The Broadcast Film Critics Association (BFCA) and the Broadcast Television Journalists Association (BTJA) have revealed the nominees for the inaugural Critics’ Choice Documentary Awards. The winners will be presented their awards at a gala event on Thursday, November 3, 2016, at BRIC, in Brooklyn, New York.
“It is an amazing time for documentaries, with the ever-increasing number of platforms enabling producers to reach enthusiastic and growing audiences for non-fiction storytelling,” said Joey Berlin, president of the BFCA and BTJA. “This is clearly demonstrated in the depth and quality of our inaugural nominees. We have a wealth of brilliant creators who are bringing to light some of the most entertaining and illuminating stories being told today. Indeed, documentary filmmaking is modern investigative journalism.”
13th, 30 For 30: O.J.: Made in America and Gleason lead the nominations this year with five each. 13th has been nominated for Best Documentary Feature, Best Political Documentary, Best Documentary Feature (TV/Streaming), Ava DuVernay for Best Director (TV/Streaming) and Best Song in a Documentary.
The nominations for O.J.: Made in America include Best Documentary Feature, Ezra Edelman for Best Direction of a Documentary Feature, Best Limited Documentary Series, Best Political Documentary and Best Sports Documentary.
Gleason received nominations for Best Documentary Feature, Clay Tweel for Best Direction of a Documentary Feature, Best Song in a Documentary, Best Sports Documentary, in addition to the Most Compelling Living Subject of a Documentary honor for Steve Gleason.
As part of the gala awards ceremony the BFCA and BTJA will be honoring this year’s Most Compelling Living Subject of a Documentary. Honorees are as follows:
- Danny Fields – Danny Says (Magnolia/Outre Films)
- Iggy Pop – Gimme Danger (Magnolia/Amazon)
- Kirsten Johnson – Cameraperson (Janus Films/Fork Films/Big Mouth Productions)
- Owen Suskind – Life, Animated (A&E IndieFilms/The Orchard/Motto Pictures/Roger Ross Williams Productions)
- Sharon Jones – Miss Sharon Jones! (Cabin Creek Films/Starz Digital Media)
- Steve Gleason – Gleason (Open Road/Amazon/Exhibit A)
- Theo Padnos – Theo Who Lived (Zeitgeist Films)
Here’s a rundown of Critics’ Choice Documentary Awards nominations:
BEST DOCUMENTARY FEATURE
- 13th (Netflix/Kandoo Films)
- 30 For 30: O.J.: Made in America (ESPN/Laylow Films)
- Cameraperson (Janus Films/Fork Films/Big Mouth Productions)
- Fire at Sea (Kino Lorber/Stemal Entertainment/21 Unofilm/Cinecittà Luce/Rai Cinema/Les Films d’Ici/Arte France Cinéma)
- Gleason (Open Road/Amazon/Exhibit A)
- Life, Animated (A&E IndieFilms/The Orchard/Motto Pictures/Roger Ross Williams Productions)
- Tickled (Magnolia/A Ticklish Tale/Fumes Production/Horseshoe Films/HBO)
- Tower (Kino Lorber/ITVS/Meredith Vieira Productions/GTS Films/Diana DiMenna Film)
- Weiner (Sundance Selects/Motto Pictures/Edgeline Films)
- The Witness (FilmRise/Five More Minutes Productions)
BEST DIRECTION OF A DOCUMENTARY FEATURE
- Ezra Edelman – 30 For 30: O.J.: Made in America (ESPN/Laylow Films)
- Ron Howard – The Beatles: Eight Days a Week – The Touring Years (White Horse Pictures/Imagine Entertainment/Apple Corps/ Hulu)
- Kirsten Johnson – Cameraperson (Janus Films/Fork Films/Big Mouth Productions)
- Keith Maitland – Tower (Kino Lorber/ITVS/Meredith Vieira Productions/GTS Films/Diana DiMenna Film)
- Clay Tweel – Gleason (Open Road/Amazon/Exhibit A)
- Roger Ross Williams – Life, Animated (A&E IndieFilms/The Orchard/Motto Pictures/Roger Ross Williams Productions)
BEST FIRST DOCUMENTARY FEATURE
- Otto Bell – The Eagle Huntress (Sony Pictures Classics/Kissaki Films/Stacey Reiss Productions)
- David Farrier and Dylan Reeve – Tickled (Magnolia/A Ticklish Tale/Fumes Production/Horseshoe Films)
- Adam Irving – Off the Rails (The Film Collaborative/Zipper Bros Films)
- Josh Kriegman and Elyse Steinberg – Weiner (Sundance Selects/Motto Pictures/Edgeline Films)
- James D. Solomon – The Witness (FilmRise/Five More Minutes Productions)
- Nanfu Wang – Hooligan Sparrow (The Film Collaborative/Little Horse Crossing the River)
BEST POLITICAL DOCUMENTARY
13th (Netflix/Kandoo Films)
30 For 30: O.J.: Made in America (ESPN/Laylow Films)
Audrie & Daisy (Netflix/Actual Films)
Newtown (Abramorama/Mile 22/Independent Television Service)
Weiner (Sundance Selects/Motto Pictures/Edgeline Films)
Zero Days (Magnolia/Jigsaw Productions/Participant Media)
BEST DOCUMENTARY FEATURE (TV/STREAMING)
13th (Netflix/Kandoo Films)
30 For 30: Fantastic Lies (ESPN)
Amanda Knox (Netflix/Plus Pictures)
Audrie & Daisy (Netflix/Actual Films)
Before the Flood (National Geographic/Appian Way/Insurgent Docs/RatPac Documentary Films)
Holy Hell (CNN/WRA Productions/ *Very Special Projects/Whitewater Films)
Into the Inferno (Netflix/Herzog-Film/Matter of Fact Media/Spring Films)
Jim: The James Foley Story (HBO/Kunhardt Films)
Mapplethorpe: Look at the Pictures (HBO/Film Manufacturers/World of Wonder Productions)
Rats (Discovery Channel/Dakota Group/Submarine Entertainment/Warrior Poets)
BEST DIRECTOR (TV/STREAMING)
Fenton Bailey and Randy Barbato – Mapplethorpe: Look at the Pictures (HBO/Film Manufacturers/World of Wonder Productions)
Rod Blackhurst and Brian McGinn – Amanda Knox (Netflix/Plus Pictures)
Ava DuVernay – 13th (Netflix/Kandoo Films)
Werner Herzog – Into the Inferno (Netflix/Herzog-Film/Matter of Fact Media/Spring Films)
Morgan Spurlock – Rats (Discovery Channel/Dakota Group/Submarine Entertainment/Warrior Poets)
Fisher Stevens – Before the Flood (National Geographic/Appian Way/Insurgent Docs/RatPac Documentary Films)
BEST FIRST FEATURE (TV/STREAMING)
Everything is Copy – Jacob Bernstein and Nick Hooker (HBO/Loveless)
Holy Hell – Will Allen (CNN/WRA Productions)
Mavis! – Jessica Edwards (HBO/Film First Co.)
My Beautiful Broken Brain – Sophie Robinson and Lotje Sodderland (Netflix)
Southwest of Salem: The Story of the San Antonio Four – Deborah Esquenazi (Investigation Discovery/Motto Pictures/Naked Edge Films)
Team Foxcatcher – Jon Greenhalgh (Netflix/Hattasan Productions/Madrose Productions)
BEST LIMITED DOCUMENTARY SERIES
30 For 30: O.J.: Made in America (ESPN/Laylow Films)
The Circus: Inside the Greatest Political Show on Earth (Showtime/Left/Right)
The Eighties (CNN)
The Hunt (BBC America/Silverback Films/NDR Naturfilm)
Jackie Robinson (PBS/Florentine Films)
Soundbreaking: Stories From the Cutting Edge of Recorded Music (PBS/Higher Ground/Show of Force)
BEST ONGOING DOCUMENTARY SERIES
30 for 30 (ESPN)
Frontline (PBS)
Last Chance U (Netflix)
Morgan Spurlock Inside Man (CNN)
POV (PBS)
This Is Life with Lisa Ling (CNN)
BEST SONG IN A DOCUMENTARY
“Angel by the Wings” – The Eagle Huntress – Written by Sia – Performed by Sia (Sony Pictures Classics/Kissaki Films/Stacey Reiss Productions)
“The Empty Chair” – Jim: The James Foley Story – Written by Sting and J. Ralph – Performed by Sting (HBO/Kunhardt Films)
“Flicker” – Audrie & Daisy – Written by Tori Amos – Performed by Tori Amos (Netflix/Actual Films)
“Hoping and Healing” – Gleason – Written by Mike McCready – Performed by Mike McCready (Open Road/Amazon/Exhibit A)
“I’m Still Here” – Miss Sharon Jones! – Written by Sharon Jones – Performed by Sharon Jones & The Dap-Kings (Cabin Creek Films/Starz Digital Media)
“Letters to the Free” – 13th– Written by Common, Karriem Riggins and Robert Glasper – Performed by Common featuring Bilal (Netflix/Kandoo Films)
BEST SPORTS DOCUMENTARY
30 For 30: Fantastic Lies (ESPN)
30 For 30: O.J.: Made in America (ESPN/Laylow Films)
Dark Horse (Sony Pictures Classics)
The Eagle Huntress (Sony Pictures Classics/Kissaki Films/Stacey Reiss Productions)
Gleason (Open Road/Amazon/Exhibit A)
Jackie Robinson (PBS/Florentine Films)
Keepers of the Game (Tribeca Digital Studios/Flatbush Pictures)
BEST MUSIC DOCUMENTARY
The Beatles: Eight Days a Week – The Touring Years (White Horse Pictures/Imagine Entertainment/Apple Corps/ Hulu)
Gimme Danger (Magnolia/Amazon)
Miss Sharon Jones! (Cabin Creek Films/Starz Digital Media)
The Music of Strangers (Participant Media/Tremolo Productions)
Presenting Princess Shaw (Magnolia)
We Are X (Drafthouse Films)
MOST INNOVATIVE DOCUMENTARY
Cameraperson (Janus Films/Fork Films/Big Mouth Productions)
Kate Plays Christine (Grasshopper Film/4thRow Films/Faliro House Productions/Prewar Cinema Productions)
Life, Animated (A&E IndieFilms/The Orchard/Motto Pictures/Roger Ross Williams Productions)
Nuts (Amazon/mTuckman Media/Cartuna/Gland Power Films)
Tower (Kino Lorber/ITVS/Meredith Vieira Productions/GTS Films/Diana DiMenna Film
Under The Sun (Icarus Films/Vertov Studio/Saxonia Entertainment/Hypermarket Film)
Qualified members of BFCA and BTJA will choose the winners from amongst the nominees in voting October 31 – November 1.
The Critics’ Choice Documentary Awards will be produced by Bob Bain Productions.
Tilda Swinton Explores Assisted Suicide In Pedro Almodóvar’s 1st English-Language Feature
Although "The Room Next Door" is Pedro Almodóvar's first English-language feature, Tilda Swinton notes that he's never written in a language that anyone else truly speaks.
"He writes in Pedro language, and here he is making another film in another version of Pedro language, which just happens to sound a little bit like English," Swinton said.
Set in New York, Swinton stars as Martha, a terminally ill woman who chooses to end her life on her own terms. After reconnecting with her friend Ingrid, played by Julianne Moore, Martha persuades her to stay and keep her company before she goes through with her decision.
Beyond the film's narrative, Swinton said she believes individuals should have a say in their own living and dying. She acknowledges that she has personally witnessed a friend's compassionate departure.
"In my own life I had the great good fortune to be asked by someone in Martha's position to be his Ingrid (Julianne Moore)," Swinton said.
She said that experience shaped her attitude about life and death: "Not only my capacity to be witness to other people in that situation, but my own living and my own dying."
Swinton spoke about "The Room Next Door," Almodóvar and he idea of letting people die on their own terms. Remarks have been edited for clarity and brevity.
Q: Tackling that role, what was the challenge to get into the character?
SWINTON: I felt really blessed by the opportunity. So many of us have been in the situation Julianne Moore's character finds herself in, being asked to be the witness of someone who is dying. Whether that wanting to orchestrate their own dismount or not, to be in that position to be a witness is something that I've been... Read More