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    Home » Filmmaker Sean Baker Signs With Superprime For Commercials

    Filmmaker Sean Baker Signs With Superprime For Commercials

    By SHOOTMonday, December 17, 2018Updated:Tuesday, May 14, 2024No Comments7957 Views
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    Sean Baker
    CULVER CITY, Calif. --

    Production house Superprime has signed filmmaker Sean Baker to its roster for U.S. commercial representation.

    Baker is a director, cinematographer, producer, screenwriter and editor best known for his independent films Tangerine and The Florida Project. Tangerine, shot entirely on an iPhone 5S, premiered at the 2015 Sundance Film Festival and was released by Magnolia Pictures. It was nominated for four Independent Spirit Awards including Best Feature and Best Director, and four Gotham Awards including Best Feature (it won the Audience Award). His next film, The Florida Project, premiered at the 2017 Cannes Film Festival and was released by A24. The film was nominated for Independent Spirit Awards for Best Feature and Best Director, a Gotham Award for Best Feature, Willem Dafoe earned an Academy Award nomination for Best Supporting Actor and Baker was awarded Best Director of the Year by the New York Film Critics Circle.

    The Florida Project introduces us to itinerant families living in Orlando budget motels a stone’s throw from Walt Disney World. The film’s POV, though, is in large part through the eyes of children—in particular a six-year-old girl named Moonee (portrayed by Brooklynn Kimberly Prince)—and their challenged existence becomes at times a fun-filled adventure akin to what might be worthy of exploits in the Magic Kingdom. The kids’ POV brings a light-hearted, almost magical entertainment to the story. But a remarkable balance is struck by Baker in that too much fun could have trivialized the plight of the working poor. Conversely a focus on these struggling families would run the risk of becoming preachy, making for an unsatisfying movie experience. Somehow Baker—who directed, produced, edited and co-wrote (with Chris Bergoch) The Florida Project—maintains the proper perspective, making an entertaining, wonder-filled film that at the same time creates an underlying empathy for those who are marginalized and vulnerable.

    Baker is a graduate of  New York University and wrote, directed and edited his first feature film Four Letter Words in 2000. His films Take Out (2008) and Prince of Broadway (2009) were both nominated for the John Cassavetes Independent Spirit Award, and Starlet (2012) was the recipient of the Robert Altman Independent Spirit Award, as well as another Cassavetes nominee. Baker was also the co-creator of the long-running American comedy series Greg the Bunny.

    John Lesher, managing director of Superprime, described Baker as “a brilliant filmmaker, who delivers uniquely funny and deeply moving characters that always stun and inspire what’s truly human in all of us.”

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    Category:News
    Tags:Sean BakerSuperprimeTangerineThe Florida Project



    Joachim Trier and Eskil Vogt Find A Home In “Sentimental Value”

    Thursday, January 15, 2026

    “Home is where the heart is.” The universality of that time-honored adage is in many respects at the core of Sentimental Value (Neon)--not just as it applies to the story but also as part of the process that went into telling that story. On the former score, director Joachim Trier’s film--which he wrote with long-time friend and colleague Eskil Vogt--is set in an old family home in Oslo that carries memories that help to define two sisters, now adults, and their strained relationship with a father who prioritized his filmmaking career over being a parent. The sisters are Nora (portrayed by Renate Reinsve) and Agnes (Inga Ibsdotter Lilleaas). Nora, the older sister, grew up to be an accomplished actor, following in the cinematic/stage career footsteps of her dad, Gustav (Stellan Skarsgård in a Golden Globe-winning performance). After years of absence from Nora and Agnes’ lives, Gustav unexpectedly appears at the time-worn family residence to attend the funeral wake of the daughters’ mother but his prime motive for turning up is a movie that he wants to make in order to fuel his career comeback. And he has Nora in mind to play the lead in the film. She immediately refuses the role, which ends up going to a movie starlet (Elle Fanning). As shooting begins, psychological scars revert to open wounds and the presence of the American celeb forces Gustav, Nora and Agnes to look at themselves and their family’s fragile emotional underpinnings more closely. The family home is a repository of past lives spanning love, loss, alienation, joy, resentment and estrangement--as such, it’s a centerpiece for the characters in Sentimental Value and lends great insight into them. For example, at one point around the middle of the film, we see... Read More

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