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    Framestore colorist Edwin Metternich relocates to Chicago office​

    By SHOOTUpdated:No Comments2012 Views
    CHICAGO --

    Framestore has extended its global color department to its Chicago office with the relocation of colorist Edwin Metternich. The Chicago team has been steadily growing with a series of high caliber appointments since opening in May 2017.

    Metternich joined Framestore as a runner in 2007, moving quickly into the color team as an assistant and progressing into grading after only a couple of years. He has been an integral part of the color department in London and embarks on a new career chapter at Framestore’s newest office.

    He has worked on a multitude of projects including Framestore’s first video game VFX job “Guitar Hero Live,” “The Eye” for Audi and frequent collaborations with award-winning agencies and production companies. He was nominated for the Kinsale Sharks Best Colorist in a Short Film in 2016 and Best Colorist in a Music Video in 2017. His work spans brands such as Speedo, Absolut, Barclays, and Microsoft. He will be missed by his loyal following of clients in London.

    Metternich’s range of work also broadens to a selection of independent film projects, notably Blood Cells for British directing duo Joseph Bull and Luke Seomore, Jangbar with turner-nominated artist Zarina Bhimji, and BAFTA award-winning British short film, Operator. 

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    Tags:Edwin MetternichFramestore



    Paul Thomas Anderson Wins Marquee Feature Honor At DGA Awards For “One Battle After Another”

    Sunday, February 8, 2026

    Paul Thomas Anderson won the marquee feature prize at the 78th Directors Guild of America (DGA) Awards on Saturday night (2/7) for One Battle After Another. This makes Anderson the frontrunner to win the Best Director Oscar. Only eight times over the past 77 years has the DGA Award winner not gone on to win the Academy Award. That happened most recently in 2020 when Sam Mendes won the DGA Award for 1917 while Bong Joon-ho scored the Oscar for Parasite. Anderson topped a field of DGA nominees which also included Ryan Coogler for Sinners, Guillermo del Toro for Frankenstein, Josh Safdie for Marty Supreme, and Chloé Zhao for Hamnet. In his acceptance speech, Anderson paid tribute to his first assistant director Adam Somner, who died in 2024. Anderson described Somner as someone who took his work “so seriously” but “did not take himself seriously at all”--that was part of his beauty. Anderson affirmed that Somner was “a great AD” who “made us feel safe,” mitigating the hazards that often accompany ambitious production. Anderson wished other directors in the audience a colleague like Somner. And if they already have one, Anderson advised them to hold that AD close in love and appreciation. The other DGA theatrical motion picture award--named after the late filmmaker Michael Apted in recognition of outstanding achievement by a first-time feature director--went to Charlie Polinger for The Plague. On the TV side, winners included Amanda Marsalis who topped the dramatic series category for the “6:00 P.M.” episode of The Pitt; Seth Rogen and Evan Goldberg who took comedy series honors for “The Oner” episode of The Studio; Shannon Murphy for the... Read More

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