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    Home » FUJIFILM to intro smallest, lightest 4K, HDR-compatible broadcast lens at IBC

    FUJIFILM to intro smallest, lightest 4K, HDR-compatible broadcast lens at IBC

    By SHOOTWednesday, September 6, 2017Updated:Tuesday, May 14, 2024No Comments1269 Views
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    WAYNE, NJ --

    At the IBC convention in Amsterdam this month, the Optical Devices Division of FUJIFILM will introduce what’s billed as being the world’s smallest (total length approx. 220.5mm) and lightest (approx. 1.98kg) broadcast lens that supports 4K production. Despite its compact body, the “UA24x7.8” features a 24x high magnification zoom, covering a focal length from the wide angle of 7.8mm to 187mm. This new portable lens allows users to shoot high-definition, realistic videos in environments requiring significant mobility, such as live sports and news from remote locations.

    “Its portability and 4K HDR (High Dynamic Range) capability makes this new lens a huge boon to anyone looking to decrease shoulder-weight and capture detailed close ups when shooting hand-held,” said Thomas Fletcher, director of sales, FUJIFILM Optical Devices Division. “The UA24x really shows its power when combined with a 4K camcorder. With the increased use of 4K camcorders, the need for similarly compact and lightweight lenses has become more apparent, and productions using ultra-portable equipment continue to spread. We’re seeing a big increase in Japan, Europe and North American shooting 4K video for sports, news and in-studio shooting. And with OTT video available in 4K on PCs and tablets, that will only continue to increase.”

    The new UA24x provides advanced optical performance, with 4K compatibility, throughout the entire zoom range. It includes Fujifilm’s proprietary “HT-EBC (High Transmittance Electron Beam Coating)” multi-layer coating that provides a high level of transmittance and color reproduction. HT-EBC, coupled with Fujifilm’s exclusive Aspheric Technology, reduces ghost and flare and increases light transmission. In addition, by thoroughly reducing chromatic aberrations, which are a common occurrence in telephoto zooms, it is also possible to shoot utilizing HDR. Rich tones can be reproduced, even when shooting scenes with intense contrast, such as stadiums at dusk.

    The latest optical simulation technology was used in the lenses’ optical design to prevent resolution degradation around the edges and control aberrations, thus achieving 4K image quality across the zoom range. An aperture shape close to that of a circle is achieved by adopting nine aperture blades, which provides a more natural bokeh.

    The FUJINON UA24x is the latest zoom lens in the company’s Premier UA Series of 4K 2/3” lenses. The UA Series is the first designed specifically for UHD broadcast applications.  The addition of this product expands Fujifilm’s 4K broadcast lens lineup to eight models in total,  catering to the various needs for 4K HDR video production. Other handheld zooms in this line up include: the UA14x4.5B, UA18x5.5B, UA13x4.5B and UA22x8B lenses. A new studio lens is now available, the UA27x6.5B, and field lenses, the UA80x9 and UA107x8.4, round out the series.

    The Optical Devices Division will exhibit in Hall 12, Stand B20 during IBC, which runs from September 15-19 at the RAI convention center in Amsterdam.

    The ““UA24x7.8” is scheduled for release in January 2018.

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    Tags:FUJIFILMFujinonIBC



    Review: Director Joe Carnahan’s “The Rip”

    Friday, January 16, 2026
    This image released by Netflix shows Matt Damon in a scene from "The Rip." (Claire Folger/Netflix via AP)

    Lines between cop and criminal get murky in Joe Carnahan's "The Rip," a crime thriller set across one foggy Miami night, starring Matt Damon and Ben Affleck. Damon and Affleck, of course, are so closely associated with Boston — most recently they produced the 2024 heist movie "The Instigators" there — that a detour to South Florida puts them, a little awkwardly, in an entirely different movie landscape. This is "Miami Vice" territory or Elmore Leonard Land, not Southie or "The Town." In "The Rip," they play Miami narcotics officers who come upon a cartel stash house that Lt. Dane Dumars (Damon) says may have $150,000 hidden in the walls. It turns out to be more than $20 million, though, and their mission immediately turns from a Friday afternoon smash-and-grab into an imminent siege where no one can be trusted. "The Rip," which debuts Friday on Netflix, is a lean and potent-enough neo-noir where almost all the characters are police officers, yet it's a mystery as to who's a good guy and who's not. It's a nifty and timely premise, even if "The Rip" literally tattoos its message across itself. When Dane sits down with the young woman (Sasha Calle) at the stash house who seems plausibly innocent, she looks at tattoos on his hands and asks what they mean. On one: "AWTGG": "Are we the good guys?" As much as the answer might seem a foregone conclusion in a movie starring Damon and Affleck, who are also producers, "The Rip" plays with and against type in ways that can keep you engrossed. (The cast also includes Teyana Taylor, Steven Yeun and Kyle Chandler.) However, the exposition is so light and hurried in "The Rip" that that's almost all it plays with. We know almost nothing about our characters outside of the action in the movie, making all the... Read More

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