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    Home » Framestore promotes Stephen Goalby to head of design, U.K.

    Framestore promotes Stephen Goalby to head of design, U.K.

    By SHOOTFriday, July 16, 2021Updated:Tuesday, May 14, 2024No Comments2133 Views
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    LONDON --

    Oscar and BAFTA-winning creative studio Framestore has promoted Stephen Goalby to head of design, U.K. Based at the company’s headquarters in London, he will lead the design team as the studio continues to expand the division.

    Since joining Framestore in 2016, Goalby has played a key role across film, episodic and immersive projects, working with brands and IP such as Coca-Cola, Google, and UEFA. Most recently, he worked on the title sequence for the James Bond film, No Time to Die, and with both Universal Creative and Walt Disney Imagineering on attractions and experiences based in Beijing, Hollywood and Orlando.

    “Stephen’s exciting unannounced projects will deliver everything from intricate hand-drawn 2D animation to futuristic technical UI sequences,” said Lottie Cooper, Framestore’s managing director, advertising, TV & immersive. “With his dedication and ability to lead the team both technically and creatively he’s opened us up to new and groundbreaking opportunities and the team continues to go from strength to strength under his leadership.”

    “It’s an honour to be working at a studio that is positioned at the forefront of design and I’m excited to be at the helm as we grow as a department,” added Goalby. “It’s been incredible to work with so many brilliant clients and partners and I’m looking forward to continuing to expand our capabilities in this space.”

    Goalby has over 16 years’ experience in the industry, and built an impressive portfolio with his work at several leading agencies before joining Framestore. 

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    Tags:FramestoreLottie CooperStephen Goalby



    Review: Director Joe Carnahan’s “The Rip”

    Friday, January 16, 2026
    This image released by Netflix shows Matt Damon in a scene from "The Rip." (Claire Folger/Netflix via AP)

    Lines between cop and criminal get murky in Joe Carnahan's "The Rip," a crime thriller set across one foggy Miami night, starring Matt Damon and Ben Affleck. Damon and Affleck, of course, are so closely associated with Boston — most recently they produced the 2024 heist movie "The Instigators" there — that a detour to South Florida puts them, a little awkwardly, in an entirely different movie landscape. This is "Miami Vice" territory or Elmore Leonard Land, not Southie or "The Town." In "The Rip," they play Miami narcotics officers who come upon a cartel stash house that Lt. Dane Dumars (Damon) says may have $150,000 hidden in the walls. It turns out to be more than $20 million, though, and their mission immediately turns from a Friday afternoon smash-and-grab into an imminent siege where no one can be trusted. "The Rip," which debuts Friday on Netflix, is a lean and potent-enough neo-noir where almost all the characters are police officers, yet it's a mystery as to who's a good guy and who's not. It's a nifty and timely premise, even if "The Rip" literally tattoos its message across itself. When Dane sits down with the young woman (Sasha Calle) at the stash house who seems plausibly innocent, she looks at tattoos on his hands and asks what they mean. On one: "AWTGG": "Are we the good guys?" As much as the answer might seem a foregone conclusion in a movie starring Damon and Affleck, who are also producers, "The Rip" plays with and against type in ways that can keep you engrossed. (The cast also includes Teyana Taylor, Steven Yeun and Kyle Chandler.) However, the exposition is so light and hurried in "The Rip" that that's almost all it plays with. We know almost nothing about our characters outside of the action in the movie, making all the... Read More

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