Grand Jury Prize goes to Tsai Ming-liang's "Stray Dogs"
By Colleen Barry & Patricia Thomas
VENICE, Italy (AP) --The Italian film “Sacro GRA,” a documentary about life along the highway that circles Rome by director Gianfranco Rosi, won the Golden Lion for best film at the 70th edition of the Venice Film Festival on Saturday.
Rosi called the award a breakthrough for documentaries, which were included this year for the first time in the main competition.
“I didn’t expect to win such an important prize with a documentary,” Rosi said. “It was truly an act of courage, a barrier has been broken. Now finally documentaries are being seen alongside fiction, therefore documentary is cinema.”
Rosi , who spent two years in a minivan circling the ring road filming conversations with such diverse subjects as a count, a paramedic and a botanist tending the highway’s palm trees, dedicated the prize to the characters in the film “who allowed me to enter in their lives. Some of them became involuntary protagonists, without knowing it.”
It was the first time an Italian film has won the top prize at Venice in 15 years, when Gianni Amelio won for “The Way We Laughed” in 1998.
“Sacro GRA” won a standing ovation during its official world premiere, but mixed international reviews.
“Without trying to make a big point or push a political agenda, he taps into the everyday life of society’s fringe dwellers in a series of sketches,” the Hollywood Reporter wrote, saying the film “holds its own” in competition, while Variety said Rosi’s “idea remains more absorbing than the final product. Docu fests await.”
The Silver Lion for best director went to Alexandros Avranas of Greece for “Miss Violence,” a disturbing look at sexual violence and abuse perpetrated by a grandfather, played by Greek actor Themis Panou, who won the best actor prize.
Best actress went to Italian actress Elena Cotta, who didn’t utter a word in director Emma Dante’s “A Street in Palermo,” about two women blocked in a standoff when their cars meet on a narrow street, but managed to use facial expressions to portray intense emotions throughout the film. Cotta dedicated the award to her husband, with whom she recently celebrated their 60th wedding anniversary.
Tye Sheridan, 16, won the best young actor award for his role opposite Nicolas Cage in David Gordon Green’s “Joe” as a boy who looks to Joe, an ex-con played by Cage, for guidance as he struggles with an abusive and drunkard father. Sheridan has appeared previously in Terrence Malick’s “The Tree of Life” and Jeff Nichols’ “Mud.”
The Grand Jury Prize went to Tsai Ming-liang’s “Stray Dogs,” about a father and two children living on the margins of modern-day Taipei. The director, who won the Golden Lion in 1994 for “Vive L’amour,” thanked the Venice audiences “that slowed their pace to watch my movie.”
“Philomena” won best screenplay for Steve Coogan and Jeff Pope. The film by Stephen Frears stars Judi Dench in the real-life role of an Irish woman who was forced by nuns to give up her son for adoption, and keeps it secret for nearly 50 years until she sets off on an unlikely journey to the U.S. with a jaded journalist to search for her son.
The Special Jury Prize went to German director Philip Groening’s “The Police Officer’s Wife,” about violence between husband and wife and a mother’s efforts to protect their child’s innocence.
Oscar-winning director Bernardo Bertolucci headed the nine-member jury that screened 20 movies in competition, and read out the winners from a wheelchair on stage. He told reporters at the start of the festival that he hoped to be “surprised” by the winners.
Tilda Swinton Explores Assisted Suicide In Pedro Almodóvar’s 1st English-Language Feature
Although "The Room Next Door" is Pedro Almodóvar's first English-language feature, Tilda Swinton notes that he's never written in a language that anyone else truly speaks.
"He writes in Pedro language, and here he is making another film in another version of Pedro language, which just happens to sound a little bit like English," Swinton said.
Set in New York, Swinton stars as Martha, a terminally ill woman who chooses to end her life on her own terms. After reconnecting with her friend Ingrid, played by Julianne Moore, Martha persuades her to stay and keep her company before she goes through with her decision.
Beyond the film's narrative, Swinton said she believes individuals should have a say in their own living and dying. She acknowledges that she has personally witnessed a friend's compassionate departure.
"In my own life I had the great good fortune to be asked by someone in Martha's position to be his Ingrid (Julianne Moore)," Swinton said.
She said that experience shaped her attitude about life and death: "Not only my capacity to be witness to other people in that situation, but my own living and my own dying."
Swinton spoke about "The Room Next Door," Almodóvar and he idea of letting people die on their own terms. Remarks have been edited for clarity and brevity.
Q: Tackling that role, what was the challenge to get into the character?
SWINTON: I felt really blessed by the opportunity. So many of us have been in the situation Julianne Moore's character finds herself in, being asked to be the witness of someone who is dying. Whether that wanting to orchestrate their own dismount or not, to be in that position to be a witness is something that I've been... Read More