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    Home » Hey Wonderful Signs Director Cassandra Brooksbank For Spots and Branded Entertainment

    Hey Wonderful Signs Director Cassandra Brooksbank For Spots and Branded Entertainment

    By SHOOTMonday, December 4, 2023Updated:Tuesday, May 14, 2024No Comments1519 Views
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    Cassandra "Cassie" Brooksbank
    LOS ANGELES --

    Hey Wonderful has signed action-comedy director Cassandra “Cassie” Brooksbank for U.S. representation spanning commercials and branded entertainment. 
     
    Her philosophy: “My No. 1 rule is ‘Don’t Be Boring.’” To that end, Brooksbank has directed high-octane spots such as Pepsi’s “Selfie,” which features Lionel Messi combing through a crowd of adoring fans before one captures his attention; Rexona’s “Cab Hell,” depicting a nightmarish morning commute with whiffs of a scene from a Hangover film; and General Tire’s “Vegas 2 Reno,” capturing the grit, quirk and adventure of the longest off-road race in the U.S. with a spot that plays like a scene from a Tarantino film. 

    “The first thing I look for is courage in advertising,” Brooksbank explained. “I love bold, brave creative that isn’t afraid of going for it. People have to live in the real world every day. I aim to give them something that provides an escape and shows the world in a heightened light.”
     
    “Cassie’s film and energy are magnetic—her work jumps off the screen and really cuts through the clutter,” said Sarah McMurray, Hey Wonderful’s partner/executive producer. “She has such a clear POV as a filmmaker and isn’t afraid to push her craft; as a result her film fires on all cylinders and feels developed well beyond her years in the industry. And as a woman, I’m particularly proud and excited to support a female director in the predominantly male-dominated genre of action/comedy.”

    “When I saw Cassie’s reel, I knew I was seeing something special,” said Michael Di Girolamo, Hey Wonderful’s founder and managing partner. “The most fitting description of her work is one word: Badass!  Influenced by some of the GOATS I worked with early in my career at Propaganda and Anonymous, Cassie’s work stands out for a remarkable ability to bring the cinematic conventions of action and comedy to commercials. She also understands performance and how to work with celebrity talent, the time limitations and nuanced direction that go into a great performance.”
     
    “Michael and Sarah have an amazing pedigree and give off the clout of a big company but are boutique enough that they can focus on their directors and build careers,” Brooksbank said. “They’re a great combo–with Michael’s background in sales and Sarah’s as a line producer, they cover all the bases and know how to get their hands dirty doing the actual job. They’re not figureheads. I love how involved they both are.”

    Brooksbank is a graduate of USC film school who was initially a history major before doing an unofficial boot camp at the school’s Trojan Vision TV station which saw her accepted to USC’s film program … on her 6th try. Her work at Trojan Vision involved things like interviewing Steven Spielberg and George Lucas who are among USC’s famous alumni. She also began researching her favorite films, pointing to Bad Boys, Top Gun, Snatch, Kill Bill, Fight Club and Pirates of the Caribbean as early inspirations. “I started analyzing who exactly was making these movies and their techniques and quickly realized, ‘Oh wow! These guys came up in commercials. I’d love to do the same thing!’” 
     
    Right out of film school Brooksbank started her own production company, The X-Collective, where she directed projects direct to client and built her reel. She caught the attention of Great Guns founder and CEO Laura Gregory who signed her and brokered her first large scale action-comedy work. (Great Guns continues to rep Brooksbank in the U.K.) So how does she pull off those big productions? Her technique is rooted in storytelling–with early experience as an editor–and she prefers doing action scenes in camera and then augmenting with VFX. Proficiency in production tech isn’t just cameras, lenses and rigs, she explained. “One of my closest mentors–Hugh O’Brien–is a stunt coordinator and talking through what’s possible with him really helps me bring the creative to life.”

    She is repped by CAA for film and television and is set to direct the action-comedy My Masterpiece with Sylvester Stallone’s Balboa Productions in 2024. Academy Award nominee Maria Bakalova (Borat Subsequent Movie Film) will star. 

     

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    Category:News
    Tags:Cassandra BrooksbankHey WonderfulMichael Di GirolamoSarah McMurray



    Review: Kate Winslet Makes Feature Directorial Debut With “Goodbye June”

    Friday, December 12, 2025

    Kate Winslet is due a very thoughtful Christmas gift this year. The veteran actor made a pretty extraordinary maternal gesture, directing, producing and starring in a film her son, Joe Anders, wrote, "Goodbye June," which is in limited release this weekend and streaming on Netflix Dec. 24.

    While it might be worth pointing out that the script originated in a screenwriting class, there will be no nepo baby jokes here. Put alongside most of the Christmas offerings on Netflix, which seem to veer more toward the secret princess/fantasy/romance side of things, and aren't even attempting to be, well, very good, "Goodbye June" is an admirably solid, if generic, drama about family and death with a very distinguished cast.

    Terminal illness, estranged adult siblings and hospital rooms are certainly not going to be everyone's cup of tea around the holidays, but you probably already know by this point whether this is an experience you want to sign up for. It remains a mystery why so many holiday movies feel the need to include a dying mother. Perhaps it's because, from an emotional standpoint, it rarely misses.

    Unlike, say "The Family Stone" however, "Goodbye June" actually places the audience in that most unpleasant of settings: The hospital. It begins with a nightmare scenario, with the elderly mother, June ( Helen Mirren ) collapsing as the kettle cries out on the stove. Her grown son Connor (Johnny Flynn) finds her, collects his father Bernie (Timothy Spall), and they race off to the hospital, forgetting to turn off the tap in the sink before they leave. "Goodbye June" has an eye for the mundane details that make up everyday life that all seem so small in the face of loss.

    Soon, they're greeted by the rest of June and Bernie's daughters, Julia... Read More

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