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    Home » Harvard Study Finds Social Media Companies Made $11 Billion In U.S. Ad Revenue From Minors

    Harvard Study Finds Social Media Companies Made $11 Billion In U.S. Ad Revenue From Minors

    By SHOOTThursday, December 28, 2023Updated:Tuesday, May 14, 2024No Comments1617 Views
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    This combination of photos shows logos of X, formerly known as Twitter, top left; Snapchat, top right; Facebook, bottom left; and TikTok, bottom right. Social media companies collectively made over $11 billion in U.S. advertising revenue from minors last year, according to a study from the Harvard T.H. Chan School of Public Health released Wednesday, Dec. 27, 2023. (AP Photo, File)

    By Barbara Ortutay & Haleluya Hadero

    --

    Social media companies collectively made over $11 billion in U.S. advertising revenue from minors last year, according to a study from the Harvard T.H. Chan School of Public Health published on Wednesday.

    The researchers say the findings show a need for government regulation of social media since the companies that stand to make money from children who use their platforms have failed to meaningfully self-regulate. They note such regulations, as well as greater transparency from tech companies, could help alleviate harms to youth mental health and curtail potentially harmful advertising practices that target children and adolescents.

    To come up with the revenue figure, the researchers estimated the number of users under 18 on Facebook, Instagram, Snapchat, TikTok, X (formerly Twitter) and YouTube in 2022 based on population data from the U.S. Census and survey data from Common Sense Media and Pew Research. They then used data from research firm eMarketer, now called Insider Intelligence, and Qustodio, a parental control app, to estimate each platform's U.S. ad revenue in 2022 and the time children spent per day on each platform. After that, the researchers said they built a simulation model using the data to estimate how much ad revenue the platforms earned from minors in the U.S.

    Researchers and lawmakers have long focused on the negative effects stemming from social media platforms, whose personally-tailored algorithms can drive children towards excessive use. This year, lawmakers in states like New York and Utah introduced or passed legislation that would curb social media use among kids, citing harms to youth mental health and other concerns.

    Meta, which owns Instagram and Facebook, is also being sued by dozens of states for allegedly contributing to the mental health crisis.

    "Although social media platforms may claim that they can self-regulate their practices to reduce the harms to young people, they have yet to do so, and our study suggests they have overwhelming financial incentives to continue to delay taking meaningful steps to protect children," said Bryn Austin, a professor in the Department of Social and Behavioral Sciences at Harvard and a senior author on the study.

    The platforms themselves don't make public how much money they earn from minors.

    Social media platforms are not the first to advertise to children, and parents and experts have long expressed concerns about marketing to kids online, on television and even in schools. But online ads can be especially insidious because they can be targeted to children and because the line between ads and the content kids seek out is often blurry.

    In a 2020 policy paper, the American Academy of Pediatrics said children are "uniquely vulnerable to the persuasive effects of advertising because of immature critical thinking skills and impulse inhibition."

    "School-aged children and teenagers may be able to recognize advertising but often are not able to resist it when it is embedded within trusted social networks, encouraged by celebrity influencers, or delivered next to personalized content," the paper noted.

    As concerns about social media and children's mental health grow, the Federal Trade Commission earlier this month proposed sweeping changes to a decades-old law that regulates how online companies can track and advertise to children. The proposed changes include turning off targeted ads to kids under 13 by default and limiting push notifications.

    According to the Harvard study, YouTube derived the greatest ad revenue from users 12 and under ($959.1 million), followed by Instagram ($801.1 million) and Facebook ($137.2 million).

    Instagram, meanwhile, derived the greatest ad revenue from users aged 13-17 ($4 billion), followed by TikTok ($2 billion) and YouTube ($1.2 billion).

    The researchers also estimate that Snapchat derived the greatest share of its overall 2022 ad revenue from users under 18 (41%), followed by TikTok (35%), YouTube (27%), and Instagram (16%).

    Barbara Ortutay and Haleluya Hadero are AP technology writers

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    Category:News
    Tags:children's privacychildren's safety onlineFacebookSnapchatYouTube



    “Mr. Loverman” Tops BAFTA Television Awards With A Pair of Wins

    Sunday, May 11, 2025

    BAFTA unveiled and honored the winners of the BAFTA Television Awards on Sunday (5/11) during a ceremony at the Southbank Centre’s Royal Festival Hall in London. Celebrating the very best of television broadcast in 2024, the ceremony was hosted by Alan Cumming, with musical performances from Jessie J, Tom Grennan and Esther Abrami.

    Mr Loverman was the only program to win two categories: Lennie James won his first acting BAFTA--Leading Actor, and Ariyon Bakare won Supporting Actor, also a first-time BAFTA winner.

    First time nominees Marisa Abela won the Leading Actress award for her performance in Industry; and Jessica Gunning won Supporting Actress for her performance in Baby Reindeer.

    In the Female Performance in a Comedy category, Ruth Jones won her first TV Awards BAFTA for Gavin & Stacey: The Finale. First-time BAFTA nominee Danny Dyer won Male Performance in a Comedy Program for his role in Mr Bigstuff.

    For the second consecutive year, Joe Lycett was awarded the BAFTA for Entertainment Performance for his show Late Night Lycett.

    This year BAFTA introduced two new categories celebrating the best of children’s television. Children’s: Scripted was won by CBeebies As You Like It at Shakespeare’s Globe; and Disability and Me (FYI Investigates) won for Children’s: Non-Scripted.

    Mr Bates vs The Post Office won Limited Drama; Blue Lights won Drama Series; and EastEnders won Soap & Continuing Drama. EastEnders had previously been presented with a BAFTA Special Award at the BAFTA Television Craft Awards last month.

    Alma’s Not Normal won Scripted Comedy; Would I Lie to You? won... Read More

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