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    Home » FuseFX Expands With Move To New Headquarters In L.A.

    FuseFX Expands With Move To New Headquarters In L.A.

    By SHOOTThursday, September 1, 2016Updated:Tuesday, May 14, 2024No Comments5865 Views
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    Pictured (l-r) are Fuse FX CTO Jason Fotter, FuseFX president David Altenau, Los Angeles Mayor Eric Garcetti and FuseFX EP Tim Jacobsen
    LOS ANGELES --

    FuseFX has moved its headquarters to a 27,000 square foot facility in the Sherman Oaks area of Los Angeles. Comprising two contiguous free-standing structures, the new site can accommodate the company’s current 150-person Southern California staff, and features scores of state-of-the-art visual effects workstations, four screening rooms, a 4K infrastructure, dedicated broadband connections to operations in New York and Vancouver, and room for further growth.

    FuseFX was founded in 2006 by Emmy Award-winning VFX supervisor David Altenau at a time when many visual effects companies were curtailing operations in Los Angeles. Bucking the tide of runaway production, FuseFX developed a proprietary workflow that enabled it to efficiently service multiple television productions and drew on the area’s deep pool of visual effects supervisors, producers and artists. Executive producer Tim Jacobsen and chief technical officer Jason Fotter joined the company as partners in 2008 and helped steer it on a path to steady growth.

    “FuseFX remains committed to building on the success of our Los Angeles office and growing our operation here,” said Altenau. “Our new space will allow us to continue to tap into the tremendous talent and resources in the L.A. area and provide exceptional service to what remains the largest center for entertainment production in the world.”

    “No industry has been hit harder by runaway production than visual and special effects,” said Los Angeles Mayor Eric Garcetti at a ceremony opening the new facility. “FuseFX has been rooted right here in Los Angeles for the last decade, because the company understands what our city has to offer: unmatched production resources, vast infrastructure, and, of course, the best talent in the business. Fuse is creating opportunity and raising the next generation of animators and designers in L.A., right where they belong.”

    Currently, FuseFX produces visual effects for such shows as American Crime Story, Scorpion, Marvel’s Agents of S.H.I.E.L.D., Empire, Criminal Minds, Bones, Turn, The Blacklist, The Magicians, Preacher and Zoo. The company won an Emmy Award in 2015 for its work on American Horror Story. It also provides visual effects for a growing number of feature films and commercials. The company recently formed a division focused on virtual reality under the banner FuseVR.

    FuseFX’s Southern California operations were previously spread among several buildings in Burbank. Now, its entire workforce will share a single, campus-like environment. “Having our full team in close proximity will be good for collaboration,” observed Altenau. “Artists will be able to communicate better with each other and clients, and focus on the task at hand. It’s also a more comfortable collegial space. That’s good for both our staff and our clients.” Altenau added that the new location positions the facility within easy reach of studios and independent production companies in Burbank, Hollywood and the Westside.

    The new facility features a 10-gigabit infrastructure capable of managing 4K media and other large data files in real-time. Its 15 rack server room is designed for the easy expansion of storage and rendering resources as needs grow. Sohonet broadband connections with FuseFX’s production facilities in New York and Vancouver will allow artists at the three sites seamlessly share data and resources. The site’s four screening rooms include a 20-seat theater equipped with 4K projection and monitoring systems. Space is available for more technical resources including the possible addition of 4K color grading and finishing.

    Altenau expects the company’s Los Angeles staff to eventually reach 250. 

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    Category:News
    Tags:FuseFX



    After Delay Over Legal Issues, Oscar-Nominated Documentary “Black Box Diaries” Finally Premieres In Japan

    Friday, December 12, 2025

    "Black Box Diaries," a documentary in which Japanese journalist Shiori Ito investigates her own sexual assault case and the barriers she faced in pursuing justice, has been screened widely abroad since its 2024 festival debut and earned an Oscar nomination early this year.

    It finally premiered in Japan on Friday, a long-delayed domestic release that began with a single-theater run.

    In Japan, sexual assault victims are often stigmatized and silenced. But the barrier to the film's release at home was largely the result of a legal dispute over her use of some interviews and footage of witnesses and involved parties without their consent.

    The 102-minute film was screened to a full house on Friday at the T. Joy Prince Shinagawa, a large cinema complex in downtown Tokyo.

    Ito expressed relief that she could finally share her story with an audience in her home country.

    "Until last night, I was afraid if the film is going to come out or not," she told The Associated Press after the screening. "The reason I made this film is because I want to talk about this issue openly in Japan. It's been like my little love letter to Japan, so I'm just so happy that this day came finally."

    Ito, who went public with what she says happened to her in 2015, has become the face of Japan's slow moving #MeToo movement. She is the first Japanese director to be nominated for an Oscar in the category of documentary feature film. The film is based on a 2017 book she wrote, "Black Box."

    What happened in 2015
    As an intern in 2015, Ito was seeking a position at private TBS Television and met one of its senior journalists, Noriyuki Yamaguchi, who became her alleged assailant. She has said in her book and film that she became dizzy... Read More

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