By Jake Coyle, Film Writer
NEW YORK (AP) --After widespread criticism forced the organization that puts on the Golden Globes to lose its televised award show and overhaul its membership, the Hollywood Foreign Press Association nevertheless went ahead announcing nominees for film and television awards on Monday despite a skeptical entertainment industry.
Just as it's done for many years, the HFPA gathered reporters at the Beverly Hilton to announce its picks for the 79th Golden Globes. But this time, there was no nationally televised morning-show live spot or any immediate celebrity celebrations. Hollywood mostly shrugged.
The HFPA, which usually has a handful of movie stars make their announcement, turned instead to Snoop Dogg, who read the nominees behind sunglasses and a red hat during a live stream on the Globes' YouTube page. The majority of studios, public relations firms and A-list talent haven't engaged much this year with the group, which dropped its usual requirement that films be submitted for consideration. Critics have said it's too soon for the HFPA to return to business as usual. Some would rather see the Globes be gone for good.
But the press association tried to maintain its perch in awards season on Monday, spreading nominations around to the likes of Will Smith ("King Richard"), Kristen Stewart ("Spencer"), "West Side Story" breakthrough Rachel Zegler, Leonardo DiCaprio ("Don't Look Up"), Denzel Washington ("The Tragedy of Macbeth"), Ben Affleck ("The Tender Bar") and Lady Gaga ("House of Gucci").
The nominees for best picture, drama, went to Jane Campion's gothic Western "The Power of the Dog," Denis Villeneuve's sci-fi epic "Dune," the family drama "CODA," Reinaldo Marcus Green's tennis biopic "King Richard" and Kenneth Branagh's autobiographical "Belfast."
The comedy or musical picks for best picture were: Adam McKay's apocalyptic comedy "Don't Look Up," Paul Thomas Anderson's '70s ode to San Fernando Valley "Licorice Pizza," Steven Spielberg's "West Side Story," Lin-Manuel Miranda's "Tick, Tick … Boom!" and Joe Wright's "Cyrano."
"Belfast" and "The Power of the Dog" tied for the most nominations with seven apiece. Netflix dominated the film nominees with 17 nods in total. HBO's "Succession" led the TV side with five nominations, including nods for best drama and best actor in a drama series for recent New Yorker profile subject Jeremy Strong.
Normally, such honors would set off a flurry of delight from early-roused nominees and their studios — an awards triumph to be trumpeted on social media and in calls with reporters. On Monday morning, no nominee immediately celebrated — publicly, at least.
The press association claims that in the nine months since its 2021 show, it has remade itself. "HFPA 2.0," recently elected president Helen Hoehne has said. The group has added a chief diversity officer; overhauled its board; inducted 21 new members, including six Black journalists; brought in the NAACP on a five-year partnership; and updated its code of conduct.
"This has been a year of change and reflection for the Hollywood Foreign Press Association," Hoehne said Monday.
All of that came after a Los Angeles Times' expose detailed some of the HFPA's unethical behavior and revealed that its 87 voting members didn't include one Black journalist. Studios said they would boycott the Globes and more than 100 PR films said their clients wouldn't participate until the HFPA swiftly implemented "profound and lasting change." Tom Cruise returned his three Globes to the group's headquarters.
NBC, the Globes' longtime telecaster, has said it won't air the 2022 Globes because "change of this magnitude takes time and work." The Globes have still set a date of January 9 but haven't shared any details about what kind of ceremony that would be. The Critics Choice Awards have sought to fill the void, even seeking to secure the Globes' usual home at the Beverly Hilton for its telecast. That bid failed but the Critics Choice Awards, which were to also announce nominees Monday, will likewise take place on Jan. 9, airing on TBS and the CW.
Much of the Globes' power has always resided in its lively telecast, regularly one of the most-watched non-sports broadcasts of the year. The Globes also serve as a promotional tool for many of the awards-hopefuls hitting theaters in December. But this year, few expect to see ads and TV commercials trumpeting a film's Golden Globes nominations.
FEATURE FILMS
BEST MOTION PICTURE–DRAMA
- “Belfast”
- “CODA”
- “Dune”
- “King Richard”
- “The Power of the Dog”
ACTOR IN A MOTION PICTURE–DRAMA
- Mahershala Ali (“Swan Song”)
- Javier Bardem (“Being the Ricardos”)
- Benedict Cumberbatch (“The Power of the Dog”)
- Will Smith (“King Richard”)
- Denzel Washington (“The Tragedy of Macbeth”)
ACTRESS IN A MOTION PICTURE–DRAMA
- Jessica Chastain (“The Eyes of Tammy Faye”)
- Olivia Colman (“The Lost Daughter”)
- Nicole Kidman (“Being the Ricardos”)
- Lady Gaga (“House of Gucci”)
- Kristen Stewart (“Spencer”)
BEST MOTION PICTURE–MUSICAL OR COMEDY
- “Cyrano”
- “Don’t Look Up”
- “Licorice Pizza”
- “Tick, Tick…Boom!”
- “West Side Story”
ACTOR IN A MOTION PICTURE–MUSICAL OR COMEDY
- Leonardo DiCaprio (“Don’t Look Up”)
- Peter Dinklage (“Cyrano”)
- Andrew Garfield (“Tick, Tick…Boom!”)
- Cooper Hoffman, (“Licorice Pizza”)
- Anthony Ramos, (“In the Heights”)
ACTRESS IN A MOTION PICTURE–MUSICAL OR COMEDY
- Marion Cotillard (“Annette”)
- Alana Haim (“Licorice Pizza”)
- Jennifer Lawrence (“Don’t Look Up”)
- Emma Stone (“Cruella”)
- Rachel Zegler (“West Side Story”)
SUPPORTING ACTOR IN A MOTION PICTURE
- Ben Affleck, (“The Tender Bar”)
- Jamie Dornan (“Belfast”)
- Ciarรกn Hinds (“Belfast”)
- Troy Kotsur (“CODA”)
- Kodi Smit-McPhee (“The Power of the Dog”)
SUPPORTING ACTRESS IN A MOTION PICTURE
- Caitriona Balfe (“Belfast”)
- Ariana DeBose (“West Side Story”)
- Kirsten Dunst (“The Power of the Dog”)
- Aunjanue Ellis (“King Richard”)
- Ruth Negga (“Passing”)
DIRECTOR–MOTION PICTURE
- Kenneth Branagh (“Belfast”)
- Jane Campion (“The Power of the Dog”)
- Maggie Gyllenhaal (“The Lost Daughter”)
- Steven Spielberg (“West Side Story”)
- Denis Villeneuve (“Dune”)
SCREENPLAY–MOTION PICTURE
- “Being the Ricardos”
- “Belfast”
- “Don’t Look Up”
- “Licorice Pizza”
- “The Power of the Dog”
MOTION PICTURE–FOREIGN LANGUAGE
- “Compartment No. 6” (Juho Kuosmanen, Finland)
- “Drive My Car” (Ryรปsuke Hamaguchi, Japan)
- “The Hand of God” (Paolo Sorrentino, Italy)
- “A Hero” (Asghar Farhadi, Iran)
- “Parallel Mothers” (Pedro Almodรณvar, Spain)
MOTION PICTURE–ANIMATED
- “Encanto”
- “Flee”
- “Luca”
- “My Sunny Maad”
- “Raya and the Last Dragon”
ORIGINAL SCORE–MOTION PICTURE
- “Dune” — Hans Zimmer
- “Encanto” — Germaine Franco
- “The French Dispatch” — Alexandre Desplat
- “Parallel Mothers” — Alberto Iglesias
- “The Power of the Dog” — Jonny Greenwood
ORIGINAL SCORE–MOTION PICTURE
- “Be Alive” from “King Richard” (Beyoncรฉ; written by Beyoncรฉ Knowles-Carter, Dixson)
- “Dos Oruguitas” from “Encanto” (Sebastiรกn Yatra; written by Lin-Manuel Miranda)
- “Down to Joy” from “Belfast” (written and performed by Van Morrison)
- “Here I Am (Singing My Way Home)” from “Respect” (Jennifer Hudson; written by Jamie Alexander Hartman, Hudson, Carole King)
- “No Time to Die” from “No Time to Die” (Billie Eilish; written by Eilish, Miles Ale, Finneas O’Connell)
TELEVISION
TELEVISION SERIES–DRAMA
- “Lupin”
- “The Morning Show”
- “Pose”
- “Squid Game”
- “Succession”
ACTOR IN A TV SERIES–DRAMA
- Brian Cox, “Succession”
- Lee Jung-jae, “Squid Game”
- Billy Porter, “Pose”
- Jeremy Strong, “Succession”
- Omar Sy, “Lupin”
ACTRESS IN A TV SERIES–DRAMA
- Uzo Aduba, “In Treatment”
- Jennifer Aniston, “The Morning Show”
- Christine Baranski, “The Good Fight”
- Elisabeth Moss, “The Handmaid’s Tale”
- Michaela Jaรฉ Rodriguez, “Pose”
TV SERIES–MUSICAL OR COMEDY
- “The Great”
- “Hacks”
- “Only Murders in the Building”
- “Reservation Dogs”
- “Ted Lasso”
ACTOR IN A TV SERIES–MUSICAL OR COMEDY
- Anthony Anderson, “black-ish”
- Nicholas Hoult, “The Great”
- Steve Martin, “Only Murders in the Building”
- Martin Short, “Only Murders in the Building”
- Jason Sudeikis, “Ted Lasso”
ACTRESS IN A TV SERIES–MUSICAL OR COMEDY
- Hannah Einbinder, “Hacks”
- Elle Fanning, “The Great”
- Issa Rae, “Insecure”
- Tracee Ellis Ross, “black-ish”
- Jean Smart, “Hacks”
LIMITED SERIES, ANTHOLOGY SERIES OR MOTION PICTURE MADE FOR TV
- “Dopesick”
- “Impeachment: American Crime Story”
- “Maid”
- “Mare of Easttown”
- “The Underground Railroad”
ACTOR IN A LIMITED SERIES, ANTHOLOGY SERIES OR MOTION PICTURE MADE FOR TV
- Paul Bettany, “WandaVision”
- Oscar Isaac, “Scenes from a Marriage”
- Michael Keaton, “Dopesick”
- Ewan McGregor, “Halston”
- Tahar Rahim, “The Serpent”
ACTRESS IN A LIMITED SERIES, ANTHOLOGY SERIES OR MOTION PICTURE MADE FOR TV
- Jessica Chastain, “Scenes from a Marriage”
- Cynthia Erivo, “Genius: Aretha”
- Elizabeth Olsen, “WandaVision”
- Margaret Qualley, “Maid”
- Kate Winslet, “Mare of Easttown”
SUPPORTING ACTOR IN A SERIES, LIMITED SERIES OR MOTION PICTURE MADE FOR TV
- Kieran Culkin, “Succession”
- Mark Duplass, “The Morning Show”
- Brett Goldstein, “Ted Lasso”
- O Yeong-Su, “Squid Game”
SUPPORTING ACTRESS IN A SERIES, LIMITED SERIES OR MOTION PICTURE MADE FOR TV
- Jennifer Coolidge, “White Lotus”
- Kaitlyn Dever, “Dopesick”
- Andie MacDowell, “Maid”
- Sarah Snook, “Succession”
- Hannah Waddingham, “Ted Lasso”
Review: Director John Crowley’s “We Live In Time”
It's not hard to spend a few hours watching Florence Pugh and Andrew Garfield fall and be in love. In "We Live In Time," filmmaker John Crowley puts the audience up close and personal with this photogenic British couple through the highs and lows of a relationships in their 30s.
Everyone starts to think about the idea of time, and not having enough of it to do everything they want, at some point. But it seems to hit a lot of us very acutely in that tricky, lovely third decade. There's that cruel biological clock, of course, but also careers and homes and families getting older. Throw a cancer diagnosis in there and that timer gets ever more aggressive.
While we, and Tobias (Garfield) and Almut (Pugh), do indeed live in time, as we're constantly reminded in big and small ways โ clocks and stopwatches are ever-present, literally and metaphorically โ the movie hovers above it. The storytelling jumps back and forth through time like a scattershot memory as we piece together these lives that intersect in an elaborate, mystical and darkly comedic way: Almut runs into Tobias with her car. Their first chat is in a hospital hallway, with those glaring fluorescent lights and him bruised and cut all over. But he's so struck by this beautiful woman in front of him, he barely seems to care.
I suppose this could be considered a Lubitschian "meet-cute" even if it knowingly pushes the boundaries of our understanding of that romance trope. Before the hit, Tobias was in a hotel, attempting to sign divorce papers and his pens were out of ink and pencils kept breaking. In a fit of near-mania he leaves, wearing only his bathrobe, to go to a corner store and buy more. Walking back, he drops something in the street and bang: A new relationship is born. It's the... Read More