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    Home » Flash Back for February 21, 2014

    Flash Back for February 21, 2014

    By SHOOTThursday, February 20, 2014Updated:Tuesday, May 14, 2024No Comments1464 Views
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    February 20, 2009

    --

    The Screen Actors Guild (SAG) and the American Federation of Television and Radio Artists (AFTRA) will present a united front at commercials contract talks which begin next week in NY, jointly negotiating with management, represented by the Joint Policy Committee (JPC) of the Association of National Advertisers (ANA) and the American Association of Advertising Agencies (AAAA). The current pact is scheduled to expire on March 31 after SAG, AFTRA and the JPC agreed to a five month extension. While SAG and AFTRA jointly negotiating a spot contract has been the longstanding norm, their coming together this time around represents an accomplishment given the acrimony between the two unions. The bad blood dates back to AFTRA splitting from SAG last year to negotiate and then reach agreement on its own contract with the Alliance of Motion Picture & Television Producers (AMPTP)—and SAG’s subsequent campaign to get AFTRA members, most notably those in AFTRA ranks who are also SAG members, to vote down that contract but to no avail….Momentum is building for the launch of a Visual Effects Society (VES) Northeast section spanning artisans and professionals in New York, New Jersey, Pennsylvania, Massachusetts and Connecticut. At press time a petition was being circulated with the goal of gaining 50 member signatures, the minimum needed to form a local VES section or chapter….

    February 20, 2004   
    Avid Technology’s Digidesign subsidiary was presented an Academy Award for the creation and development of the ProTools digital audio workstation, which has become a standard tool for feature and commercial audio production. The Scientific and Technical Academy Awards were bestowed on Feb. 14 during a gala ceremony. A second Oscar statue was awarded that evening to Bill Tondreau of Kuper Controls for his advancements in the field of motion control technology for motion picture VFX, another development that has had a significant impact on the commercialmaking industry….Director Barbara McDonough has joined HKM Productions for spot representation in North America. She was most recently at Go Film….Charlex, the NY digital design, effects and post shop, has named Ross Scroble as a senior character animator in its 3-D department. Ross comes over from Blue Sky Studios where he worked as technical lead animator. The hiring of Scroble is in line with Charlex’s plan to grow 3-D operations into longform content. He brings additional depth to the company’s group of CG animators. Scroble will work on spots and Charlex’s first animated short film, labratz….

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    Review: Director Jon Favreau’s “Star Wars: The Mandalorian and Grogu”

    Tuesday, May 19, 2026
    This image released by Disney shows The Mandalorian, portrayed by Pedro Pascal, left, and Grogu in a scene from Lucasfilm's "Star Wars: The Mandalorian and Grogu." (Nicola Goode/Lucasfilm Ltd. - Disney via AP)

    It's been nearly seven years since there was a new "Star Wars" movie released in theaters and there are lots of ways to do it. "Star Wars: The Mandalorian and Grogu," a disjointed off-ramp that lacks the scale and ambition of its sisters, fails the task. As the Mandalorians might say, this is not the way. Creator and director Jon Favreau has seen his Disney+ series about a minor "Star Wars" character turned into a huge summer cinematic tentpole and it buckles under the pressure, turning the Mandalorian into a trigger-happy John Wick and failing to do anything meaningful with one of Hollywood's cutest critters, affectionately called Baby Yoda. Sigourney Weaver, as a New Republic colonel, early on admonishes the Mandalorian after a bloody mission: "Messy. Very messy." The same could be said for this overlong and overviolent chapter, which relies on too many computer effects and exposes the limits of puppetry. In IMAX, it's positively clumsy. Perhaps the main problem with "The Mandalorian and Grogu" is that the jeopardies are small. The fate of the Resistance isn't on the line. Planets or whole star systems aren't being risked. The Jedi aren't on defense or in ascendancy. It's just a story about a bounty hunter's mission on the Outer Rim. Franchise fans will still delight in familiar things — X-wings, AT-AT Walkers, Stormtroopers, the diminutive mechanics called Anzellans and Jabba the Hutt — well, not him but his relatives. There's a nice nod to the Death Star trash compactor scene from "A New Hope" and we watch Grogu pick up a cane in a swamp, triggering warm memories of Yoda. But there's not enough lightsabering and there are way too many cattle prods. Pedro Pascal returns as the Mandalorian, shorn of any mention of his past, religion or home... Read More

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