Facebook Twitter Instagram LinkedIn RSS
    Facebook Twitter Instagram LinkedIn RSS
    SHOOTonline SHOOTonline SHOOTonline
    Register
    • Home
    • News
      • MySHOOT
      • Articles | Series
        • Best work
        • Chat Room
        • Director Profiles
        • Features
        • News Briefs
        • “The Road To Emmy”
        • “The Road To Oscar”
        • Top Spot
        • Top Ten Music Charts
        • Top Ten VFX Charts
      • Columns | Departments
        • Earwitness
        • Hot Locations
        • Legalease
        • People on the Move
        • POV (Perspective)
        • Rep Reports
        • Short Takes
        • Spot.com.mentary
        • Street Talk
        • Tool Box
        • Flashback
      • Screenwork
        • MySHOOT
        • Most Recent
        • Featured
        • Top Spot of the Week
        • Best Work You May Never See
        • New Directors Showcase
      • SPW Publicity News
        • SPW Release
        • SPW Videos
        • SPW Categories
        • Event Calendar
        • About SPW
      • Subscribe
    • Screenwork
      • Attend NDS2024
      • MySHOOT
      • Most Recent
      • Most Viewed
      • New Directors Showcase
      • Best work
      • Top spots
    • Trending
    • NDS2024
      • NDS Web Reel & Honorees
      • Become NDS Sponsor
      • ENTER WORK
      • ATTEND
    • PROMOTE
      • ADVERTISE
        • ALL AD OPTIONS
        • SITE BANNERS
        • NEWSLETTERS
        • MAGAZINE
        • CUSTOM E-BLASTS
      • FYC
        • ACADEMY | GUILDS
        • EMMY SEASON
        • CUSTOM E-BLASTS
      • NDS SPONSORSHIP
    • Contact
    • Subscribe
      • Digital ePubs Only
      • PDF Back Issues
      • Log In
      • Register
    SHOOTonline SHOOTonline SHOOTonline
    Home » FilmLA Report Tracks Digital Series Trend, TV Activity In California

    FilmLA Report Tracks Digital Series Trend, TV Activity In California

    By SHOOTWednesday, October 16, 2019Updated:Tuesday, May 14, 2024No Comments2676 Views
    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email
    • Image
    Paul Audley
    LOS ANGELES --

    FilmLA released a new report prepared by its research division. The 2019 Television Report offers an overview of the current production landscape for U.S. based television series and new TV projects. In addition
    to quantifying California’s share, the report assesses some of the trends shaping series production across broadcast, cable and digital networks.

    “This report finally allows us to uncover where digital production makes the most economic impact,” said Paul Audley, president of FilmLA. “Any jurisdiction fortunate enough to serve as a backdrop to these projects is positioned to do well.”

    During the 2018-19 development cycle, a total of 465 live-action scripted series were available for viewing for the domestic market (467 in 2017-18). FilmLA also counted 144 projects that were picked up to series but not yet available for viewing during this cycle (excluded from this cycle). The impact that digital streaming services are having on television production continues to be substantial. This category has experienced the most rapid growth in television content for both new projects and live-action scripted series. The number of digitally distributed original series in production as increased 2,300 percent from the 2010-11 season. The number of new digital projects nearly doubled between the 2017- 18 and 2018-19 development cycles, increasing approximately 85.3 percent in one year.

    As the number of digital series in production climbs, the number of “straight to series” orders are also on the rise. In 2018-19 a total of 100 new shows were ordered straight to series including 4 broadcast, 26 cable and 70 digital projects. A total of 51 percent of new projects ordered went straight to series in the 2018-19 cycle compared to 36 percent in 2017-18.

    Among all established production centers, California continues to dominate as the leading destination for new projects on broadcast, cable and digital platforms. For the 2018-19 cycle, 205 of the 465 tracked series were produced in California, yielding a 44 percent market share for the period.

    The California Film & Television Tax Credit Program continues to provide considerable support by way of job benefits to the state. According to data shared by the California Film Commission, the current crop of incentivized TV series in production sustains thousands of cast and crew jobs and tens of thousands of opportunities for day-players (extras).

    Overall, new project production is up 23.3 from the 2017-18 season. California remains competitive when it comes to attracting new projects. FilmLA’s report reveals during in 2018-19 cycle, 196 new projects were produced (67 broadcast, 53 cable and 76
    streaming projects). Of those new projects, 72 or 36.7 percent of all new projects counted, filmed in the Golden State (28 one-hour and 44 half-hour).

    From an annual count, an increase of 10.7 percent in new project production can be seen from the 2017-18 (65 new projects) to 2018-19 cycles. For new projects, California’s top competitors include the state of New York (with 29 projects), and the
    Canadian province of British Columbia (with 24 projects), and the state of Georgia (with 20 projects).

    “After years of runaway production, more television is being shot in California than anywhere else in North America,” said L.A. Mayor Eric Garcetti. “The California Film & Television Tax Credit Program is ensuring that these jobs stay in our state — and while this report shows progress, we must double down on our efforts to make California the best place in the world to film.”

    REGISTRATION REQUIRED to access this page.

    Already registered? LOGIN
    Don't have an account? REGISTER

    Registration is FREE and FAST.

    The limited access duration has come to an end. (Access was allowed until: 2019-10-18)
    Category:News
    Tags:California Film & Television Tax Credit ProgramCalifornia Film CommissionFilmLAPaul Audley



    Review: Akinola Davies Jr. Makes His Feature Directorial Debut With “My Father’s Shadow”

    Wednesday, February 11, 2026

    Two young boys spend a day with their oft absent father in Lagos amid political turbulence in "My Father's Shadow," an affecting debut feature from Akinola Davies Jr. The film, which premiered at last year's Cannes Film Festival, might have missed out on the Oscars (the U.K.'s selection didn't even make the shortlist ), but don't let that oversight dissuade you from seeking it out now that it's finally opening in North American theaters this weekend. "My Father's Shadow" is a gem, a deeply felt memory piece and vibrant portrait of Nigeria in 1993. The script was a collaboration between Davies Jr. and his brother, Wale Davies, who were born and raised in Nigeria and lost their father at a young age. They were 8 and 10 at the time of the 1993 election, the same age as the two main characters, but this story is only loosely autobiographical — inspired by that loss and those feelings. In "My Father's Shadow," the father, Folarin (a brilliant Sopé Dìrísù ) is very much alive, but there's dread in the air. Time seems to slow when they pass by a group of military men who all turn and stare, like Folarin has a target on him. More than a few characters seem downright startled to see him, too, as though he's already a ghost. It might sound a little silly or contrived, but it's done with such subtlety it's quite moving in execution. After all, Folarin is already kind of a fading memory for his sons, Aki (Godwin Egbo) and Remi (Chibuike Marvelous Egbo), as absent as he is in their lives. At the beginning of the film, the boys catch him stopping by their house in the village to change clothes quickly before departing again. At first, you're not sure what kind of man and father Folarin is — he seems distant and uninterested in the boys, who insist on coming with... Read More

    No More Posts Found

    MySHOOT Profiles

    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email

    Previous ArticleREVERSE Signs Director Mike Matthews For His 1st U.S. Representation
    Next Article Review: Director Robert Eggers’ “The Lighthouse”
    SHOOT

    Add A Comment
    What's Hot

    Eleanor Brings Director Husein Alićajić Aboard Its Roster For U.S. Representation

    Wednesday, February 11, 2026

    Review: Akinola Davies Jr. Makes His Feature Directorial Debut With “My Father’s Shadow”

    Wednesday, February 11, 2026

    Oscar Hopefuls Including Jessie Buckley, Timothée Chalamet and Teyana Taylor Gather For Lunch and Class Photo

    Tuesday, February 10, 2026
    Shoot Screenwork

    Group Selfies Are A Custom Fit In Apple iPhone 17 Film Celebrating Real Communities

    Tuesday, February 10, 2026

    This film showcases how the first square sensor on Apple’s iPhone 17 Pro enables wider…

    DAVID New York Unveils Rom-Com Inspired Valentine’s Day Film for Clash of Clans

    Monday, February 9, 2026

    The Best Work You May Never See: Director Øyvind Holtmon’s FINN Jobb Spot Tackles Worker Anxiety Over AI

    Friday, February 6, 2026

    Father-Daughter Farming Duo’s Story Is At Center Of Lay’s Super Bowl Spot Directed By Taika Waititi

    Thursday, February 5, 2026

    The Trusted Source For News, Information, Industry Trends, New ScreenWork, and The People Behind the Work in Film, TV, Commercial, Entertainment Production & Post Since 1960.

    Today's Date: Fri May 26 2023
    Facebook Twitter Instagram LinkedIn RSS
    More Info
    • Overview
    • Upcoming in SHOOT Magazine
    • Advertise
    • Privacy Policy
    • SHOOT Copyright Notice
    • SPW Copyright Notice
    • Spam Policy
    • Terms of Service (TOS)
    • FAQ
    STAY CURRENT

    SUBSCRIBE TO SHOOT EPUBS

    © 1990-2021 DCA Business Media LLC. All rights reserved. SHOOT and SHOOTonline are registered trademarks of DCA Business Media LLC.
    • Home
    • Trending Now

    Type above and press Enter to search. Press Esc to cancel.

    Type above and press Enter to search. Press Esc to cancel.