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    Home » Fredrik Bäckar Expands Directorial Representation To U.S. Via Believe Media 

    Fredrik Bäckar Expands Directorial Representation To U.S. Via Believe Media 

    By SHOOTThursday, March 3, 2022Updated:Tuesday, May 14, 2024No Comments2342 Views
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    Fredrik Bäckar
    LOS ANGELES --

    Believe Media has extended its commercial representation for director Fredrik Bäckar to the U.S. market. Bäckar joined Believe Media’s U.K roster in 2020 for representation; there the accomplished cinematographer made his directorial debut, teaming with U.K. executive producer James Covill to create a series of spots for Amazon Prime.  .

    “Fred and I worked together many years before and when this Amazon project came along, he was the perfect fit,” noted Covill. “He tethered the story together with beautiful imagery and these wonderfully clever vignettes of all the luxuries Prime puts at our fingertips.”  

    Bäckar shared, “I enjoy the full artistic journey working as a director. When we’re venturing into the scripts and treatment process, we’re focused on every detail to make the story work best. How it looks doesn’t matter if the story doesn’t matter.”   

    Bäckar is perhaps best known for his iconic frozen moment technique and his landmark spot as director of photography for Philips’ “Carousel,” directed by Adam Berg. Through the years, Bäckar has enjoyed close collaborations on commercial projects with directors Fredrik Bond, Andreas Nilsson, Jeff Lowe, Traktor, and the Pelorian Brothers to name a few. 

    “Undeniably Fred’s frozen moment techniques have been his calling card across the industry,” said Marc Benardout, Believe Media executive producer for U.S. territories. “The intricacies and precision of his technical methods have nurtured Fred’s craft for many years and has positioned him resolutely as one of the best visually compelling storytellers in the business. We’re honored to represent him in both territories and continue to grow his influence across the advertising landscape.” 

    Native to Sweden, Bäckar first worked at the start-up of a local television station which opened many opportunities for him to shoot. He then made the move to Los Angeles where he attended film classes and watched every film released in the cinema for the next two years. Returning to Sweden, Bäckar worked as a photography assistant and eventually back to London where he completed his filmmaking degree at London International Film School. There, he crossed paths with Max Jacoby, whom gave Bäckar his first feature film (Dust) as director of photography.  

    While his feature credits as DP include work alongside director David Fincher on The Girl With The Dragon Tattoo (for additional cinematogaphy; Jeff Cronenweth earned an Oscar nomination as the film’s DP) and actor Anthony Hopkins on Kidnapping Mr. Heineken, Bäckar has also enjoyed a breadth of acclaimed work in the commercial world as a cinematographer for Coca-Cola’s 2019 Clio shortlisted “Take it Lightly,” and ‘Dadsong’ from Old Spice’s “Smellcome to Manhood” campaign. Bäckar has cultivated work with agencies Grey London, Ingo, Publicis UK, and Wieden+Kennedy and spots with global brands Gillette, Jeep, Old Spice, Pepsi, and Sony, among others.  

    “My partnership with Believe thus far has been an exciting creative endeavor,” concludes Bäckar. “We have a fantastic shorthand, and I look forward to recreating that with the team in North America.” 

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    Category:News
    Tags:Believe MediaFredrik BäckarJames CovillMarc Benardout



    In Legal Dispute Over “The View,” ABC Accuses Trump Administration Of Trying To Chill Free Speech

    Friday, May 8, 2026

    In a strongly worded filing, ABC accuses the Trump administration of trying to chill its constitutionally protected free speech and hinder open political discussion.

    The point of contention: The popular show "The View," and whether it's subject to equal time rules.

    ABC's filing to the Federal Communications Commission, made public Friday, came in a dispute involving one ABC station in Houston, KTRK-TV. But the wording indicated the network was embarking on a broader battle with the administration.

    "The Commission's actions threaten to upend decades of settled law and practice and chill critical protected speech, both with respect to 'The View' and more broadly," said the filing on behalf of both KTRK-TV and ABC.

    The commission replied, in a statement emailed to The Associated Press, that equal time law "encourages more speech and empowers voters to decide the outcome of elections. The FCC will review Disney's assertion that 'The View' is a 'bona fide news program' and thus exempt from the political equal time rules."

    The ABC filing appeared to be the latest volley inside and outside the legal arena between the U.S. media and the Trump White House over what journalists perceive as the president's attack on free speech and the media's ability to do its job. Trump has been critical of media outlets whose journalism runs counter to his agenda and sensibilities.

    Among legal battles in the courts: a dispute between the Pentagon and The New York Times over access; a battle between the White House and The Associated Press over how to refer to the Gulf of Mexico; and Trump's anger at The Wall Street Journal over reporting about Jeffrey Epstein.

    The dispute concerns content on "The View," ABC's long-running morning talk show,... Read More

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