Directors/Producers Forum Tackles The Democratization of Directing, 4K & Beyond, Native Advertising
    SHOOT

    Add A Comment
    What's Hot

    SHOOT’s 65th Anniversary Reflections: AICP President and CEO Matt Miller

    Friday, July 11, 2025

    Directorial Debuts That Could Make Their Mark This Emmy Season

    Friday, July 11, 2025

    Larry David To Team With The Obamas For U.S. History Sketch Show On HBO

    Thursday, July 10, 2025
    Shoot Screenwork

    Daisy Ifama Directs Google Film On Emergency Obstetric Care In Nigeria

    Friday, July 11, 2025

    South London director Daisy Ifama, represented by female-led, Brooklyn, NY-headquartered production company Tinygiant, brings her…

    Top Spot of the Week: AlmapBBDO Lands Starring Roles In Netflix Series For VW Brazil’s Tera SUV

    Thursday, July 10, 2025

    Director Kasra Farahani Takes Us On A “Home Tour” Of The Fantastic Four’s Abode For Zillow

    Wednesday, July 9, 2025

    Caviar Director Alex Cook Does Heavy Lifting In Short Film For Onyx

    Tuesday, July 8, 2025

    The Trusted Source For News, Information, Industry Trends, New ScreenWork, and The People Behind the Work in Film, TV, Commercial, Entertainment Production & Post Since 1960.

    Today's Date: Fri May 26 2023
    Facebook Twitter Instagram LinkedIn RSS
    More Info
    • Overview
    • Upcoming in SHOOT Magazine
    • Advertise
    • Privacy Policy
    • SHOOT Copyright Notice
    • SPW Copyright Notice
    • Spam Policy
    • Terms of Service (TOS)
    • FAQ
    STAY CURRENT

    SUBSCRIBE TO SHOOT EPUBS

    © 1990-2021 DCA Business Media LLC. All rights reserved. SHOOT and SHOOTonline are registered trademarks of DCA Business Media LLC.
    • Home
    • Trending Now

    Type above and press Enter to search. Press Esc to cancel.

    Type above and press Enter to search. Press Esc to cancel.